Regarded as one of the finest masterpieces of all Western Music, this passion setting brings to music the text of Matthew 26 and 27 concerning the suffering and death of Jesus Christ. The evangelist tells the story, arias convey the inner feelings of us h...  moreRegarded as one of the finest masterpieces of all Western Music, this passion setting brings to music the text of Matthew 26 and 27 concerning the suffering and death of Jesus Christ. The evangelist tells the story, arias convey the inner feelings of us humans as we gaze upon the Golgotha scene and choruses and chorales reflect on our own place in the drama. Bach's incredible work of art stands alone in its complete telling of the crucifixion story in a manner which stirs and moves the soul of the performer and listener. This is a mountaintop experience not to be missed.  less

"Cancion de los Tsáchilas." Four traditional Tsáchila songs, arr. Michael Sample. Recorded live on December 14, 2014, at The Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl Choir...  more"Cancion de los Tsáchilas." Four traditional Tsáchila songs, arr. Michael Sample. Recorded live on December 14, 2014, at The Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Percussion: Bradley Peterson. This indigenous Community, often referred to as The Colorados, is located in the northern coastal region of Ecuador. In the face of modernization, music serves as a tool for this group to preserve their history, traditions, and culture. Tsáchilas music-making includes dance, philosophy, spirituality, cultural traditions, and Community involvement with a strong connection to nature and respect for the land. By singing this piece, our ensemble is actively helping to protect and promote the Tsáchila Community. A portion of the proceeds from our purchase of the score has been sent to the Community to assist in the preservation of their culture. TRANSLATION Beautiful woma...    less

A powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, curr...  moreA powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing meters of “Border” fill the work with an up-tempo, rhythmic energy that propels it forward. Campbell’s piece hardly relents, even as the pace slows this work presses forward with a colorful and often modal harmonic language. “Border” is a call for justice, empathy and compassion, a summons to our collective conscience.  less

【wow! 合唱】音樂會 時間/ 2014年9月20日 地點/ 大東文化藝術中心 指揮/ 朱如鳳 浪漫派德國作曲家布拉姆斯（Johannes Brahms， 1833-97），於55歲時寫下無伴奏合唱代表作《五首歌曲》（FünfGesänge， op.104， 1888），其中第一、二樂章的歌詞均取自呂克特（Friedrich Rückert， 1788-1866）的詩作〈夜哨〉（Nachtwache）。 B小調第一樂章為六聲部混聲合唱，以厚重的塊狀和弦、複雜多變的和聲，極弱的基本音...  more【wow! 合唱】音樂會 時間/ 2014年9月20日 地點/ 大東文化藝術中心 指揮/ 朱如鳳 浪漫派德國作曲家布拉姆斯（Johannes Brahms， 1833-97），於55歲時寫下無伴奏合唱代表作《五首歌曲》（FünfGesänge， op.104， 1888），其中第一、二樂章的歌詞均取自呂克特（Friedrich Rückert， 1788-1866）的詩作〈夜哨〉（Nachtwache）。 B小調第一樂章為六聲部混聲合唱，以厚重的塊狀和弦、複雜多變的和聲，極弱的基本音量，營造陰鬱晦暗的色調，描繪歌詞中徹夜無眠的悲傷。 LeiseTöne der Brust,gewecktvom Odem der Liebe, Hauchetzitterndhinaus,obsicheuchöffen' einOhr, Öffn' einliebendesHerz,und wennsichkeineseuchöffnet, Trag' einNachtwindeuchseufzend in meineszurück. 充滿愛的氣息，讓細微的聲響 顫抖地自胸口發出，你們聽得到嗎 展現出你們的和善吧，若你們無動於衷 僅有夜風嘆息地把這哀傷送回到我心中  less

Emma and Geraldine talk about why singing is SO great! More info on future events - http://www.ggcc.org.uk Emma's site - http://www.emformusic.co.uk Geraldine's site - http://www.lucemusic.london

A teaser of Inspira's Season 2 Finale Concert "Beyond A Distant Shore" concept created and developed by CalgaryChoirs Staff and advisors. Works in this track: "Whitby Bay" used under special licensing through MTI New York. "All too Soon" by Stephen Hat...  moreA teaser of Inspira's Season 2 Finale Concert "Beyond A Distant Shore" concept created and developed by CalgaryChoirs Staff and advisors. Works in this track: "Whitby Bay" used under special licensing through MTI New York. "All too Soon" by Stephen Hatfield and "Homeward Bound" by Marta Keen. All orchestrations by Nick Turnbull (SOCAN) and arranged by special permission. Nick Turnbull, Music Director.  

Surgiu em finais de 2009, num contexto catequético,da necessidade e gosto pela existência de um grupo que se dedicasse a animar as festas da catequese. Naturalmente a sua dinâmica foi assumindo outras performances. Atualmente é formado por 35 elementos...  moreSurgiu em finais de 2009, num contexto catequético,da necessidade e gosto pela existência de um grupo que se dedicasse a animar as festas da catequese. Naturalmente a sua dinâmica foi assumindo outras performances. Atualmente é formado por 35 elementos, com idades compreendidas entre os 5 e os 18 anos. Privilegiamos a música cristã contemporânea e / ou gospel, bem como temas pop/rock que de alguma forma revelem e / ou transmitam valores humanos e sociais. Neste âmbito, e entre muitos outros, constam do nosso reportório temas de filmes épicos e musicais, interpretados em Português, Inglês e Italiano... (Reportório in Concert)  less

Lux Aeterna 'Nimrod' from Edward Elgar's Enigma Variations arranged by James Cameron Performed by the Philippine Madrigal Singers Mark Anthony Carpio, Choirmaster Church of St. Ignatius Loyola, New York City; September 2009 Lux æterna luceat e...  moreLux Aeterna 'Nimrod' from Edward Elgar's Enigma Variations arranged by James Cameron Performed by the Philippine Madrigal Singers Mark Anthony Carpio, Choirmaster Church of St. Ignatius Loyola, New York City; September 2009 Lux æterna luceat eis, Domine 'May everlasting light shine upon them, O Lord.' 9/11... in memoriam of that tragic day that occurred a decade ago.  

[The views expressed in this blog are from my personal experiences from almost 30 years of leading non-auditioned Community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions ac...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned Community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...