"BOHOLANO KASALAN MEDLEY" Performance for the Madz Et Al 2022 Arranger: Fr. Arnold Zamora (TTBB) Re-assigned for SATB by: Mari Aleli Antoni Conductor: Mari Aleli Antoni Production Head: Jessa Nina Liquit Production Assistant: Reenan Vincent Nobo...  more"BOHOLANO KASALAN MEDLEY" Performance for the Madz Et Al 2022 Arranger: Fr. Arnold Zamora (TTBB) Re-assigned for SATB by: Mari Aleli Antoni Conductor: Mari Aleli Antoni Production Head: Jessa Nina Liquit Production Assistant: Reenan Vincent Nobong Wardrobe: Tresha Gift Saraspe Videographers: Shem Mathew Candog & Frank Joseph Tayag Logistics: Frank Joseph Tayag Audio Engineer: Frank Joseph Tayag Video Editors: Jayar Rasonabe & Emmanuel Tuyor @PhilippineMadrigalSingers  

Hugo Gutierrez. Agnus Dei Performed by Les Petits Chanteurs à la Croix de Bois Conductor Hugo Gutierrez October 23, 2016 Church of St Catherine (St Petersburg, Russia) Video by Peter Trubinov

Union Church of Manila Chancel Choir Festival Orchestra Eudenice Palaruan, conductor

Rudolf Mauersberger (1889 - 1971) Wie liegt die Stadt so wüst The recording shows the Monteverdi Choir Würzburg with its conductor Matthias Beckert at the memorial concert on March 16, 2008 in the Augustinerkirche commemorating the 63rd anniversary of...  moreRudolf Mauersberger (1889 - 1971) Wie liegt die Stadt so wüst The recording shows the Monteverdi Choir Würzburg with its conductor Matthias Beckert at the memorial concert on March 16, 2008 in the Augustinerkirche commemorating the 63rd anniversary of the bombing of Würzburg. For further information please visit http://www.monteverdi-choir.com The music was composed on Good Friday and Holy Saturday (March 30/31) 1945 under the impression of the completely destroyed city of Dresden due to the bombings on February 13-15, 1945. It premiered on August 4, 1945 in the ruin of the Kreuzkirche in Dresden. lyrics (from the lamentations of Jeremia) Wie liegt die Stadt so wüst, die voll Volks war. Alle ihre Tore stehen öde. Wie liegen die Steine des Heiligtums vorn auf allen Gassen zerstreut. Er hat ein Feuer aus der Höhe in meine Gebeine gesandt und es lassen walten. Ist das die Stadt, von der man sagt, sie sei die allerschönste, der sich das ganze Land freuet. Sie hätte nicht gedacht, dass e...    less

The University of the Philippines Singing Ambassadors (UPSA) is one of the Philippines' foremost Choral groups. In its 32 years of existence, UPSA has consistently brought honor and prestige to the country, winning various prizes and awards in competition...  moreThe University of the Philippines Singing Ambassadors (UPSA) is one of the Philippines' foremost Choral groups. In its 32 years of existence, UPSA has consistently brought honor and prestige to the country, winning various prizes and awards in competitions in ITALY, SPAIN, FRANCE, NETHERLANDS, CZECH REPUBLIC, BULGARIA, SLOVAKIA, BELGIUM, GERMANY, POLAND, WALES, HUNGARY and SWITZERLAND. It is one of the only four Filipino choirs to have qualified to join the 14th European Grand Prix for Choral Singing ‑ the world'S most coveted Choral prize. UPSA was also the official entry of the Philippines to the UNESCO International Music Prize in 2005. In the Philippines, it was named the Best University Choir in 2012 and 2004 at the “Who’s Who in the Philippines” 19th and 27th Consumers’ Choice Awards, respectively. Similarly, UPSA was also chosen as Best Choir in 2011, 2010 and 2002 by the ALIW Awards Foundation which recognizes excellence and achievement in the live entertainment industry. UPSA Conductor Ed Manguia...    less

Pásli ovce (Christmas folk song), conductor: Daša Karasová, arranger: Petr Janovský

Ave Maris Stella by Giorgio Susana Corale Zumellese dir. Manolo Da Rold Giorgio Susana guest conductor video e regia by Patrik Comiotto

choregie project Vocal theatre Carmina Slovenica Conductor: Karmina Šilec FORTUNA WON’T BE FAUVEL’S MATCH! pre premiere, Old Hall of Slovene National Theatre Maribor, 2015 Flattery, Avarice, Vileness, Variability, Envy and Lechery Music: L...  morechoregie project Vocal theatre Carmina Slovenica Conductor: Karmina Šilec FORTUNA WON’T BE FAUVEL’S MATCH! pre premiere, Old Hall of Slovene National Theatre Maribor, 2015 Flattery, Avarice, Vileness, Variability, Envy and Lechery Music: Lojze Lebič (1934): Fauvel ’86 Excerpts from the work Roman de Fauvel (1310 – 1314) Fortuna Won’t Be Fauvel’s Match! is based on a gothic allegorical verse romance in which the central metaphor for moral decay and decadence is an ambitious horse/ass. The main character – Fauvel – is an incarnation of sin, irrationality, unreliability, dominance, flattery. Fortuna Won’t Be Fauvel’s Match! mocks human egotism, hedonism, hypocrisy and excesses of the governing classes, of secular as well as church rule, a society contaminated by sin and corruption. The ruling class is despotic and greedy, forgetting about the natural equality of people. Man through politics/the church is a symbol of everything that is wrong with our society and the system which administers it. Thi...    less

Eric Whitacre conducts Junges Vokalensemble Hannover: Sleep - Concert from 15.01.2011 in Markuskirche Hannover (Germany) - Regular conductor: Klaus-Juergen Etzold - www.vokalensemble-hannover.de Camera: Jan Frühauf / Johannes Hasselhorn Edit: Jan F...  moreEric Whitacre conducts Junges Vokalensemble Hannover: Sleep - Concert from 15.01.2011 in Markuskirche Hannover (Germany) - Regular conductor: Klaus-Juergen Etzold - www.vokalensemble-hannover.de Camera: Jan Frühauf / Johannes Hasselhorn Edit: Jan Frühauf Sound: Martin Pahl  

The Australian Voices conducted by Gordon Hamilton sing Wirindji, by Stephen Leek, during their 2010 Germany Tour. This is footage from their concert at St Stephani, Bremen in December, 2010. The text of this piece is really cool. It is about a my...  moreThe Australian Voices conducted by Gordon Hamilton sing Wirindji, by Stephen Leek, during their 2010 Germany Tour. This is footage from their concert at St Stephani, Bremen in December, 2010. The text of this piece is really cool. It is about a mystical tribe of desert women who would stamp their feet into the dust creating beautiful clouds. Light would shine through and create patterns and rainbows. Men would be attracted by these clouds and come to the women's camp. The Wirindji women would cook for them, mate with them then kill them and eat them! You can hear the beautiful sounds of the desert landscape, the clusters of sunlight and the dangerous moral :-) Video: Ray Evans - Rock Juice Media(www.rockjuicemedia.com)  less