Нижний Новгород. 25 декабря 2010 года. ЮБИЛЕЙНЫЙ КОНЦЕРТ, посвященный 60-летию хора. Венесуэльская народная песня.

Stephen F. Austin State University A cappella Choir Dr. Michael Murphy, conductor Dr. Jennifer Dalmas, Ernesto Mendoza, violin Melissa Nabb, viola Dr. Evgeni Raychev, cello Ron Petti, piano Zachary J. Moore, composer Sheet Music: Santa Barbar...  moreStephen F. Austin State University A cappella Choir Dr. Michael Murphy, conductor Dr. Jennifer Dalmas, Ernesto Mendoza, violin Melissa Nabb, viola Dr. Evgeni Raychev, cello Ron Petti, piano Zachary J. Moore, composer Sheet Music: Santa Barbara Music Publishing  

Выступление мужской группы Народного коллектива России Академического хора ННГУ на закрытии I Международных хоровых ассамблей EURASIA CANTAT в г. Екатеринбург, 2011.

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...

The Lassus Scholars, named after the great Renaissance composer Orlande de Lassus, seek to achieve excellence in expression and interpretation in all musical styles from the 16th century to the present day.

The fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The long-term experience of scenic choreographic work with different choirs shows ...  moreThe fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The long-term experience of scenic choreographic work with different choirs shows us that singing or experiencing music is always connected to a primal impulse to movement. This primal impulse is unfolded our production, connect it to space and light and bring it all together in our performance. The result is a new musical work in a physical wholesomeness in which sound and movement do not compete but complement and enhance each other in fruitful ways. We are not interested in creating pictures for the music – we enhance the uncompromising sound to another level of perception, we heighten and amplify the body consciousness of our singing performers. We use the knowledge about the space and the powerful energies therein for our performances of choir singing. The dialogue between the perception of the inside and outside, the area of tension ...    less

Most Singers know Messiah pretty well, but how would you feel having to walk out on stage for a complete Messiah performance without your score?   That's exactly what the members of Bristol Choral Society will be doing this Saturday 22 December at ...

Hello everyone, I've developed MixMyPart.com which is an online application to help Singers learn their harmony parts and practice from home.  Teachers, Choir Directors, and Music Directors can prepare their own recordings for use in our multitrac...

This was originally published on the Embro Thistle Singers blog.  The phrase is that curved line in a piece of music that is like climbing a mountain.  You start out with lots of excitement.  It is hard work to go up that slanted side an...

A group of vibrant young men and women, poised to uplift souls up to heaven with every effort and opportunity they have, through good Choral music.