The Antioch Chamber Ensemble sings Movement II from Paul Mealor's Stabat Mater on March 30, 2012 at St. Paul's Chapel in NYC. Molly Quinn, soprano. Christine Chang, pianist.

Recording: Blue Valley Northwest High School Chamber Singers Kevin Coker, director...World premiere performance... Southwestern ACDA Conference - March 2016... - - - (TRADUCCIÓN AL ESPAÑOL ABAJO) - - - [ Yele maoulo! ] The conch shells are sound...  moreRecording: Blue Valley Northwest High School Chamber Singers Kevin Coker, director...World premiere performance... Southwestern ACDA Conference - March 2016... - - - (TRADUCCIÓN AL ESPAÑOL ABAJO) - - - [ Yele maoulo! ] The conch shells are sounding, The roosters haven’t crowed yet, The sun hasn’t risen yet, The workers are on Their feet! Ranpono has begun! Laborers, let’s put our hands togeTher, Let’s join togeTher, The work has begun! Little by little, The bird makes its nest. My broThers, my sisters, Join togeTher, let’s move forward! Heads togeTher, in harmony, We will come to see The navel of an ant. With perseverance, we will see The navel of an ant. The load that you bear on your head falls on your shoulders. Little by little, The bird makes its nets. [ Yele maoulo! ] Wasting time is not part of The game. We must work today to harvest tomorrow. Work is over! The sun is setting, The workers are dismissed, A job well done. Ranpono brings life. Truly indeed...    less

There Will Come Soft Rains Ivo Antognini (b.1963) St. Nektarios Greek Orthodox Church, Charlotte NC March 2012 East Carolina University Chamber Singers Dr. Andrew Crane, Conductor

"evening morning day" by David Lang. Text from The Book of Genesis 1. Recorded live on March 16, 2015, at First Presbyterian Church in Fort Lauderdale, Florida. Performed by The Radcliffe Choral Society of Harvard University. Director: Beth Willer. ...  more"evening morning day" by David Lang. Text from The Book of Genesis 1. Recorded live on March 16, 2015, at First Presbyterian Church in Fort Lauderdale, Florida. Performed by The Radcliffe Choral Society of Harvard University. Director: Beth Willer. The composer writes: "I wanted to make a piece about The creation story but I didn't want to highlight one religion's or culture's narrative over anoTher." "It was important for me to try to find something universal, something present in all stories, or common to all cultures. I hit upon The idea of making a kind of checklist of everything that needed to be created to get The world to this point, without each individual culture's stories or myths or exoticisms. I went back to The first chapter of Genesis, to see what I could get out of my own culture's story, and I stripped away all The descriptions, adjectives, connectors and motivators. All that is left of Genesis in my text are The nouns, leaving a dispassionate list of everything created, in The order in ...    less

Rudolf Mauersberger (1889 - 1971) Wie liegt die Stadt so wüst The recording shows The Monteverdi Choir Würzburg with its conductor Matthias Beckert at The memorial concert on March 16, 2008 in The Augustinerkirche commemorating The 63rd anniversary of...  moreRudolf Mauersberger (1889 - 1971) Wie liegt die Stadt so wüst The recording shows The Monteverdi Choir Würzburg with its conductor Matthias Beckert at The memorial concert on March 16, 2008 in The Augustinerkirche commemorating The 63rd anniversary of The bombing of Würzburg. For furTher information please visit http://www.monteverdi-choir.com The music was composed on Good Friday and Holy Saturday (March 30/31) 1945 under The impression of The completely destroyed city of Dresden due to The bombings on February 13-15, 1945. It premiered on August 4, 1945 in The ruin of The Kreuzkirche in Dresden. lyrics (from The lamentations of Jeremia) Wie liegt die Stadt so wüst, die voll Volks war. Alle ihre Tore stehen öde. Wie liegen die Steine des Heiligtums vorn auf allen Gassen zerstreut. Er hat ein Feuer aus der Höhe in meine Gebeine gesandt und es lassen walten. Ist das die Stadt, von der man sagt, sie sei die allerschönste, der sich das ganze Land freuet. Sie hätte nicht gedacht, dass e...    less

Spaséñiye Sodélal (Salvation is Created) - A Kievan Chant Composed by Pavel Tchesnokov. Recorded at St Hildas Church, Cross Green, Leeds on 26 March 2015. Performed by Leeds Male Voice Choir. Directed by Tim Knight.

Confirma Hoc Deus. György Deak-Bardos. Sacred Music Concert. Coral Santiago Apostol Performed in Mostoles, Madrid, Spain, 09th March, 2013

The Renaissance Music. All-Ukrainian premiere (Odessa, March, 23, 2013). "Ave Musica" Choir performs "O Sacrum Convivium" by Thomas Tallis Conducting by Andrea Angelini (Italy) www.avemusica.com.ua facebook.com/AveMusicaChoirUkraine

The Choir of Somerville College, Oxford Douglas Knight (organ) David Crown (conductor) Somerville College Chapel, 4 March 2012 Facebook: http://www.facebook.com/somervillechoir Website: http://www.somervillemusicsociety.com

"Homeward Bound" by Marta Keen, arr. Jay Althouse. Recorded live on Friday, March 17, 2013, at The Broward Center for The Performing Arts in Fort Lauderdale, Florida. Performed by The Primes Choir ensemble of The Girl Choir of South Florida. Assistant ...  more"Homeward Bound" by Marta Keen, arr. Jay Althouse. Recorded live on Friday, March 17, 2013, at The Broward Center for The Performing Arts in Fort Lauderdale, Florida. Performed by The Primes Choir ensemble of The Girl Choir of South Florida. Assistant Director: Jorge Valls, Accompanist: Gayle Giese. In The quiet misty morning, when The moon has gone to bed, When The sparrows stop Their singing and The sky is clear and red, When The summer's ceased its gleaming, when The corn is past its prime, When adventure's lost its meaning, I'll be homeward bound in time. Bind me not to The pasture. Chain me not to The plow. Set me free to find my calling and I'll return to you somehow. If you find it's me you're missing, if you're hoping I'll return, To your thought I'll soon be list'ning; in The road I'll stop and turn. Then The wind will set me racing as my journey nears its end, And The path I'll be retracing when I'm homeward bound again. Bind me not to The pasture. Chain me not to The plow. Set...    less