11th International Choir Competition Maribor, Slovenia April 2011

performed by Rosthern Junior College Chorale, Knox United Church, Saskatoon, 2008

33rd International May Choir Competition Varna, Bulgaria May 2011

Angels We Have Heard on High, arr. David Zabriskie. The Virginia Wesleyan College Singers with Bryson Mortensen conducting, George Stone, piano, Lauren Lide, flute, and the Tapestry Bell Ensemble in Norfolk, VA. Like the Choirs at Virginia Wesleyan Colleg...  moreAngels We Have Heard on High, arr. David Zabriskie. The Virginia Wesleyan College Singers with Bryson Mortensen conducting, George Stone, piano, Lauren Lide, flute, and the Tapestry Bell Ensemble in Norfolk, VA. Like the Choirs at Virginia Wesleyan College at https://www.facebook.com/The-Choirs-at-Virginia-Wesleyan-College-1498497363730214/.  

Ronald Naldi, Tenor The Ocean Grove Great Auditorium Choir MidAtlantic Philharmonic Orchestra Jason C. Tramm, Conductor Recorded on the Sacred Masterworks Concert Aug. 28, 2022 The Great Auditorium (Ocean Grove, NJ)

'Ave Maria' by Franz Joseph Haydn (Arranger for Strings: Hugues Laforte-Bouchard) 1 take on cell phone (2 cameras) Cantores Celestes Maritimes Saint John Men's Chorus Cantores Celestes String Quartet Director Kelly Galbraith This is a piece ...  more'Ave Maria' by Franz Joseph Haydn (Arranger for Strings: Hugues Laforte-Bouchard) 1 take on cell phone (2 cameras) Cantores Celestes Maritimes Saint John Men's Chorus Cantores Celestes String Quartet Director Kelly Galbraith This is a piece from the repertoire of our Christmas Concert 'Dancing Day'' by Cantores Celestes Maritimes and the Saint John Men's Chorus under the direction of Kelly Galbraith in the beautiful acoustics of Stella Maris Church in Saint John. www.cantorescelestes.com Facebook: Cantores Celestes X: @Cantores_Choir YouTube: Kelly Galbraith cantorescelestes@hotmail.com  less

What an amazing joint performance with our wonderful American friends! A memory both choirs will treasure! : )

The Choir of Somerville College, Oxford Robert Pecksmith (organ) David Crown (conductor) Somerville College Chapel, Oxford 4 May 2014 Website: http://www.somervillechoir.com Facebook: http://www.facebook.com/somervillechoir Organist: http://www...  moreThe Choir of Somerville College, Oxford Robert Pecksmith (organ) David Crown (conductor) Somerville College Chapel, Oxford 4 May 2014 Website: http://www.somervillechoir.com Facebook: http://www.facebook.com/somervillechoir Organist: http://www.robert-smith.org.uk Conductor: http://www.david-crown.com  

The Choir of Somerville College, Oxford Will Dawes (conductor) Somerville College Chapel, May 2019 Website: http://www.somervillechoir.com Facebook: http://www.facebook.com/somervillechoir Twitter: http://twitter.com/SomervilleChoir Conductor: h...  moreThe Choir of Somerville College, Oxford Will Dawes (conductor) Somerville College Chapel, May 2019 Website: http://www.somervillechoir.com Facebook: http://www.facebook.com/somervillechoir Twitter: http://twitter.com/SomervilleChoir Conductor: http://www.willdawes.co.uk  

Recorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against ...  moreRecorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against the reedy shore, Thus sang her last, and sang no more: 'Farewell, all joys; Oh death, come close mine eyes; More geese than swans now live, more fools than wise.' " - Orlando Gibbons (1583 - 1625) Program notes: A famous text also famously used by Gibbons himself for his own Madrigal, Hailstork here pays homage to the work's 16th-century roots. An early composition (written while in College) from the proflic composer, Hailstork combined his own language with his love for choral literature to create a piece reminiscent of the Renaissance with a modern flair. The harmonic language harkens back to a hexachordal modality of the 16th century, uses an unaccompanied SATB choir, and employs varied moments of imitative polyphony and homophony. This short wor...    less