Coral Reyes Bartlet José Híjar Polo, Maestro de Coro Erik Van Nevel, Director Eligio Quinteiro, tiorba Martina Warecka y Marcos Depetris, violines Tomás López-Perea, contrabajo Ismael Perera, órgano Beatriz Rodríguez y Cristo Velázquez, soprano...  moreCoral Reyes Bartlet José Híjar Polo, Maestro de Coro Erik Van Nevel, Director Eligio Quinteiro, tiorba Martina Warecka y Marcos Depetris, violines Tomás López-Perea, contrabajo Ismael Perera, órgano Beatriz Rodríguez y Cristo Velázquez, sopranos Sandra Morales y Mónica Socas, altos Carlos Méndez y Jorge Cordero, tenores Alejandro Garate y Sacha Lobenstein, bajo Eduardo Zalba, iluminación Luis Acuña, sonido Tinglado Films, imagen IX Festivall de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 10 de abril de 2011 www.reyesbartlet.com  less

in Cancioneiro de Lisboa Excerto do Concerto de Natal 2015, Museu Nacional de Arquelogia, Lisboa, 10Jan2016

Concierto del 21 de diciembre de 2024 Parroquia Virgen Inmaculada de Lourdes Ciudad de Buenos Aires

We are a friendly, community choir who meet weekly to enjoy singing together. We are open to all singers and tackle a wide range of songs.

Founded in 1992, Cadenza is now considered to be one of Scotland’s finest and most exciting amateur mixed voice choirs, with members from a wide area of central Scotland. The choir has performed throughout Scotland and beyond, with music covering all per...  moreFounded in 1992, Cadenza is now considered to be one of Scotland’s finest and most exciting amateur mixed voice choirs, with members from a wide area of central Scotland. The choir has performed throughout Scotland and beyond, with music covering all periods and most styles. Critically acclaimed, and attracting capacity audiences, at the Edinburgh Fringe and elsewhere, the choir is regularly invited to perform at prominent events and has been broadcast on BBC Radio (3, 4 and Scotland) and Classic FM. Cadenza’s most recent CD - Bright Star: Cadenza at Christmas – was reviewed in Classical Music Magazine and included in Breakfast on 3’s Advent Calendar in December 2013. Jenny Sumerling became Musical Director in 2000 and under her direction Cadenza has gone from strength to strength. Ben Parry, Director of the National Youth Choirs of Great Britain has been Cadenza’s Patron since 2003. Charity concerts are a regular an important part of Cadenza’s annual programme, raising thousands of pounds for a wide range...    less

A friendly sociable Rotherham three part choir which raises money for charities both local and national. The choir has members from Rotherham, Sheffield and Barnsley. Rehearsals are held on Tuesdays 6-7.30pm at Badsley Moor Primary, Rotherham. New members...  moreA friendly sociable Rotherham three part choir which raises money for charities both local and national. The choir has members from Rotherham, Sheffield and Barnsley. Rehearsals are held on Tuesdays 6-7.30pm at Badsley Moor Primary, Rotherham. New members are always welcome, with no auditions. For further details email: FriendsInHarmony@virginmedia.com  

We were born on the 24th of july 2017. A new choir in our local area. Open to all singers who want to have a fun singing experience, performing songs from the charts, old and new.

Hi all, if you like to sing and have a good time, come and join us! No experience needed, no audition held! We are a small English speaking pop choir with a large variety of mostly European nationalities right in the center of Brussels. We rehearse every ...  moreHi all, if you like to sing and have a good time, come and join us! No experience needed, no audition held! We are a small English speaking pop choir with a large variety of mostly European nationalities right in the center of Brussels. We rehearse every Tuesday from 19:00 til 21:00 in the Atelier Marcel Hastir, rue du Commerce 51, 1000 Brussels. We usually do two concerts per year and like to socialize as well. Please feel free to join us and give it a try. When you come to the Atelier Marcel Hastir, the door is usually open (if not call on below mentioned number) and our rehearsing room is on the second floor.  less

I brought this question up before as one of the fundamental problems of working with, and being a part of, a choral Ensemble. After all, no one really wants to listen to an out-of-tune choir.   It’s a complicated issue that involves...