City Called HeAven, Arr: Josephine Poelinitz Coro las Veredas. Enrique Martín, director. Paula Mercedes Lozano, piano. David Mayoral, percusión. Patricia Cañete y María Pérez, solistas.

A recent performance by the UH Moores Concert Chorale under the direction of Dr. Betsy Weber at the University of Houston Moores Opera House. "Les Quatrains Valaisans" are a set of poems by Rainer Maria Rilke in which he expresses his poetic admiration ...  moreA recent performance by the UH Moores Concert Chorale under the direction of Dr. Betsy Weber at the University of Houston Moores Opera House. "Les Quatrains Valaisans" are a set of poems by Rainer Maria Rilke in which he expresses his poetic admiration of the Valais Region of Switzerland while he was living there. Out of a set of 5 poems set to music, two are performed here: III. Vois-tu, là-haut IV. Quel calme nocturne  

Arrangement of an old English folk song for three voices (versions available for women's voices, mixed voices and men's voices). This version is for mixed voices AAB or MezAB

Pitchcraft's a cappella version of Windmills Of Your Mind. Filmed and recorded live at the Edinburgh Fringe (St. Cuthbert's Church) in August 2018. Arranged for Pitchcraft by Andrew Russel. Hit SUBSCRIBE to stay up to date with Pitchcraft's chan...  morePitchcraft's a cappella version of Windmills Of Your Mind. Filmed and recorded live at the Edinburgh Fringe (St. Cuthbert's Church) in August 2018. Arranged for Pitchcraft by Andrew Russel. Hit SUBSCRIBE to stay up to date with Pitchcraft's channel. More coming very soon... FACEBOOK: http://facebook.com/pitchcraft TWITTER: https://twitter.com/pitchcraftchoir INSTAGRAM: https://instagram.com/pitchcraftchoir WEBSITE: http://www.pitchcraft.co.uk  

Francis Poulenc (1899 - 1963): Stabat mater (1950) 1. Stabat mater dolorosa 00:10 2. Cujus animam 04:03 3. O quam tristis 05:17 4. Quae moerebat 07:50 5. Quis est homo 09:11 6. Vidit suum 10:49 7. Eja mater 14:28 8. Fac ut ardeat 15:55 9. Sanc...  moreFrancis Poulenc (1899 - 1963): Stabat mater (1950) 1. Stabat mater dolorosa 00:10 2. Cujus animam 04:03 3. O quam tristis 05:17 4. Quae moerebat 07:50 5. Quis est homo 09:11 6. Vidit suum 10:49 7. Eja mater 14:28 8. Fac ut ardeat 15:55 9. Sancta mater 18:21 10. Fac ut portem 21:26 11. Inflammatus et accensus 24:55 12. Quando corpus 26:42 Monteverdichor Würzburg Christine Wolff - Sopran Matthias Beckert (cond.) 26. 02. 2012 Neubaukirche, Würzburg, Germany  

Recopilados por Heraclio Vivanco Allende. Elaborados por Carlos Andrés Aciar Coro de Filosofía y Letras de la UBA. Carlos Andrés Aciar, director Pablo González, guitarra María Laura Caballero, charango Saso Romano, flauta Maximiliano Waldman, cello

This version of "While Shepherds watched their flocks by night", composed by D W Solomons, is based on the tunes On Ilkley Moor bah t'hat, Este's Psalter, Auld Lang Syne, Scotland the BrAve and Sing a Song of Sixpence. Three versions are available in s...  moreThis version of "While Shepherds watched their flocks by night", composed by D W Solomons, is based on the tunes On Ilkley Moor bah t'hat, Este's Psalter, Auld Lang Syne, Scotland the BrAve and Sing a Song of Sixpence. Three versions are available in score form: While shepherds (G major ATBB) (the version sung in the video) http://dwsolo.musicaneo.com/sheetmusic/sm-196259_while_shepherds_watched_-_in_various_melodies_-_version_in_g_major_atbb.html While shepherds (C major SATB) http://dwsolo.musicaneo.com/sheetmusic/sm-196258_while_shepherds_watched_-_in_various_melodies_-_version_in_c_major_satb.html While shepherds (B flat major SATB) http://dwsolo.musicaneo.com/sheetmusic/sm-196257_while_shepherds_watched_-_in_various_melodies_-_version_in_b_flat_satb.html  less

La Folia (literally "madness") was a Portuguese dance from the renaissance, and it has been used by many composers in the ensuing centuries. This a-cappella 4-voice version uses three altos and one bass, a cappella. It explores a couple of alternative m...  moreLa Folia (literally "madness") was a Portuguese dance from the renaissance, and it has been used by many composers in the ensuing centuries. This a-cappella 4-voice version uses three altos and one bass, a cappella. It explores a couple of alternative modes for the theme: Octatonic and Dorian. Singing of folia this old tune repeats all day and even in the new Octatonic mode we can sing folia all the day long in this five time and we sing it in Octatonic mode madness all is madness while we're singing of la folia and in five time and Octatonic mode can't leAve off la folia it will drive me round the bend soon and I'll shortly change to some other mode Sing it in the Dorian sing it in the Dorian oh I love the Dorian it makes me dream on  less

CORO VOCI BIANCHE - SEZ. GIOVANI "ROBERTO GOITRE"- MEL, BELLUNO Piano: Maria Canton Conductor: Manolo Da Rold Il clamore bianco della gioia Chiesa Inferiore di San Fermo Maggiore in Verona, 13 aprile 2014

Coro las Veredas, director: Enrique Martín. Piano: Paula Mercedes Lozano. Cristina Marín, Flauta. David Mayoral, percusión. Concierto celebrado el 30 de diciembre de 2013 en el Auditorio del Museo del Prado, Madrid, España.