Now I've heard there was a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this, the fourth, the fifth The minor falls, the major lifts The baffled king composing Hallelujah Hallelu...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Now I've heard there was a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this, the fourth, the fifth The minor falls, the major lifts The baffled king composing Hallelujah HallelujAh, Hallelujah HallelujAh, Hallelujah  

Jerusalem A-Cappella Singers - זמרי א-קפלה ירושלים Conducted by Judi Axelrod בניצוחה של ג'ודי אקסלרוד "O Haupt voll Blut und Wunden", J. S. Bach Text: Yaakov Shabtai "ולא ישאו עוד חרב", י. ס. באך מילים: יעקב שבתאי www.facebook.com/jerusalemacappella

BENEDICTION, An Irish Blessing - by John Conahan, SATB a cappella. In this video, you'll be able to view the complete score in tandem with a performance. For more information and additional works, visit www.Johnconahan.com. (© John Conahan)

"Der Geist hilft unser Schwachheit auf" BWV226 J.S. Bach Coral Reyes Bartlet Humboldt Ensemble José Híjar Polo, Maestro de Coro Mark Peters, Director VIII Festival de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 2...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">"Der Geist hilft unser Schwachheit auf" BWV226 J.S. Bach Coral Reyes Bartlet Humboldt Ensemble José Híjar Polo, Maestro de Coro Mark Peters, Director VIII Festival de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 28 de marzo de 2010 www.reyesbartlet.com  

Weep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most interna...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Weep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Weep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Weep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

King of kings, Lord of lords' - Hymn of Glory to Christ - Epic Orchestra and Choir

The US Males of University School sing a tribute to John Williams (aka "John Williams is the Man")

Actuación en el San Rafael Coral, día 1

LOVE OF FIRE - by John Conahan. SATB divisi, a cappella. This is an a cappella setting of a poem by Sarah Hudlow. In this video, you'll be able to view the complete score in tandem with a performance. More information and additional scores, visit www.John...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">LOVE OF FIRE - by John Conahan. SATB divisi, a cappella. This is an a cappella setting of a poem by Sarah Hudlow. In this video, you'll be able to view the complete score in tandem with a performance. More information and additional scores, visit www.Johnconahan.com. (© John Conahan)