The second of "Two poems by Thomas Moore" with me directing the Concentus Nymphae feminine choir The score is available for free at IMSLP: http://imslp.org/wiki/Two_Poems_by_Thomas_Moore_(Camacho,_João_Carlos)
This post was orginally published on Embro Thistle Singers blog. When I was 15, I took singing lessons from the nuns at "The Pines". These ladies were well respected for the results they achieved in musical training. Our performance group o...
[A version of this article first appeared as a post on my blog From the Front of the Choir] Many of us are in choirs where a particular section needs bolstering. In my case it’s a lack of altos, for others it might be too few tenors. ...
Choirs often concentrate on pitch and blend, but it is rhythm that truly binds the music together. This workshop shifts the focus to cultivating a shared sense of pulse and equips Singers with practical techniques to overcome rhythmic challenges in choral...
"STABAT MATER", Giovanni Baptista PERGOLESI I. Stabat Mater II. Cujus animam III. O quam tristis IV. Quae moerebat V. Quis est homo VI. Vidit suum VII. Eia Mater VIII. Fac ut ardeat IX. Sancta Mater X. Fac ut portem XI. Inflamatus XII. Quando ... more
![Tre a cappella Korsange - 2. I Seraillets Have, W. Stenhammar [CoroFyL, UBA]](/public/video/0e/17/16f7_08a8.jpg?c=bfb8)
Tre a cappella Korsange, 2. I Seraillets Have, Jens Peter Jacobsen (letra) Iglesia Santa Julia, Ciudad de Buenos Aires, Argentina 2007
This was originally published on the Embro Thistle Singers' blog. Have you ever walked through a mall or downtown and "people watched"? Oh my. There are people walking around who, in my mother's words, would be horrified if thei...
[A version of this article first appeared as a post on my blog From the Front of the Choir] Sometimes trying to get your choir to stand in the right places is like dealing with an unruly kindergarten class. It seems as if spatial awareness and si...
[A version of this article first appeared as a post on my blog From the Front of the Choir] I aim to please everyone in my choirs and singing workshops. I know it’s an impossible task (see Keeping a choir happy – you can’t ...
You have an extraordinary voice, see the stage as an integral experience and are looking forward to working with other young people on a very high musical level? Then you are the missing piece of the puzzle for the CHOREOS ensemble.
