Cantores CeleStes Maritimes Director Kelly Galbraith AccompaniSt: Dr. Kevin Langford Cantores CeleStes String Quartet Jane Quinn & Chris Reibling: violin Susannah Mckenzie-Sutter: viola John Buckley: Cello Andrew Mott: Percussion Cantores Ce... Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">Cantores CeleStes Maritimes Director Kelly Galbraith AccompaniSt: Dr. Kevin Langford Cantores CeleStes String Quartet Jane Quinn & Chris Reibling: violin Susannah Mckenzie-Sutter: viola John Buckley: Cello Andrew Mott: Percussion Cantores CeleStes Maritimes was formed in June 2022 in Saint John NB This is from our Concert 'Untraveled Worlds' April 29, 2023 www.cantoresceleStes.com Facebook: Cantores CeleStes Twitter: @Cantores_Choir YouTube: Kelly Galbraith cantoresceleStes@hotmail.com Style.display='';$(this).getParent().Style.display='none';">less
Provided to YouTube by TuneCore Kaisa-Isa Niyan · The Philippine Madrigal Singers · Mark Anthony Carpio · Nilo Alcala Onomatopoeia: The Choral Works of Nilo Alcala ℗ 2017 Nilo Alcala Released on: 2017-09-15 Auto-generated by YouTube.
Slumber Songs (3 Canadian Nocturnes, movement I) text: John McCrae music: Nathaniel Barnes singer: Matthew Curtis I Sleep, little eyes That brim with childish tears amid thy play, Be comforted! No grief of night can weigh AgainSt the joys that... Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">Slumber Songs (3 Canadian Nocturnes, movement I) text: John McCrae music: Nathaniel Barnes singer: Matthew Curtis I Sleep, little eyes That brim with childish tears amid thy play, Be comforted! No grief of night can weigh AgainSt the joys that throng thy coming day. Sleep, little heart! There is no place in Slumberland for tears: Life soon enough will bring its chilling fears And sorrows that will dim the after years. Sleep, little heart! II Ah, little eyes Dead blossoms of a springtime long ago, That life's Storm crushed and left to lie below The benediction of the falling snow! Sleep, little heart That ceased so long ago its frantic beat! The years that come and go with silent feet Have naught to tell save this — that reSt is sweet. Sleep, little heart. http://www.choirplace.com/profile/Nathaniel Matthew Curtis https://choraltracks.com/ Style.display='';$(this).getParent().Style.display='none';">less
[A version of this article firSt appeared as a poSt on my blog From the Front of the Choir] Back in 2012 The Guardian Started a project called Six Songs of Me that asks which songs matter moSt to each of us on a personal level (the pro...
It`s all right with me (Cole Porter) perfomed by MLADA choir Conductor: Olga Vyguzova Пермский хор «Млада», Пермь Художественный руководитель: Ольга Выгузова (Заслуженный деятель искусств РФ)
The full chorus taken in 2012 after a rehearsal.
Marryatville High School's Special IntereSt Music caters for selected gifted Students and Students with musical potential. Choral music is an essential part of the musical development of these Students. The Concert Choir is an auditioned choir of about 40.
SHEET MUSIC: https://musicspoke.com/downloads/the-... PROGRAM NOTES: “I breathed a song into the air, it fell to earth I knew not where.” Ten years ago, I wrote a composition called Always Keep This Close with little idea of where it would go or wh... Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">SHEET MUSIC: https://musicspoke.com/downloads/the-... PROGRAM NOTES: “I breathed a song into the air, it fell to earth I knew not where.” Ten years ago, I wrote a composition called Always Keep This Close with little idea of where it would go or what it would come to mean for others. To find that song living in the hearts of other musicians is both humbling and surprising. For me, it’s a reminder of how powerful our actions and words can be. Something that feels insignificant to one person can be life-changing to another. While creating The Heart of a Friend, I knew from the Start that I wanted to shape a melodic arc that captured the trajectory of both the arrow and the song. I felt Strongly that the firSt two Stanzas needed to end at a high point, preserving the uncertainty of where each might land. Only in the third Stanza does the melody turn downward, revealing the reSt of its path. I then combine these two halves to symbolically represent reflection—looking back on an action and seeing the journe... Style.display='';$(this).getParent().Style.display='none';">less
Voices: ChoralTracks https://www.cpdl.org/wiki/index.php/Psalm_67_(Scott_Villard)
