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video:
Bach: Christ lag in Todesbanden (5/7)
Johann Sebastian Bach: Christ lag in Todesbanden, BWV 4
Versus 5: Hier ist das rechte Osterlamm (Bass)
The Choir of Somerville College, Oxford
Musicians of the Dreaming Spires
Robert Pecksmith (organist)
David Crown (conductor)
St. Michael at th... moreJohann Sebastian Bach: Christ lag in Todesbanden, BWV 4
Versus 5: Hier ist das rechte Osterlamm (Bass)
The Choir of Somerville College, Oxford
Musicians of the Dreaming Spires
Robert Pecksmith (organist)
David Crown (conductor)
St. Michael at the North Gate, Oxford
9 March 2012
Facebook: http://www.facebook.com/somervillechoir
Website: http://www.somervillemusicsociety.com
video:
Bach: Christ lag in Todesbanden (2/7)
Johann Sebastian Bach: Christ lag in Todesbanden, BWV 4
Versus 2: Den Tod niemand zwingen kunnt (Soprano & Alto)
The Choir of Somerville College, Oxford
Musicians of the Dreaming Spires
Robert Pecksmith (organ)
David Crown (conductor)
St. Michae... moreJohann Sebastian Bach: Christ lag in Todesbanden, BWV 4
Versus 2: Den Tod niemand zwingen kunnt (Soprano & Alto)
The Choir of Somerville College, Oxford
Musicians of the Dreaming Spires
Robert Pecksmith (organ)
David Crown (conductor)
St. Michael at the North Gate, Oxford
9 March 2012
Facebook: http://www.facebook.com/somervillechoir
Website: http://www.somervillemusicsociety.com
video:
J S Bach - St. John Passion BWV245): Lord, Lord and Master (chorus)
The St Peter's Singers of Leeds and St Peter's Chamber Orchestra, with Alan Horsey (harpsichord) and David Houlder (organ continuo), directed by Dr Simon Lindley, perform the opening chorus of Johann Sebastian Bach's masterwork St John Passion (BWV 245) ... moreThe St Peter's Singers of Leeds and St Peter's Chamber Orchestra, with Alan Horsey (harpsichord) and David Houlder (organ continuo), directed by Dr Simon Lindley, perform the opening chorus of Johann Sebastian Bach's masterwork St John Passion (BWV 245) at Leeds Town Hall on Monday 18th February 2013 as part of the Leeds International Concert Season.
More information about St Peter's Singers, including details of forthcoming events, can be found on our website http://www.stpeters-singers.org.uk, our Facebook group page 'St Peter's Singers of Leeds' and on Twitter (@SPSLeeds).
http://www.stpeters-singers.org.uk less
video:
La Nuit - Stella Choir
Performed by Stella Choir - REPERTOIRE OF SPRING 2024
Contact : stellachoirstaff@gmail.com
Conductor : jad.harjane19@gmail.com
Is there a beauty as beautiful as the dream?
Is there a truth sweeter than hope?
Est-il une beauté aussi belle que le... morePerformed by Stella Choir - REPERTOIRE OF SPRING 2024
Contact : stellachoirstaff@gmail.com
Conductor : jad.harjane19@gmail.com
Is there a beauty as beautiful as the dream?
Is there a truth sweeter than hope?
Est-il une beauté aussi belle que le rêve ?
Est-il de vérité plus douce que l’espérance ?
Conducted by Jad Harjane
Music by: Jean-Philippe Rameau
Video directed by Mohammed Ben Yekhlef at LADABATEK , Tangier
video:
Arirang & Allahoumma Salli Wa Sallim - Chorale CasaSawt
La Chorale CasaSawt sous la direction de son chef de chœur Adnane Matrone, chante lors de sa participation au dixième Symposium Mondial de chant choral à Séoul en 2014.
Arirang est la chanson traditionnelle et folklorique de la musique coréenne la plus... moreLa Chorale CasaSawt sous la direction de son chef de chœur Adnane Matrone, chante lors de sa participation au dixième Symposium Mondial de chant choral à Séoul en 2014.
Arirang est la chanson traditionnelle et folklorique de la musique coréenne la plus connue et la plus populaire aussi bien en Corée qu'à l'étranger, arrangée ici par Adnane Matrone.
video:
La Tour de Hölderlin (Hölderlin's Tower) for two alto voices
Setting by D W Solomons of a poem by Marie Keyser, for two equal voices
Elle est près du fleuve dormeur debout
It stands by the sleepy river
mais le saule incliné toucherait de sa cîme l'eau
But the bending willow would touch the water with its very... moreSetting by D W Solomons of a poem by Marie Keyser, for two equal voices
Elle est près du fleuve dormeur debout
It stands by the sleepy river
mais le saule incliné toucherait de sa cîme l'eau
But the bending willow would touch the water with its very top
L'église vieille dit les heures
de l'île où la nuit descend
The church - an old church - tells the hours
from the island where the night descends
Je la vois encore son toit de gris dans le gris de l'eau.
I can still see it, its grey roof in the grey of the water
pressens dans la tour de bois
ma demeure la folie
I have a presentiment in the tower of wood
of my dwelling place, of madness
la folie le silence
of madness, of silence
clos clos vigilance
Closed in, closed in
but keeping watch
Oh Ne pas altérer ce qui reste,
et le doit.
Oh never change what remains
and should remain
"Was bleibt aber stiften die Dichter."
What remains, however, is the stuff of poetry. less
video:
Johann Sebastian Bach: Jesus bleibet meine Freude (BWV 147)
The Choir of Somerville College, Oxford
Robert Pecksmith (organ)
David Crown (conductor)
Somerville College Chapel, Oxford
28 April 2013
Website: http://www.somervillechoir.com
Facebook: http://www.facebook.com/somervillechoir
Organist's Websit... moreThe Choir of Somerville College, Oxford
Robert Pecksmith (organ)
David Crown (conductor)
Somerville College Chapel, Oxford
28 April 2013
Website: http://www.somervillechoir.com
Facebook: http://www.facebook.com/somervillechoir
Organist's Website: http://www.robert-smith.org.uk
video:
Pergolesi. Stabat Mater 2011.03.05
"STABAT MATER", Giovanni Baptista PERGOLESI
I. Stabat Mater
II. Cujus animam
III. O quam tristis
IV. Quae moerebat
V. Quis est homo
VI. Vidit suum
VII. Eia Mater
VIII. Fac ut ardeat
IX. Sancta Mater
X. Fac ut portem
XI. Inflamatus
XII. Quando ... more"STABAT MATER", Giovanni Baptista PERGOLESI
I. Stabat Mater
II. Cujus animam
III. O quam tristis
IV. Quae moerebat
V. Quis est homo
VI. Vidit suum
VII. Eia Mater
VIII. Fac ut ardeat
IX. Sancta Mater
X. Fac ut portem
XI. Inflamatus
XII. Quando corpus -- Amen
ORQUESTA FILARMONÍA
CORO FILARMONÍA
Cecilia Lavilla (Soprano)
Maite Maruri (Contralto)
Dir: PASCUAL OSA
Ciclo de conciertos "LA MÚSICA EN LA HISTORIA"
2º concierto: EL BARROCO (1730-1750)
Auditorio Centro de Arte de Alcobendas (Madrid)
Grabado por Julio Menor
Sonido directo de videocámara less