Cappella Victoria Jakarta is a church choir based in St. Therese of Lisieux Parish, Menteng, Jakarta. The choir was founded in 2005 by several of St. Therese’s young parishioners, and currently has 53 singers from 27 different parishes in Archdiocese of J...  moreCappella Victoria Jakarta is a church choir based in St. Therese of Lisieux Parish, Menteng, Jakarta. The choir was founded in 2005 by several of St. Therese’s young parishioners, and currently has 53 singers from 27 different parishes in Archdiocese of Jakarta and 3 parishes in Archdiocese of Bogor. As the number of singers grows, Cappella Victoria Jakarta evolves to focus on singing Sacred Polyphony music from the end of the 16th century, especially Roman Polyphony music and its various modern interpretations. Since 2006, Cappella Victoria Jakarta routinely sings Sacred Polyphony music in Eucharistic Mass in St. Therese of Lisieux Parish. The choir has also sung Sacred Polyphony music in several other Catholic churches in Jakarta, Tangerang, Bandung and Semarang. Through Sacred Polyphony music, Cappella Victoria Jakarta aspires to contribute in the creation of a sacred and solemn ambience in Eucharistic Mass, in the hope that this ambience will facilitate the faithful to feel closer to the presence of the L...    less

Originally published: Have Organ Shoes Will Travel by Not the church Lady AKA Kelly Galbraith  http://notthechurchlady.wordpress.com/2013/09/27/bits-of-useless-information/      BITS OF USELESS INFORMATION I have to stand on my...

'Hail, gladdening light', composed by Stephen Barker, performed by the Choir of St Stephen's church, Canterbury in Portsmouth Cathedral. Please contact me if you are interested in purchasing copies of the score to perform with your own choir.

Union church of Manila Chancel Choir Festival Orchestra Eudenice Palaruan, conductor

Kammerchor Manila (KM) is a church-based, self-supporting organization composed of passionate and active young professionals serving at the Hearts of Jesus and Mary Parish in West Triangle, Quezon City at the 11:00am Eucharistic Celebration every 2nd and ...  moreKammerchor Manila (KM) is a church-based, self-supporting organization composed of passionate and active young professionals serving at the Hearts of Jesus and Mary Parish in West Triangle, Quezon City at the 11:00am Eucharistic Celebration every 2nd and 3rd Sunday of the month. KM also sings at the 7:00pm anticipated Sunday service at the Chapel of the Eucharistic Lord, SM Megamall every 1st Saturday of the month and at the 11:00am mass at the Chapel of Wack Wack Golf and Country Club, Mandaluyong City every 1st Sunday of the month, and at the Immaculate Concepcion Cathedral every 4th Sunday of the month From its humble beginnings in 1992, Kammerchor Manila (KM) has evolved to become one of the Philippines’ premier chamber choir today by sharing its long tradition of excellent choral music as a commitment of service to God. Through the years, its membership grew by accommodating people from all walks of life who wishes to share their talent and expertise while strengthening their ties with God. With a ...    less

Ein deutsches Requiem, op. 45 Johannes Brahms (1833–1897) Chamber Orchestra Version by Ingo Schulz Trinity church, NYC Downtown Voices (https://DowntownVoices.net) NOVUS Sonya Headlam, soprano Brian Mextorf, bass Stephen Sands, conductor (https...  moreEin deutsches Requiem, op. 45 Johannes Brahms (1833–1897) Chamber Orchestra Version by Ingo Schulz Trinity church, NYC Downtown Voices (https://DowntownVoices.net) NOVUS Sonya Headlam, soprano Brian Mextorf, bass Stephen Sands, conductor (https://StephenSands.net) (0:01) Selig sind, die da Leid tragen (11:47) Denn alles Fleisch es ist wie Gras (25:42) Herr, lehre doch mich, daß ein Ende (35:25) Wie lieblich sind deine Wohnungen (41:02) Ihr habt nun Traurigkeit (48:10) Denn wir haben hie keine bleibende Statt (59:40) Selig sind die Toten Concert Program with Texts and Translations: https://drive.google.com/file/d/1pszTEzRopceEebWO-JlfHKZ3EkFW4k1f/view?usp=sharing PROGRAM NOTES Brahms’s Ein deutsches Requiem is often called a “human” Requiem, and that word points to both the text he chose and the life he was living while writing it. Between the mid‑1850s and the late 1860s, he was drawn into the Schumann household, deeply attached to Clara Schumann, marked by the death of Robert Schu...    less

At Knox United church in Saskatoon, SK