La Folia (literally "madness") was a Portuguese dance from the renaissance, and it has been used by many composers in the ensuing centuries. This version is for voices and guitar. It introduces the theme as a repeated verse on voice 1 and then adds a co...  moreLa Folia (literally "madness") was a Portuguese dance from the renaissance, and it has been used by many composers in the ensuing centuries. This version is for voices and guitar. It introduces the theme as a repeated verse on voice 1 and then adds a couple of vocalize additions above and below it. The pdf file contains the score and a separate guitar part. The sound sample is performed by the composer. Let's sing la Folia Oh let's sing la Folia Oh let's sing la Folia as in the Baroque time Oh let's sing la Folia Oh let's sing la Folia It spans all the centuries up to now (la la la) (cu cu cu!)  less

Psalm 67 (King James version) Free sheet music. Please get in touch! • Facebook: david.basden.9 • Email: deebee123 [at] bigpond.com

Gala Solidaria en el Teatro de la Laboral de Gijón, 16 y 17 de marzo de 2013 Andreas Prittwitz, Coro de Voces Blancas del Conservatorio Valle del Nalón

Lamento d'Arianna (Ariadne's Lament) This is the five part madrigal version of Ariadne's Lament, which she sings when she is abandoned on the island of Naxos by her lover Theseus. The translation is by Francesco Campelli on CPDL The performance was cre...  moreLamento d'Arianna (Ariadne's Lament) This is the five part madrigal version of Ariadne's Lament, which she sings when she is abandoned on the island of Naxos by her lover Theseus. The translation is by Francesco Campelli on CPDL The performance was created in memory of the late Richard Gofton, who introduced me to the music back in 1976 (Our Strasbourg choir Psalterion performed it at that time)  

Improved version - This satirical little frottola by Josquin is believed to be a gentle reminder to his patron Galeazzo Sforza that his musicians need paying. Josquin may be punning on the name of a fellow impecunious musician (Frillo) by calling him a...  moreImproved version - This satirical little frottola by Josquin is believed to be a gentle reminder to his patron Galeazzo Sforza that his musicians need paying. Josquin may be punning on the name of a fellow impecunious musician (Frillo) by calling him a cricket (Grillo). This performance is by the dwsChorale (David Solomons) It can be downloaded at http://www.cdbaby.com/cd/dwschorale3  

http://www.facebook.com/stellenbosch.acapella Arranged by: Antoni Schonken The Stellenbosch based acapella group, Acastella, performing their version of Coldplay, including Lost!, Death and all of His friends, Fix You, Paradise, Viva La Vida and Every T...  morehttp://www.facebook.com/stellenbosch.acapella Arranged by: Antoni Schonken The Stellenbosch based acapella group, Acastella, performing their version of Coldplay, including Lost!, Death and all of His friends, Fix You, Paradise, Viva La Vida and Every Teardrop is a Waterfall. Performed at The Maties Talent Final, Endler Hall, Stellenbosch, South Africa acastella.stellies@gmail.com  

Voices: ChoralTracks https://www.cpdl.org/wiki/index.php/Locus_iste_(Scott_Villard) #ChoralTracks #MatthewCurtis #AlexandraBurch

Il est bel et bon by Pierre Passereau (fl. 1509 - 1547). Sung in a transposed version Video contains the words and my English translation

The third of three movements by composer Joseph Dillon ford for male chorus, based on Dante's La Divina Commedia (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer "O sanguis meus, o superinfusa Gratia Dei, sicut tibi, cu...  moreThe third of three movements by composer Joseph Dillon ford for male chorus, based on Dante's La Divina Commedia (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer "O sanguis meus, o superinfusa Gratia Dei, sicut tibi, cui bis unquam Coeli ianua reclusa?" "O thou my blood, O overflowing Grace of God, to whom, as unto thee, was e’er the Gate of HeAven unlocked a second time?” Così quel lume; ond’ io m’ attesi a lui; poscia rivolsi alla mia Donna il viso, e quinci e quindi stupefatto fui; Thus spoke that light; hence I thereto gAve heed; then to my Lady turning back my face, I was on this side and on that amazed; chè dentro agli occhi suoi ardeva un riso tal, ch’ io pensai co’ miei toccar lo fondo della mia gloria e del mio Paradiso. for such a smile was glowing in her eyes, that I with my thought I had touched the depths both of my glory and of my Paradise  less

Christmas in Cologne, Germany Thank you to my friend, Joachim Diessner, for providing this video. Words by Joseph Mohr Benita Borbonus, Sopran Simon Bales, Trompete Ehrenfelder Kantorei Vera Bongert, Ursel Cremer, Ute Eisenhut (a.G.), C...  moreChristmas in Cologne, Germany Thank you to my friend, Joachim Diessner, for providing this video. Words by Joseph Mohr Benita Borbonus, Sopran Simon Bales, Trompete Ehrenfelder Kantorei Vera Bongert, Ursel Cremer, Ute Eisenhut (a.G.), Christine von Förster, Roswitha Frost, Claudia Hennen, Corry Kok, Anja Meksem, Barbara Meyer zum Wischen, Priska Mielke, Ingrid Müller, Sarah Neusel, Maxime Oeburg, Sigrid Roggatz, Stefanie Schlösser, Katrin Witzel, Sopran Yasemin Becker, Maria Biehl, Renate von Bonin, Leonie Drews, Ursula Gurski, Eva Marleen Hecker, Sonja Helms, Anke Hoffmann, Alice Keuken (a.G.), Sibylle Kiock, Barbara Kuster, Anne Pfeiffer, Inge Ramm, Eva Schlu-Kröpelin, Dorle Schubert, Barbara Siefker (a.G.), Dagmar Smernic, Heike Sprunk, Linda Stenzel, Yvonne Welling (a.G.), Magdalena Wochnik (a.G.) Alt Joachim Bertsch (a.G.), Jörg Biegus, Christoph Hamborg, Michael Mayer, Matthias Velten (a.G.), Gertrud Wilhelm, Tenor Alexander Blicker-Dielmann, Bernd Hellmich, Michael Kolvenbach (a.G.),...    less