Recorded on April 29, 2012 using a Flip Video camera.

HALLELUJAH de Leonard Cohen. Extrait du grand Concert de Noël du @Theatreduchatelet au Grand Palais le dimanche 17 décembre 2017 avec le Chœur d'Enfants Sotto Voce, dirigé par Scott Alan Prouty avec Richard Davis au piano. Ce Concert était filmé par ARTE,...  moreHALLELUJAH de Leonard Cohen. Extrait du grand Concert de Noël du @Theatreduchatelet au Grand Palais le dimanche 17 décembre 2017 avec le Chœur d'Enfants Sotto Voce, dirigé par Scott Alan Prouty avec Richard Davis au piano. Ce Concert était filmé par ARTE, réalisation de Christian Leblé. (Camera Lucida Productions)  

The Gesualdo Six are a vocal sextet specialising in The performance of renaissance polyphony, directed by Owain Park. The ensemble is made up of undergraduates and graduates of Cambridge University, and currently The choirs of King’s, St John’s and Trinit...  moreThe Gesualdo Six are a vocal sextet specialising in The performance of renaissance polyphony, directed by Owain Park. The ensemble is made up of undergraduates and graduates of Cambridge University, and currently The choirs of King’s, St John’s and Trinity colleges are represented. Recent Concerts have included performances of Gesualdo’s Tenebrae Responsories for Maundy Thursday (Feria Quinta), Monteverdi madrigals and anThems by Byrd. The ensemble has also performed music by Ligeti, Rheinberger and arrangements by Philip Lawson. Future engagements include a lunchtime Concert in The Cambridge St John’s Music Festival, as well as Concerts at Jesus and Caius colleges.  less

Poem by 17th Century Unitarian minister and poet John Mason, music composed and performed by David W Solomons [aka The dwsChorale]. This particular setting was composed with a small mixed-ability choir in mind, so The Voices are mainly in two parts ...  morePoem by 17th Century Unitarian minister and poet John Mason, music composed and performed by David W Solomons [aka The dwsChorale]. This particular setting was composed with a small mixed-ability choir in mind, so The Voices are mainly in two parts (men's and women's Voices), splitting to four parts (SATB) occasionally, where The words suggest it. The musical style is reminiscent of The 19th century although The piano part does go into 20th century style syncopation at times.