The Vocal ensemble of C&N Secondary Girls School Oranje, Con Spirito sing this Miracle Medley. It consists of When you Believe, Let it rain and Majesty. This performance was in the St Anne's church in Budapest.
⭕True Colors, arr. G. di Bianco - Cantagiovani in Coro ...che il "remoto" possa finalmente essere “passato” e che il “presente” riporti l’attenzione verso un “futuro” nuovo, da ridisegnare, per cantare ancora e finalmente, insieme. Un grazie in Coro a t... display='';$(this).getParent().style.display='none';">moredisplay:none;">⭕True Colors, arr. G. di Bianco - Cantagiovani in Coro ...che il "remoto" possa finalmente essere “passato” e che il “presente” riporti l’attenzione verso un “futuro” nuovo, da ridisegnare, per cantare ancora e finalmente, insieme. Un grazie in Coro a tutti, cantori e direttori, per aver contribuito, dando voci al progetto, a creare un luogo di contatti autentici, che lasciano sperare nell’apertura di ampi orizzonti. Buon ascolto e buon festa della Musica!
Corvina Consort The repertoire of the ensemble comprises of five centuries of church and secular as well as vocal and instrumental music. Its members are young artists who regularly perform with other significant early music ensembles at home and abroa... display='';$(this).getParent().style.display='none';">moredisplay:none;">Corvina Consort The repertoire of the ensemble comprises of five centuries of church and secular as well as vocal and instrumental music. Its members are young artists who regularly perform with other significant early music ensembles at home and abroad. They are the participants of several radio, television, and CD recordings. Corvina Consort performed with great success many festivals (Austria, Poland, Germany, Italy, Estonia, Finland, Romania, Slovakia, Belgium – Festival van Vlaanderen in Antwerp, Canada – Festival des musiques sacrées de Québec, France - Polyfollia 2010 etc.) The Corvina Consort CD’s numerous international critiques and awards appeared (CHOC Awards, Nomination of MIDEM Classical Awards in Choral works Category, the TOP10 CD’s of the Year etc.) The most outstanding amongst their work are the three thematic concert series which mostly determine their ten-year work. · Concert-series from the works of Orlando di Lasso · Faces of Europe · Hungarians o... display='';$(this).getParent().style.display='none';">less
64th Annual Choir Festival Dr. Joseph M. Martin, Conductor Dr. Gordon Turk, Organ Great Auditorium Brass ensemble July 8, 2018 Filmed and Edited by Quinton Tramm
Texto del Kanteletar Año 2012 Las canciones de cuna de la muerte han sido la especialidad báltico-finlandesa: canciones de cuna en las que la madre canta en un tono positivo sobre la muerte del niño. Estas canciones de cuna se cantaban principalmente pa... display='';$(this).getParent().style.display='none';">moredisplay:none;">Texto del Kanteletar Año 2012 Las canciones de cuna de la muerte han sido la especialidad báltico-finlandesa: canciones de cuna en las que la madre canta en un tono positivo sobre la muerte del niño. Estas canciones de cuna se cantaban principalmente para los niños menores de 6 meses, ya que se buscaban en ellos signos de enfermedad y muerte. Estas canciones de cuna han sido una forma de que la madre libere la tensión y el agotamiento. También se cantaban para alentar al niño a ser fuerte, o aunque macabro, posiblemente para decirle al niño cómo la muerte sería mejor para él en algún caso. display='';$(this).getParent().style.display='none';">less
Performed at Church of the Holy Apostles, Chelsea, NYC, USA in March 2017 Featuring both our chorus and our professional ensemble (as semi-chorus) Pianist: Robert Fleitz First Published 1997
Interpretación de la obra "Ave Maria" del compositor Cesar Alejandro Carrillo por el Coro femenino del Conservatorio Superior de Música de Canarias (Gran Canaria).
Voces Chamber Choir is a part of the Voces Academy community. 8 professional voices function as section leaders for the 24 member ensemble from the conducting learning program me
The Scientific Reason Your Audience Forgets Your Concert—And How to Fix It Why the final six minutes of your program determine your ensemble's reputation. Most choral directors struggle with a common frustration: a concert that is technica...
