http://keystoneacappella.com Buy our music on Loudr http://loudr.fm/artist/keystone-a-cappella/wq72B KeyStone is back inside the car to record another of our favorite songs. Music by Tim Lopez Arrangement by Tom West Lead Vocal: Josh Schrager ...  morehttp://keystoneacappella.com Buy our music on Loudr http://loudr.fm/artist/keystone-a-cappella/wq72B KeyStone is back inside the car to record another of our favorite songs. Music by Tim Lopez Arrangement by Tom West Lead Vocal: Josh Schrager This video was recorded live using a smartphone. It is unedited, has minimal mixing adjustments, and is unmastered. Check out our YouTube channel for other KeyStone in the Car videos.  

The opera company is "taking five" at the rehearsal of Gilbert and Sullivan's Princess Ida, and Arac's little sister Anita has come into the theatre from her job at the strip joint next door. She has already heard her brother Arac practising that so...  moreThe opera company is "taking five" at the rehearsal of Gilbert and Sullivan's Princess Ida, and Arac's little sister Anita has come into the theatre from her job at the strip joint next door. She has already heard her brother Arac practising that song in which he gradually removes all his cumbersome armour, and she decides it is also a song for her. Arac and his fellow guardsmen stand back and watch in great amusement as she performs her version of the song for them.  

Arrangement of an old English folk song for three voices (versions available for women's voices, mixed voices and men's voices). This one is for women's voices. Images from Dunham Massey in Cheshire

Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.

A setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem. The music is almost, but not quite, a canon... Versions are available in B flat mixolydian and in C mixolydian. (ie major with flattened 7th) When ...  moreA setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem. The music is almost, but not quite, a canon... Versions are available in B flat mixolydian and in C mixolydian. (ie major with flattened 7th) When he killed the Mudjokivis, Of the skin he made him mittens, Made them with the fur side inside, Made them with the skin side outside. He, to get the warm side inside, Put the inside skin side outside; He, to get the cold side outside, Put the warm side fur side inside. That's why he put the fur side inside, Why he put the skin side outside, Why he turned them inside outside  less

Song of summer for choir, cello and guitar based on the duo SummerTime Rag by Chris Benson In the summerTime when the work was done we'd take our ease and have our fun we'd been always looking forward to the warm dry days of sun In the summerti...  moreSong of summer for choir, cello and guitar based on the duo SummerTime Rag by Chris Benson In the summerTime when the work was done we'd take our ease and have our fun we'd been always looking forward to the warm dry days of sun In the summerTime we would run and sing enjoy all that the days could bring we would laugh and winterTime would seem a very distant thing but it couldn't last and the autumn came too quickly with its wind and rain ....  

Weaving a spell - Incantation for Pamela - magic for a while... This song can be understood on two levels. At first sight it is a simple senTimental piece, but beneath it lies a history of pure imagination, enchantment and impossibility. The co...  moreWeaving a spell - Incantation for Pamela - magic for a while... This song can be understood on two levels. At first sight it is a simple senTimental piece, but beneath it lies a history of pure imagination, enchantment and impossibility. The composer already realises he is no longer feeling what he is writing, he is just weaving a spell, over an ostinato guitar motif, to try to bring the feelings back (hence the title "Incantation"). He has found in his life that whenever he writes a song for the object of his desire, he has already begun to stop feeling that desire ... it is a sign that the relationship is about to change or disappear. But the whole thing is indeed enchantment and magic: you can dream and you can take the song at face value if you wish.  less

Refrain There were plums and prunes and cherries There were raisins and currants and cinnamon too. There were nuts and cloves and berries but the crust it was stuck on with glue. There were caraway seeds in abundance, It would give yer a fine stoma...  moreRefrain There were plums and prunes and cherries There were raisins and currants and cinnamon too. There were nuts and cloves and berries but the crust it was stuck on with glue. There were caraway seeds in abundance, It would give yer a fine stomach ache 'Twould kill any man twice to be eatin' A slice of Mrs Hooligan's Christmas cake. As I sat in me window last evenin' A letterman came unto me. He'd a nice little neat invitation Sayin' "Won't you come over to tea?" I knew it was Hooligan sent it So I went for our friendship's sake and the first thing he gave me to tackle Was a slice of Mrs. Hooligan's cake.  less

Parody of the Rudolph the rednosed reindeer song, new original words and music, sung in English and German

This jaunty melody with countermelodies has been written for an a cappella choir of SATBB with splits in some of the voices from Time to Time. The words are my own and tell of children playing their games in the dusty streets (ie of Bethlehem) unaware tha...  moreThis jaunty melody with countermelodies has been written for an a cappella choir of SATBB with splits in some of the voices from Time to Time. The words are my own and tell of children playing their games in the dusty streets (ie of Bethlehem) unaware that a miracle has happened and asking them to look up to the angels and join their singing. The performance here is by the Composer's Choir conducted by Daniel Shaw.