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video:
M. Archer (1952): O magnum mysterium (Ensemble InContrà)
"O magnum mysterium" for mixed choir
by Malcolm Archer (1952)
performed by Ensemble InContrà
conductor: Roberto Brisotto
Excerpt from the cd "Sicut Incensum" (2021)
Recording, edit and mix: Diego Ceruti
Master: Andrea De Bernardi, Diego Ceruti @ E... more"O magnum mysterium" for mixed choir
by Malcolm Archer (1952)
performed by Ensemble InContrà
conductor: Roberto Brisotto
Excerpt from the cd "Sicut Incensum" (2021)
Recording, edit and mix: Diego Ceruti
Master: Andrea De Bernardi, Diego Ceruti @ Eleven Mastering
Graphic project: Cinzia Porro
Video by Remo Bortolin (Fotoclik)
Photos by Marco Saccon (Maruko Frusciante):
Jean Langlais Festival 2019
11/7/2019 Church - La Fontenelle, Brittany, (France)
12/7/2019 Church of Notre dame - Pontorson, Brittany (France)
13/7/2019 Basilique de Notre-Dame - Pontmain, Loire (France)
Thanks to
USCI FVG, Comune di Fontanafredda, Don Gilberto Sessantini, Don Ezio Segat, Don Massimo Bazzichetto, Remo Bortolin (Fotoclik), Brenda Dean, Marco Saccon (Maruko Frusciante), Diego and Cinzia less
group:
Southern California Children's Choir
The Southern California Children’s Chorus (SCCC), Orange County’s only chorus dedicated exclusively to meeting the educational and performance needs of children, seeks to do more than introduce youth to music and singing. It strives to enrich the lives of... moreThe Southern California Children’s Chorus (SCCC), Orange County’s only chorus dedicated exclusively to meeting the educational and performance needs of children, seeks to do more than introduce youth to music and singing. It strives to enrich the lives of its members through programs stressing musical aptitude, teamwork, discipline, self-confidence and personal growth. Music camps, social outings, concert tours and an annual, child-involved fundraiser are combined with weekly rehearsals and live performances to create the type of nurturing environment that enables members to mature musically and socially. The SCCC and its musical directors serve as mentors, coaches and friends to students in a variety of socioeconomic levels. less
video:
St. Olaf Choir - "Even When He Is Silent" by Kim André Arnesen
The St. Olaf Choir and conductor Anton Armstrong performs "Even When He Is Silent" by Kim André Arnesen. Recorded in concert at Nidaros Cathedral, Trondheim, Norway on June 16, 2013
Commissioned by the St. Olaf Festival in Trondheim, Norway (Olavsfestd... moreThe St. Olaf Choir and conductor Anton Armstrong performs "Even When He Is Silent" by Kim André Arnesen. Recorded in concert at Nidaros Cathedral, Trondheim, Norway on June 16, 2013
Commissioned by the St. Olaf Festival in Trondheim, Norway (Olavsfestdagene).
The text was found in a concentration camp after World War 2:
I believe in the sun, even when it's not shining.
I believe in love, even when I feel it not.
I believe in God, even when He is silent.
The piece is published by Norsk Musikforlag in both SATB and SSAA version. www.norskmusikforlag.no
www.kimarnesen.com
Copyright © 2013 St. Olaf College. All Rights Reserved. Music posted by permission of the composer. less
video:
William Byrd (1539/40-1623): Ave verum corpus
Ave verum corpus
by William Byrd (1539/40-1623)
Ensemble In Contrà
conductor: Roberto Brisotto
Live recording
Chiesa parrocchiale di San Giovanni Bosco
Lignano Sabbiadoro (UD)
ITALIA
video:
Bogoroditse Devo - Sergey Khvoshchinsky
Bogoroditse Devo is a contemporary Russian setting of the classic Hail Mary text. The piece was commissioned by The Rose Ensemble in 2009. It has quickly become a favorite of choirs and Choral music lovers all over the world. This is a MUST HEAR piece,... moreBogoroditse Devo is a contemporary Russian setting of the classic Hail Mary text. The piece was commissioned by The Rose Ensemble in 2009. It has quickly become a favorite of choirs and Choral music lovers all over the world. This is a MUST HEAR piece, and if you're a mixed choir, a MUST PERFORM piece too!
video:
Natt over Jorden - excerpt (verse three)
As part of the Vocal Art Ensemble's "INKSPELL--Choral Music Inspired by Masters of Poetry" concerts, this is the third 'verse' of Karin Rehnqvist's "Natt over Jorden" for women's chorus. Written by Eric Blomberg, the poem/lyrics speak of a lonely Earth, b... moreAs part of the Vocal Art Ensemble's "INKSPELL--Choral Music Inspired by Masters of Poetry" concerts, this is the third 'verse' of Karin Rehnqvist's "Natt over Jorden" for women's chorus. Written by Eric Blomberg, the poem/lyrics speak of a lonely Earth, blanketed by the dark cover of night, suspended in an ocean of stars.
video:
Henryk Gorecki - TOTUS TUUS - Officina Corale
Henryk Gorecki: TOTUS TUUS
Performed by OFFICINA CORALE
STEFANO PURI, conductor
26.03.17 - Basilica di Santo Stefano Rotondo (Rome) - Live recording
http://www.officinacorale.com
http://www.stefanopuri.com
video:
Bernstein: Chichester Psalms - The Learners Chorus
Leonard Bernstein - Chichester Psalms
The Learners Chorus
The Learners Orchestra
Apollo Wong, conductor
Dylan Lam-Decker, treble
Chapters:
0:00 I. Psalm 108, verse 2; Psalm 100
3:43 II. Psalm 23; Psalm 2, verses 1-4
9:00 III. Psalm 131; P... moreLeonard Bernstein - Chichester Psalms
The Learners Chorus
The Learners Orchestra
Apollo Wong, conductor
Dylan Lam-Decker, treble
Chapters:
0:00 I. Psalm 108, verse 2; Psalm 100
3:43 II. Psalm 23; Psalm 2, verses 1-4
9:00 III. Psalm 131; Psam 133, verse 1
video:
David Rain: "Good King Wenceslas" (sung by Matthew Curtis)
This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life.
Some background... moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life.
Some background:
I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!"
All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece.
I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra... less