Corvina Consort The repertoire of the Ensemble comprises of five centuries of church and secular as well as vocal and instrumental music. Its members are young artists who regularly perform with other significant early music Ensembles at home and abroa...  moreCorvina Consort The repertoire of the Ensemble comprises of five centuries of church and secular as well as vocal and instrumental music. Its members are young artists who regularly perform with other significant early music Ensembles at home and abroad. They are the participants of several radio, television, and CD recordings. Corvina Consort performed with great success many festivals (Austria, Poland, Germany, Italy, Estonia, Finland, Romania, Slovakia, Belgium – Festival van Vlaanderen in Antwerp, Canada – Festival des musiques sacrées de Québec, France - Polyfollia 2010 etc.) The Corvina Consort CD’s numerous international critiques and awards appeared (CHOC Awards, Nomination of MIDEM Classical Awards in Choral works Category, the TOP10 CD’s of the Year etc.) The most outstanding amongst their work are the three thematic concert series which mostly determine their ten-year work. · Concert-series from the works of Orlando di Lasso · Faces of Europe · Hungarians o...    less

Eseguito a Toscolano Maderno (BS), in occasione della rassegna di Natale del 10 dicembre 2016 Corale Santa Cecilia, Dir. Gianpietro Bertella Coro Anzano, Dir. Paolo Stefan Arrangiamento di Marco Multitask Simeoni Pianoforte Paola Pajer; Djambè: Al...  moreEseguito a Toscolano Maderno (BS), in occasione della rassegna di Natale del 10 dicembre 2016 Corale Santa Cecilia, Dir. Gianpietro Bertella Coro Anzano, Dir. Paolo Stefan Arrangiamento di Marco Multitask Simeoni Pianoforte Paola Pajer; Djambè: Alberto Stefan Danza: Letizia Battistin, Elena D'Arsiè, Vanessa Bonato Con Pastori 2.0 mandiamo in pensione la versione di qualche anno fa.  

⭕True Colors, arr. G. Di Bianco - Cantagiovani in Coro ...che il "remoto" possa finalmente essere “passato” e che il “presente” riporti l’attenzione verso un “futuro” nuovo, da ridisegnare, per cantare ancora e finalmente, insieme. Un grazie in Coro a t...  more⭕True Colors, arr. G. Di Bianco - Cantagiovani in Coro ...che il "remoto" possa finalmente essere “passato” e che il “presente” riporti l’attenzione verso un “futuro” nuovo, da ridisegnare, per cantare ancora e finalmente, insieme. Un grazie in Coro a tutti, cantori e direttori, per aver contribuito, dando voci al progetto, a creare un luogo di contatti autentici, che lasciano sperare nell’apertura di ampi orizzonti. Buon ascolto e buon festa della Musica!  

64th Annual Choir Festival Dr. Joseph M. Martin, Conductor Dr. Gordon Turk, Organ Great Auditorium Brass Ensemble July 8, 2018 Filmed and Edited by Quinton Tramm

Performed at Church of the Holy Apostles, Chelsea, NYC, USA in March 2017 Featuring both our chorus and our professional Ensemble (as semi-chorus) Pianist: Robert Fleitz First Published 1997

XXèmes Choralies Vaison-la-Romaine 5 August Theatre Antique Vaison-la-Romaine Voces8, London, Great Britain www.choralies.fr This video is a service of Choral Festival Network www.choralfestivalnetwork.org and www.modfestivals.org

Texto del Kanteletar Año 2012 Las canciones de cuna de la muerte han sido la especialidad báltico-finlandesa: canciones de cuna en las que la madre canta en un tono positivo sobre la muerte del niño. Estas canciones de cuna se cantaban principalmente pa...  moreTexto del Kanteletar Año 2012 Las canciones de cuna de la muerte han sido la especialidad báltico-finlandesa: canciones de cuna en las que la madre canta en un tono positivo sobre la muerte del niño. Estas canciones de cuna se cantaban principalmente para los niños menores de 6 meses, ya que se buscaban en ellos signos de enfermedad y muerte. Estas canciones de cuna han sido una forma de que la madre libere la tensión y el agotamiento. También se cantaban para alentar al niño a ser fuerte, o aunque macabro, posiblemente para decirle al niño cómo la muerte sería mejor para él en algún caso.  less

Tonal Ecstasy presents: In the Spotlight - April 7, 2013 @ Petit Campus Oh My My - Jill Barber Arr. Giulietta Fiore Solo. Isabella Mancini Soprano - Renee Drezner, Sarah Klein Mezzo - Giulietta Fiore, Chelsea Wellman Alto - Eleanore Catenaro, T...  moreTonal Ecstasy presents: In the Spotlight - April 7, 2013 @ Petit Campus Oh My My - Jill Barber Arr. Giulietta Fiore Solo. Isabella Mancini Soprano - Renee Drezner, Sarah Klein Mezzo - Giulietta Fiore, Chelsea Wellman Alto - Eleanore Catenaro, Tanja Nachtigall Tenor - Sean Hardin, Isabella Mancini Baritone - Kevin Ah-Sen, Connor Lowman Bass - Mike Garrison, Ted Littlemore, Chris Stevens-Brown, Dewy Tripp Beats - Alex Gershanov *Video: Ryan MacDowell  

Headed by Kathryn Cobb-Woll, accompanied by Laurie Cobb. The Santa Ana High School Chamber Singers are a group of high school singers that compete, perform and sing in distinguished events such as Heritage Festivals in New York, Disneyland Candlelight, et...  moreHeaded by Kathryn Cobb-Woll, accompanied by Laurie Cobb. The Santa Ana High School Chamber Singers are a group of high school singers that compete, perform and sing in distinguished events such as Heritage Festivals in New York, Disneyland Candlelight, etc. They have annual concerts such as their Pop's Concert, Cabaret Concert and Winter Concert.  

On year 1983, one of most popular latvian composers Raimonds Pauls wrote song cycle "Spuldze un nakts taureņi"(in latvian means "lamp and night butterflies"). After 30 years, no score left only audio record. Diriģente -- Zane Zilberte. Solists -- Zigfrī...  moreOn year 1983, one of most popular latvian composers Raimonds Pauls wrote song cycle "Spuldze un nakts taureņi"(in latvian means "lamp and night butterflies"). After 30 years, no score left only audio record. Diriģente -- Zane Zilberte. Solists -- Zigfrīds Muktupāvels. Pie klavierēm -- maestro Raimonds Pauls. Edgars Linde made new arrangement based on audio record. After 30 years these songs had new breath. Piano: composer maestro Raimonds Pauls Rhytm: Reinis Ašmanis, Raitis Ašmanis Bass: Pēteris Liepiņš Solo: Zigfrīds Muktupāvels  less