"Der Geist hilft unser Schwachheit auf" BWV226 J.S. Bach Coral Reyes Bartlet Humboldt Ensemble José Híjar Polo, Maestro de Coro Mark Peters, Director VIII Festival de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 2...  more"Der Geist hilft unser Schwachheit auf" BWV226 J.S. Bach Coral Reyes Bartlet Humboldt Ensemble José Híjar Polo, Maestro de Coro Mark Peters, Director VIII Festival de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 28 de marzo de 2010 www.reyesbartlet.com  

The New 4tet is a group of four friends, Gemma, Emma, Gary and Noel, who as very experienced choral Singers decided to meet once in a while to drink wine, chat, socialise, and do a bit of singing together, just for fun. As these things do however, the ...  moreThe New 4tet is a group of four friends, Gemma, Emma, Gary and Noel, who as very experienced choral Singers decided to meet once in a while to drink wine, chat, socialise, and do a bit of singing together, just for fun. As these things do however, the project has started to grow arms and legs, and we became available for the occasional bit of singing in public when we feel like it. Since then our performances have included singing in Glasgow Art Club, and in Edinburgh for the Royal College of Physicians. Based in the west of Scotland, we have all sung together in a prominent Glasgow choir, but the New 4tet gives us a chance to enjoy the much more intimate sensations of singing one to a part. All four of us have been involved in the music industry to a greater or lesser degree, and we all sing to a very high standard and love performing. If you'd like to know some more about the New 4tet, including the possibility of us coming to sing for you, please email us using the contact details on our website.  less

The Choral Society is a 150-voice ensemble of experienced professional and avocational Singers who volunteer their time and talents in the service of the choral art form. Supported by some of New York’s finest freelance orchestra players, the Choral Soci...  moreThe Choral Society is a 150-voice ensemble of experienced professional and avocational Singers who volunteer their time and talents in the service of the choral art form. Supported by some of New York’s finest freelance orchestra players, the Choral Society’s concerts are designed to bring the arts directly to the community through the uniquely inclusive medium of choral singing. The Choral Society is in residence at Grace Church in New York, one of the city’s most beloved landmarks.  

Formed by Debra Shearer-Dirié in 2009, Fusion has become known for it performances of diverse repertoire with exceptional beauty. The group was formed with some of Brisbane’s best and most experienced ensemble Singers, most of whom sing regularly with o...  more Formed by Debra Shearer-Dirié in 2009, Fusion has become known for it performances of diverse repertoire with exceptional beauty. The group was formed with some of Brisbane’s best and most experienced ensemble Singers, most of whom sing regularly with other choirs in and around the city and have extensive performing and touring experience both around Australia and internationally. The Singers range across an assortment of careers, from educators to environmental engineers, and from students to musicians. They are drawn together because of their passion for singing and produce an energy in performance that immediately connects with their audience. In programming, Fusion specialises in early and new music – from Jean Mouton and Juan Gutiérrez de Padilla to Cyrillus Kreek, Arvo Pärt, and Henryk Mikolaj Górecki. The ensemble prides itself on delivering an artistic product that combines choral maturity with youthful vibrancy to bring a fresh sound to music that is not often performed in the region.  less

Play It Forward invites Singers from around the globe to participate in the inaugural launch of NO MORE EXCUSES - anti-bullying program, with the world premiere of an exciting new virtual music video! ABOUT NO MORE EXCUSES Play It Forward is thrilled an...

We are a newly formed group who started off as a relatively unknown group of Singers in November 2010 but since has never looked back and shot to great heights in a matter of 2 months leaving audiences speechless at performances and their rivals shell sho...  moreWe are a newly formed group who started off as a relatively unknown group of Singers in November 2010 but since has never looked back and shot to great heights in a matter of 2 months leaving audiences speechless at performances and their rivals shell shocked at competitions. We have won every single competition we have taken part in so far and are looking to improve our game and become better at what we do. We are currently preparing for our own show titled "The Vocal Project" which will feature almost all know genera of music. Well what better way to find out more about us than come listen to us? We' keep you posted on upcoming show!! Cheers!!  less

We are directed by Charles West, a patient and perceptive guy with a good sense of humour who quickly identifies where and when we need his help and guidance. We sing a variety of music which, in some cases, is arranged by Charles. We rehearse, with a...  moreWe are directed by Charles West, a patient and perceptive guy with a good sense of humour who quickly identifies where and when we need his help and guidance. We sing a variety of music which, in some cases, is arranged by Charles. We rehearse, with a break for chat and refreshment at St Leonards Primary School in Exeter on Wednesday evenings.  

We sing contemporary acappella: unaccompanied close harmony arrangements of jazz, pop, gospel and do-wap classics, including original arrangements by our members.

Texto del Kanteletar Año 2012 Las canciones de cuna de la muerte han sido la especialidad báltico-finlandesa: canciones de cuna en las que la madre canta en un tono positivo sobre la muerte del niño. Estas canciones de cuna se cantaban principalmente pa...  moreTexto del Kanteletar Año 2012 Las canciones de cuna de la muerte han sido la especialidad báltico-finlandesa: canciones de cuna en las que la madre canta en un tono positivo sobre la muerte del niño. Estas canciones de cuna se cantaban principalmente para los niños menores de 6 meses, ya que se buscaban en ellos signos de enfermedad y muerte. Estas canciones de cuna han sido una forma de que la madre libere la tensión y el agotamiento. También se cantaban para alentar al niño a ser fuerte, o aunque macabro, posiblemente para decirle al niño cómo la muerte sería mejor para él en algún caso.  less

You can still register to take part in our fabulous Festival!     Workshops, rehearsals, masterclasses, conversations and concerts in Melbourne’s magnificent venues including the most prestigious of world class concert halls at Melb...