Video clip de la versión de Legatto 7 de La Vida es un Carnaval, compuesta por Victor Daniel. Legatto 7, Banda vocal, interpreta su versión a capella que popularizó Celia Cruz, y que Legatto 7 toma para hacerlo solo con sus voces. Con Legatto 7 los inst...  moreVideo clip de la versión de Legatto 7 de La Vida es un Carnaval, compuesta por Victor Daniel. Legatto 7, Banda vocal, interpreta su versión a capella que popularizó Celia Cruz, y que Legatto 7 toma para hacerlo solo con sus voces. Con Legatto 7 los instrumentos sobran, las voces son suficientes para hacer buena música. ¡Son los creadores de la Gozadera Vocal! Legatto 7 Banda Vocal pionera en Colombia con mas de 16 años de historia, ha realizado conciertos en España, Venezuela, Ecuador, México y Brasil. Para mayor información de la agrupación: legatto7@gmail.com, legatto_vocal@yahoo.com www.legatto7.com www.facebook.com/legatto7 Integrantes: Marcela Prada, María Angélica Murcia, Pacho Casas, Yolmer Hurtado, Gustavo Aguirre, Dwaygth Nayib García.  less

title: A pe oen bihan bihannik As I was a little, little child French folk song Basse-Bretagne Vannetais Laridé. arrangement: Jean-Christophe Rosaz Vocal Quatuor Méliades Recording: http://www.advitam-records.com/catalo... Publishing: https://...  moretitle: A pe oen bihan bihannik As I was a little, little child French folk song Basse-Bretagne Vannetais Laridé. arrangement: Jean-Christophe Rosaz Vocal Quatuor Méliades Recording: http://www.advitam-records.com/catalo... Publishing: https://www.schola-editions.com/accueil/ --- 1) When I was little so little Lanla, lanla digedig When I was little so little Lanla, lanla digeda! They dressed me neatly Lan digedig e roulanla! They dressed me neatly Lan digedig e lanla! 2) They dressed me neatly To take in the moor my sheep 3) I did’nt take them to the moor I let them on the side of the road 4) I let them on the side of the road where passed great gentlemen 5) some on foot, others on horse riders greeted me 6) riders greeted me those on foot stopped me 7) Sir, let me go! I hear my mother calling me 8) I hear my mother calling me At home to marry me 9) Tell my mother, tell me What dress will I take? 10) Is it my double chain dress? You will take your white d...    less

[A version of this article first appeared as a post on my blog From the Front of the choir] What is a choir leader without a choir?   There are times when you won’t be able to be with your choir in person. Here are some things to help k...

[this is a version of a post which first appeared on my blog From the Front of the choir]   Many choirs dress identically when they perform. Some have a choir uniform, some choose a particular colour for a particular concert, some have specially m...

[A version of this article first appeared as a post on my blog From the Front of the choir] There are many reasons why you might have to stay home and not be able to get to choir. How can you keep your choral and musical interests alive? Here are 1...

[A version of this article first appeared as a post on my blog From the Front of the choir]   When I started my first ever choir, WorldSong, it was an open-access beginner’s choir and anyone who wanted to sing could join.   &nbs...

Na juriš in the mood! From marching songs to swing Na juriš in the mood! with music from the time of the fight against fascism. From music of pre-war Paris, Jewish, French and Italian partisan songs, American swing to Slovenian partisan songs. Fr...  moreNa juriš in the mood! From marching songs to swing Na juriš in the mood! with music from the time of the fight against fascism. From music of pre-war Paris, Jewish, French and Italian partisan songs, American swing to Slovenian partisan songs. From Boogie Woogie Bugle Boy, Kiss me Good Night, Sergeant Major, Lili Marleen, Lets Remember Pearl Harbour, Je suis swing, to Kovači smo and Na juriš. Author of the project and conductor: Karmina Šilec Carmina Slovenica Slovenian Armed forces Orchestra Big band of the Slovenian Armed forces Orchestra with soloists Janez Dovč, accordion Marko Črnčec, piano Matej Hotko, doublebass Gašper Peršl, percussion Saša Olenjuk, violin, guitar, harmonica Darko Rošker, tuba Nadja Stegne, Zvezdana Novaković, Mojca Potrč, Jasmina Črnčič, Eva Germ, vocal The Fighting Son of a Gun music and text Zeke Manners, transcription Marko Črnčec  less

"STABAT MATER", Giovanni Baptista PERGOLESI I. Stabat Mater II. Cujus animam III. O quam tristis IV. Quae moerebat V. Quis est homo VI. Vidit suum VII. Eia Mater VIII. Fac ut ardeat IX. Sancta Mater X. Fac ut portem XI. Inflamatus XII. Quando ...  more"STABAT MATER", Giovanni Baptista PERGOLESI I. Stabat Mater II. Cujus animam III. O quam tristis IV. Quae moerebat V. Quis est homo VI. Vidit suum VII. Eia Mater VIII. Fac ut ardeat IX. Sancta Mater X. Fac ut portem XI. Inflamatus XII. Quando corpus -- Amen ORQUestA FILARMONÍA CORO FILARMONÍA Cecilia Lavilla (Soprano) Maite Maruri (Contralto) Dir: PASCUAL OSA Ciclo de conciertos "LA MÚSICA EN LA HISTORIA" 2º concierto: EL BARROCO (1730-1750) Auditorio Centro de Arte de Alcobendas (Madrid) Grabado por Julio Menor Sonido directo de videocámara  less

[this is a version of a post which first appeared on my blog From the Front of the choir]   I realise that apart from my profile page on this blog, you probably don’t know much about me or my journey to become a choir and singing workshop lea...

[A version of this article first appeared as a post on my blog From the Front of the choir]   I often get people writing to me for advice about choirs. Some of them don’t agree with the direction their choir leader is taking them, some ...