This a cappella, four-part harmony cover of Adele's Rolling In The Deep is arranged by Don Henken. Recorded live on 19 April 2016 at our Soundcheck concert by Andrew Wilson.

We are a non-audition choir, open to all. We rehearse at the Bernie Grant Arts Centre on Tuesday evenings from 7.30pm to 9.30pm. We aim to unite and represent our community through our joy of singing. The choir has over sixty singers rehearsing each w...  moreWe are a non-audition choir, open to all. We rehearse at the Bernie Grant Arts Centre on Tuesday evenings from 7.30pm to 9.30pm. We aim to unite and represent our community through our joy of singing. The choir has over sixty singers rehearsing each week and the main focus in rehearsals is preparation for performances. These performances can take the form of concerts and appearances in festivals and other events in the local community.  

Once Upon A Time by Charles Strouse arr. Paul Langford Performed by C6 2018 Chicagoland Voices Winter Concert Sunday, January 21, 2018

Soprano Susanna Phillips and bass-baritone Shenyang join pianist and program curator Brian Zeger for an all-Schubert evening exploring the High Romantic imagination's obsession with the historical and imagined ancient city of...

University of Santo Tomas Singers, 16th International Concert Tour American Encore St. Marks Lutheran Church July 3, 2009 1111 OFarrell St., San Francisco, Ca Conductor: Prof. Fidel Gener Calalang Jr. Members: Soprano May Anne P. Abeleda Belinda ...  moreUniversity of Santo Tomas Singers, 16th International Concert Tour American Encore St. Marks Lutheran Church July 3, 2009 1111 OFarrell St., San Francisco, Ca Conductor: Prof. Fidel Gener Calalang Jr. Members: Soprano May Anne P. Abeleda Belinda Leigh V. Alano Jeanra S. Bometivo Eunice A. Escrupolo Florencia Marlia Kustandi Vidagrace Kahlil L. Mirang Irene V. Quiso Ma. Pilar Charlene V. Ramos Jade Rubis E. Riccio Alto Marie Alethea Ysabel B. Adriano Karen Stephanie D. Arriola Maria Lucia M. Lapido Ma. Melina G. Mariano Jaimie Rose O. Mojica Tenor Ronald Allan G. Bautista Enrico L. Gomez Juan Alfonso A. Mendoza Marc Andrei B. Reyes Jemeson M. Tiburan Bass Vernie Fernan P. Abando Noel P. Azcona Joshua Jenaro M. Badilla Marlo G. Balantucas Jessie Louie N. Singh Roberto Gabriel B. Tagalog Anthony G. Villanueva  less

Johannes Brahms (1833 - 1897) California State University, Fullerton University Singers Robert Istad, conductor James Taulli, stage director

This well-known setting by Tomas Luis de Victoria (1548-1611) of Popule meus, the lengthy series of chants known as Improperia, or Reproaches, which occur at the liturgical climax of Good Friday, during the special service of the Adoration of the Cross, w...  moreThis well-known setting by Tomas Luis de Victoria (1548-1611) of Popule meus, the lengthy series of chants known as Improperia, or Reproaches, which occur at the liturgical climax of Good Friday, during the special service of the Adoration of the Cross, was recorded on Saturday 2nd April 2011 during St Peter's Singers' recital of sacred polyphony for Passiontide and Tenebrae in the beautiful surroundings and acoustic of St Aidan's Parish Church in Leeds. The Singers are directed by Dr Simon Lindley, Music Director since the choir's foundation in 1977. The plainchant verses are sung by soprano Sarah Kelly, and the solo quartet (positioned remotely from the main choir) comprises soprano Julie Kilburn, alto Lucy Appleyard, tenor Jonathan Morrish and bass Quentin Brown. More information about St Peter's Singers, including details of the choir's 2010-11 programme of recitals, concerts and services, may be found on our website www.stpeters-singers.org.uk and on our Facebook Group page 'St Peter's Singers of L...    less

For Singers 55+!! NO AUDITIONS!! Afternoon rehearsals!!  Encore Creativity for Older Adults, the nation’s largest and fastest growing choral organization for singers 55+, is coming to NYC!   Our NYC&nbs...

William Byrd (1543-1623) Emendemus in melius Emendemus in melius quae ignoranter peccavimus; ne subito praeoccupati die mortis, quaeramus spatium poenitentiae, et invenire non possimus. Attende, Domine, et miserere; quia peccavimus tibi.  Baruch, Cha...  moreWilliam Byrd (1543-1623) Emendemus in melius Emendemus in melius quae ignoranter peccavimus; ne subito praeoccupati die mortis, quaeramus spatium poenitentiae, et invenire non possimus. Attende, Domine, et miserere; quia peccavimus tibi.  Baruch, Chapter 3, Verse 2 Versus:Adjuva nos, Deus salutaris noster, et propter honorem[gloriam] nominis tui libera nos.  Psalm 78, Verse 9a Let us amend for the better in those things in which we have sinned through ignorance;  lest suddenly overtaken by the day of death, we seek space for repentance, and be not able to find it. Hearken, O Lord, and have mercy: for we have sinned against thee. Verse:Help us, O God of our salvation, and for the honour [glory] of thy name deliver us.  Psalm, 78, Verse 9a This noble and deeply-felt penitential motet proper to the first day [Ash Wednesday] and the first Sunday [Quadragesima] of the Lenten season is one of the very finest such works from the golden age of English polyphonic music. It comes from the Cantiones Sacra...    less

O clap your hands, all ye people; shout unto God with the voice of triumph. For the Lord most High is terrible. He is a great King over all the earth. God is gone up with a shout, the Lord with the sound of the trumpet. Sing ye praises to God; sing ...  moreO clap your hands, all ye people; shout unto God with the voice of triumph. For the Lord most High is terrible. He is a great King over all the earth. God is gone up with a shout, the Lord with the sound of the trumpet. Sing ye praises to God; sing praises. Sing praises to our King; sing praises. For God is the King of all the earth. Sing ye praises every one that hath understanding. God reigneth over the heathen. God sitteth upon the throne of His holiness. Sing praises unto our King. Sing praises. Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.  less