Psalm 133 (134), with doxology Brief, high impact, up-tempo. Free sheet music. Please get in touch! • FaceBook: david.basden.9 • Email: deebee123 [at] bigpond.com

Te Deum Chamber Choir www.te-deum.org Live performance, October 20, 2019 Village Presbyterian Church, Prairie Village, Kansas Sopranos: Lucy Conklin, Katherine Dick, Rupal Gupta, Nicole Murray, Victoria Olson, Sydney Seratte, Sarah Sheldon Al...  moreTe Deum Chamber Choir www.te-deum.org Live performance, October 20, 2019 Village Presbyterian Church, Prairie Village, Kansas Sopranos: Lucy Conklin, Katherine Dick, Rupal Gupta, Nicole Murray, Victoria Olson, Sydney Seratte, Sarah Sheldon Altos: Joanna Ehlers, Abby Helt, Nanette Kraus, Ann Lewis, Hilary Morton, Michaela Schenkel, Rosie Smith Tenors: Tom Assel, Josh Donaldson, Micah Horton, Jeff Jasperson, Colin Riley, Andrew Wilson Basses: Kyle Chamberlin, Andrew Cunard, Jonathan Daniel, Jon Duncan, Ken Foley, Nick Gillock  less

Be Near Me by Greg Bartholomew A setting for unaccompanied Mixed Choir (SATB) of Canto 50 From the poem In Memoriam A.H.H. by Alfred Tennyson Sung by Sarah Brailey & Matthew Curtis of Choral Tracks. the text for Be Near Me is Canto 50 From the poem...  moreBe Near Me by Greg Bartholomew A setting for unaccompanied Mixed Choir (SATB) of Canto 50 From the poem In Memoriam A.H.H. by Alfred Tennyson Sung by Sarah Brailey & Matthew Curtis of Choral Tracks. the text for Be Near Me is Canto 50 From the poem In Memoriam A.H.H. by the British Poet Laureate Alfred Tennyson (1809 -1892). Published in 1850, the poem is an extended requiem for the poet's beloved friend Arthur Henry Hallam, who died of a cerebral hemorrhage in 1833, age 22. It is considered one of the greatest poems of the 19th Century and was reported to be a great favorite of Queen Victoria. Sheet music available From J.W.Pepper: https://www.jwpepper.com/Be-Near-Me/11339264.item For more information visit http://www.gregbartholomew.com/benearmeindex.html #choralmusic #choir #tennyson  less

A moving version of SWEET by Manolo Da Rold. Sung by Matthew J. Curtis - ChoralTracks the piece is dedicated to the choir "La Stele"; Matteo Valbusa conductor. It is the first part of the triptych Sweet.

A powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. the text draws From (and paraphrases) several sources: contemporary media, Emma Lazarus’ “the New Colossus,” the Bible’s Matthew 25:31-40, curr...  moreA powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. the text draws From (and paraphrases) several sources: contemporary media, Emma Lazarus’ “the New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. the changing meters of “Border” fill the work with an up-tempo, rhythmic energy that propels it forward. Campbell’s piece hardly relents, even as the pace slows this work presses forward with a colorful and often modal harmonic language. “Border” is a call for justice, empathy and compassion, a summons to our collective conscience.  less

Free sheet music. Please get in touch! • faceBook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com A new setting – straightforward, text-driven, no extremes of range – no divisi, but has drone sections where staggered breathing would nor...  moreFree sheet music. Please get in touch! • faceBook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com A new setting – straightforward, text-driven, no extremes of range – no divisi, but has drone sections where staggered breathing would normally be used. Erratum: Bar 9 should read "et spes" – it's been corrected in the score.  

-------- english translation -------- Recitative: Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men From the east to Jerusalem - Matthew 2:1 KJV Trio: Saying, Where is he that is born King of th...  more-------- english translation -------- Recitative: Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men From the east to Jerusalem - Matthew 2:1 KJV Trio: Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. - Matthew 2:2 KJV Chorus: there shall come a Star out of Jacob, and a Sceptre shall rise out of Israel, [that will splinter sovereigns and cities] - Numbers 24:17 KJV Choral: How lovely shines the Morning Star! the nations see and hail afar the light in Judah shining. Thou David's Son of Jacob's race, My Bridegroom and my King of Grace, For thee my heart is pining. Lowly, Holy, great and glorious, Thou victorious Prince of graces, Filling all the heavenly places.  less

“Border” is an artistic response to the immigration crisis around the globe (especially in the United States). the opening passage is: “Border, sanctuary, asylum, bridges not walls.” the text draws From (and paraphrases) several sources: contemporary medi...  more“Border” is an artistic response to the immigration crisis around the globe (especially in the United States). the opening passage is: “Border, sanctuary, asylum, bridges not walls.” the text draws From (and paraphrases) several sources: contemporary media, Emma Lazarus’ “the New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. the changing meters of “Border” fill the work with an uptempo, rhythmic energy that propels it forward. “Border” is a call for justice, empathy and compassion, a summons to our collective conscience. It is appropriate for ensembles at the community, collegiate, and advanced high school levels. “timely… It is a call for humanity.” - Susan Glass, Glass Menagerie Chorus, NY a “powerful statement” - Dr. Heather Mitchell  less

arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) these arrangements of the song skip From 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is per...  morearranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) these arrangements of the song skip From 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is performed here by Matthew Curtis  

Te Deum Chamber Choir www.te-deum.org Live performance, May 26, 2019 Village Presbyterian Church, Prairie Village, Kansas Sopranos: Katherine Dick, Julianna Fox, Rupal Gupta, Nicole Murray, Victoria Olson, Sydney Seratte, Sarah Sheldon Altos: ...  moreTe Deum Chamber Choir www.te-deum.org Live performance, May 26, 2019 Village Presbyterian Church, Prairie Village, Kansas Sopranos: Katherine Dick, Julianna Fox, Rupal Gupta, Nicole Murray, Victoria Olson, Sydney Seratte, Sarah Sheldon Altos: Claire Binek, Joanna M. Davis, Josepha Haden, Kirsten Hyde, Nanette Kraus Tenors: Tom Assel, Nico Caruso, Randall Frye, Christopher Fuelling, Will Weyhrauch Basses: Kyle Chamberlin, Andrew Cunard, Jon Duncan, Ken Foley, Nick Gillock, Edward Straub