A powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, curr...  One';">moreOne;">A powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing meters of “Border” fill the work with an up-tempo, rhythmic energy that propels it forward. Campbell’s piece hardly relents, even as the pace slows this work presses forward with a colorful and often modal harmonic language. “Border” is a call for justice, empathy and compassion, a summons to our collective conscience.  One';">less

The chorale is an adult auditiOned (SATB) community based chorus based in NE Philadelphia. Our current Artistic Director is Gary Eslinger. We perform 2-6 concerts per year at venues throughout the five county Philadelphia area.

This sanctuary of my soul, Unwitting I keep white and whole, Unlatch'd and lit, if Thou should'st care To enter or to tarry there. With parted lips and outstretch'd hands, And list'ning ears Thy servant stands. Call Thou early, call Thou late, to...  One';">moreOne;">This sanctuary of my soul, Unwitting I keep white and whole, Unlatch'd and lit, if Thou should'st care To enter or to tarry there. With parted lips and outstretch'd hands, And list'ning ears Thy servant stands. Call Thou early, call Thou late, to Thy great service dedicate. My soul, keep white, and whole. (poem by Charles Hamilton Sorley) Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was One of the altos. John Huntley - a fellow alto - recorded this performance.  One';">less

Recording live at St. Josephs Church

Ibike, a Kalabari (Southern Nigeria) song edited by Laz Ekwueme and performed by the Laz Ekwueme Chorale

【wow! 合唱】音樂會 時間/ 2014年9月20日 地點/ 大東文化藝術中心 指揮/ 朱如鳳 浪漫派德國作曲家布拉姆斯（Johannes Brahms， 1833-97），於55歲時寫下無伴奏合唱代表作《五首歌曲》（FünfGesänge， op.104， 1888），其中第一、二樂章的歌詞均取自呂克特（Friedrich Rückert， 1788-1866）的詩作〈夜哨〉（Nachtwache）。 B小調第一樂章為六聲部混聲合唱，以厚重的塊狀和弦、複雜多變的和聲，極弱的基本音...  One';">moreOne;">【wow! 合唱】音樂會 時間/ 2014年9月20日 地點/ 大東文化藝術中心 指揮/ 朱如鳳 浪漫派德國作曲家布拉姆斯（Johannes Brahms， 1833-97），於55歲時寫下無伴奏合唱代表作《五首歌曲》（FünfGesänge， op.104， 1888），其中第一、二樂章的歌詞均取自呂克特（Friedrich Rückert， 1788-1866）的詩作〈夜哨〉（Nachtwache）。 B小調第一樂章為六聲部混聲合唱，以厚重的塊狀和弦、複雜多變的和聲，極弱的基本音量，營造陰鬱晦暗的色調，描繪歌詞中徹夜無眠的悲傷。 LeiseTöne der Brust,gewecktvom Odem der Liebe, Hauchetzitterndhinaus,obsicheuchöffen' einOhr, Öffn' einliebendesHerz,und wennsichkeineseuchöffnet, Trag' einNachtwindeuchseufzend in meineszurück. 充滿愛的氣息，讓細微的聲響 顫抖地自胸口發出，你們聽得到嗎 展現出你們的和善吧，若你們無動於衷 僅有夜風嘆息地把這哀傷送回到我心中  One';">less

Sobre dos poemas de "Poema del Cante jondo" (Federico García Lorca) Música: Dante Andreo

Voices of Aloha (Mark Yasuhara, Director & Leilani Motet, Accompanist) Spring Concert 2017, Sunday, May 21, Kawaiahao Church in downtown Honolulu, Hawaii

November 28, 2021 Opening of the Polyphony Festival City of Livorno video amatoriale effettuato con macchina fotografica

Performed by Roundelay at the Unitarian Chapel, Cross St, Manchester, UK, accompanied and conducted by Alan Myerscough How beautiful upon the mountains are the feet of him that bringeth good tidings, that publisheth peace; that publisheth salvation; ...  One';">moreOne;">Performed by Roundelay at the Unitarian Chapel, Cross St, Manchester, UK, accompanied and conducted by Alan Myerscough How beautiful upon the mountains are the feet of him that bringeth good tidings, that publisheth peace; that publisheth salvation; that saith unto Zion, Thy God reigneth!