the vocal octet Octarium, based in Kansas City, has gained a national reputation for performances suffused with what composer Morton Lauridsen called, “stunning artistry combined with an absolutely beautiful blending of voices.” Composer Stephen Hatfield ...  morethe vocal octet Octarium, based in Kansas City, has gained a national reputation for performances suffused with what composer Morton Lauridsen called, “stunning artistry combined with an absolutely beautiful blending of voices.” Composer Stephen Hatfield raves, “Octarium’s ability to change the nuance of their tone and timbre without disrupting the flow of the music enables them to pack their performances with riches without ever over-reaching for their effects.” At each presentation, Octarium offers the polished choral sonority and embodiment of the philosophy, “Eight Singers, One Voice” for which the ensemble has become well-known and respected. the Riverfront Times writes that the “eight members of Octarium go beyond raising their voices together in song; their voices warp and weave together, coalescing as a single instrument of tremendous power and depth. Octarium wields this might gracefully, never overpowering, opting instead to revel in the pliancy of the human voice.” In addition to a Kansas City-a...    less

Winner of the 2015 ASCAP/Chorus America award for Adventurous Programming, Choral Chameleon is known for championing New Music for voices within the context of mixed-genre thematic programming and experiments in non-traditional staging. Founded in New ...  moreWinner of the 2015 ASCAP/Chorus America award for Adventurous Programming, Choral Chameleon is known for championing New Music for voices within the context of mixed-genre thematic programming and experiments in non-traditional staging. Founded in New York City in 2008 by Artistic Director Vince Peterson, the organization now encompasses: a roster of professional ensemble singers, a volunteer chorus of 40-50 adults and an annual week-long Summer Institute in Brooklyn for composers and conductors. the culture of the organization marries informality, loving support and joyful curiosity, with the expectation of solid and technical musicianship, constant learning and openness toward the unexpected.  less

[A version of this article first appeared as a post on my blog from the Front of the Choir]   “Great, a new song to learn.”   Photo by Michael Wu   “Oh, no, it’s in ‘foreign’. Help!”  ...

If you are looking for a tuneful large-scale choral work to perform with your choir  - you might like to consider a new SATB arrangement by John Whittaker of Vaughan Williams' Folk Songs of the Four Seasons' (duration 50 minutes) - which was original...

Shumayela is part of Edmonton's Kokopelli Choir Association. Launched in 2006, this choir for treble and changing voices continues to expand its horizons, develop its membership and satisy a variety of musical tastes. the choir has toured throughout Briti...  moreShumayela is part of Edmonton's Kokopelli Choir Association. Launched in 2006, this choir for treble and changing voices continues to expand its horizons, develop its membership and satisy a variety of musical tastes. the choir has toured throughout British Columbia and Alberta. In July 2011, they sang in Ottawa at the Unisong festival for Canada Day, and in July 2013 the group was featured at the presitigious and exciting international Festival 500 in St. John’s, Newfoundland. Wherever the choir travels, we spread the joy of music-making and hope to bring communities together through song. Shumayela offers a focus on thorough and excellent music education, with singers learning about healthy vocal production, the body-voice connection, and vibrant performance presence as well as a strong emphasis on musical literacy, music theory, and sightsinging skills. As with all our ensembles, Shumayela provides a secure and accepting social environment where all singers feel their importance as members of the group...    less

A beautiful liturgical hymns (Kyrie) in Igbo language to rouse the spirits of the lay apostolate in deep penitential mood for the holy Eucharistic celebration.

Salvacosta's fantastic rock version of 'Let the Glory Come Down' arranged by Darren Bartlett and featured on their album True Colours. www.darrenbartlett.co.uk Copyright DMB MUSIC 2016

the Israeli Vocal Octet (www.8vocal.co.il) at a 90's TV performance, singing their famous a cappella Hebrew version of Leroy Anderson's the Typewriter. Soloist: Varda Seelig. Sopran: Ronit Katz, Dvori Burstein Alt: Yael Erez, Varda Seelig Tenor: Hiram ...  morethe Israeli Vocal Octet (www.8vocal.co.il) at a 90's TV performance, singing their famous a cappella Hebrew version of Leroy Anderson's the Typewriter. Soloist: Varda Seelig. Sopran: Ronit Katz, Dvori Burstein Alt: Yael Erez, Varda Seelig Tenor: Hiram Amir, Ron Gang Bass: Raphael Seelig, Barak Oded שמיניית ווקאל בהופעתם בתכנית של גבי גזית בשנות ה-90, בגרסה ל"מכונת הכתיבה" מאת לירוי אנדרסון. סולנית: ורדה זליג. סופרן: רונית כץ, דבורי בורשטיין אלט: יעל ארז, ורדה זליג טנור: חירם אמיר, רון גנג בס: רפאל זליג, ברק עודד  less

My Love - a hypnotic and strangely yearning canon for three equal voices, with an ostinato guitar motif, composed and performed by David W Solomons (aka dwsChorale). My love is far from here I sense in my dreams that she's dreaming of me far off in...  moreMy Love - a hypnotic and strangely yearning canon for three equal voices, with an ostinato guitar motif, composed and performed by David W Solomons (aka dwsChorale). My love is far from here I sense in my dreams that she's dreaming of me far off in that country dreaming that we shall once more sing our old song We'll sing in harmony longing for the day when harmony can soothe our sorrows and make us smile to think that harmony can soother our sorrows dreams far off.  

Jane Hamilton has penned this fantastic arrangement of our national anthem. Best version EVER!!