Haydn: Sing the Lord, ye voices all. Mendelssohn Singers conducted by TMC Associate Conductor Matthew Otto. James Bourne, piano. Michael Bloss, organ. Performed at the Toronto Mendelssohn Choir's Symposium concert on January 26, 2013 at Yorkminster Park...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Haydn: Sing the Lord, ye voices all. Mendelssohn Singers conducted by TMC Associate Conductor Matthew Otto. James Bourne, piano. Michael Bloss, organ. Performed at the Toronto Mendelssohn Choir's Symposium concert on January 26, 2013 at Yorkminster Park Baptist Church. This concert concluded the TMC's 2013 Choral Conductors' Symposium led by Noel Edison. Webcast produced by Inline Digital.  

Join us on facebook : https://www.facebook.com/fanclubAndantino The famous poem done as a song taken from from Lieutenant Colonel John McCrae, MD (1872-1918) Canadian Army McCrae maakte tijdens de Eerste Wereldoorlog als frontarts in 1915 de Tweede Slag...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Join us on facebook : https://www.facebook.com/fanclubAndantino The famous poem done as a song taken from from Lieutenant Colonel John McCrae, MD (1872-1918) Canadian Army McCrae maakte tijdens de Eerste Wereldoorlog als frontarts in 1915 de Tweede Slag van Ieper mee. Daar ontstond zijn beroemde gedicht. McCrae's graf in het Frans-Vlaamse Wimereux (vroeger Wimmerrewe of Wimerreuwe) Stadhuis Vilvoorde 10/11/2014 Andantino (Vilvoorde België olv Peter De Waele) In Flanders fields the poppies blow Between the crosses, row on row That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw sunset glow, Loved, and were loved, and now we lie In Flanders fields. Take up our quarrel with the foe: To you from failing hands we throw The torch; be yours to hold it high. If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields. “In Vlaanderens velden bloeien de kl...    is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Thomas Rossin conducts excerpts from oratorio. Azure Anderson, Alto, Andrew Barrett, Tenor and Robert Sunderlin, Baritone

Bless the Lord O my Soul - Pavel Chesnokov Christina Morphova female choir at the House of Culture Dr.Peter Beron-Sofia,Bulgaria Conductor-Tanya Nikleva-Vladeva

La Chorale CasaSawt et la Chorale SGMA sous la direction de son chef d'orchestre et de chœur Adnane MATRONE lors de la 3ème édition du Festival International SAWT des Chœurs et Ensembles Vocaux à Casablanca avec la participation de l'Orchestre Symphonique...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">La Chorale CasaSawt et la Chorale SGMA sous la direction de son chef d'orchestre et de chœur Adnane MATRONE lors de la 3ème édition du Festival International SAWT des Chœurs et Ensembles Vocaux à Casablanca avec la participation de l'Orchestre Symphonique UNIVERSALis. Le Festival SAWT (3ème édition - Du 12 au 15 Avril 2017) Le Cantique de Jean Racine est une œuvre pour chœur mixte à 4 voix et orgue (il existe deux orchestrations datées de 1875 et de 1901). Cette œuvre est une vraie réussite pour un jeune compositeur âgé de seulement 19 ans. Encore élève à L’École de musique religieuse Niedermeyer, la composition de ce Cantique lui a valu un premier prix de composition qui couronna ses 10 années d’études. - Titre : Cantique de Jean Racine - Chef d'orchestre : Adnane MATRONE - Orchestre : Orchestre Universalis - Interprétation : Chorale CasaSawt & Chorale SGMA Paroles : Verbe égal au Très-Haut, notre unique espérance, Jour éternel de la terre et des cieux, De la paisible nuit, nous rompons le...    is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

London choir Vasari Singers perform's Gabriel Jackson's anthem Let us all rejoice in the Lord. This was filmed in a live concert performance at St Sepulchre's Church, London, in October 2012. http://www.vasarisingers.org Video production by Lee Devine 2012

Concierto didáctico del Coro del Conservatorio Superior de Música de Canarias en el Gabinete Literario de Las Palmas de Gran Canaria. Interpretan la obra "Didn't my Lord Deliver Daniel?" del compositor Moses Hogan. Solistas: Daniel Miranda, Cristina Ram...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Concierto didáctico del Coro del Conservatorio Superior de Música de Canarias en el Gabinete Literario de Las Palmas de Gran Canaria. Interpretan la obra "Didn't my Lord Deliver Daniel?" del compositor Moses Hogan. Solistas: Daniel Miranda, Cristina Ramos, Alicia Ramos, Luna Mihalic, Dafne Oramas Dirige: Nikoleta Stefanova Popova  

Weep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internat...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Weep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Weep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internatio...  is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Weep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

#Aliceis90 Alice Parker's arrangement of "John Saw duh Numbah." Congregational Church of Batavia, IL. Sunday, 3/13/16.