Srul Irving Glick: HaleluyA. Elora Festival Singers (the professional core of the Toronto Mendelssohn Choir). Catherine Klopoushak, conductor. Performed at the Toronto Mendelssohn Choir's Symposium concert on January 26, 2013 at Yorkminster Park Baptist C...  moreSrul Irving Glick: HaleluyA. Elora Festival Singers (the professional core of the Toronto Mendelssohn Choir). Catherine Klopoushak, conductor. Performed at the Toronto Mendelssohn Choir's Symposium concert on January 26, 2013 at Yorkminster Park Baptist Church. This concert concluded the TMC's 2013 Choral Conductors' Symposium led by Noel Edison. Webcast produced by Inline Digital.  

We hope you enjoy our first film clip!! www.gingerandtonic.com.au Ginger and Tonic is: Emma Rule, Jane Patterson, Carena Khoo and Sheona Urquhart Film clip credits: Lyrics by Jane Patterson, John Flanagan and Ginger and Tonic Track mixed and master...  moreWe hope you enjoy our first film clip!! www.gingerandtonic.com.au Ginger and Tonic is: Emma Rule, Jane Patterson, Carena Khoo and Sheona Urquhart Film clip credits: Lyrics by Jane Patterson, John Flanagan and Ginger and Tonic Track mixed and mastered by Bill Hare Directed, filmed and edited by Emily Doyle Make up by Nat Stone Costumes by Kirsten Farrugia Based on: "Blame it on the Boogie" by the Jackson 5 "Gold Digger" by Kanye West  

Performed by Stella Choir - REPERTOIRE OF WINTER 2023 Contact : stellachoirstaff@gmail.com Conductor : jad.harjane19@gmail.com Dive into a song that's catchy and upbeat on the outside, but carries a touch of sadness in its words. Despite the lively m...  morePerformed by Stella Choir - REPERTOIRE OF WINTER 2023 Contact : stellachoirstaff@gmail.com Conductor : jad.harjane19@gmail.com Dive into a song that's catchy and upbeat on the outside, but carries a touch of sadness in its words. Despite the lively melody, the lyrics tell a story of longing and heartache, creating a mix of emotions that resonates with both joy and sorrow. Ne vous fiez pas à l'apparente gaîté de sa mélodie : il s'agit bien là d'une supplique à l'être aimé, où l'espoir d'un éventuel retour dispute sa place à l'amertume de l'abandon. Conducted by Jad Harjane Composed by John Dowland Filmed by DIAZ PRODUCTION at LADABATEK , Tangier Sponsored by THE AMERICAN LANGUAGE CENTER  less

High hats ... and lots of dollars: Irving Berlin's hit (1929 - not a very good year...) performed by the Ensemble in 2012 (a VERY good year...). Check out Jeanne Rabin's Ensemble at: www.jeannerabin.com

Anim Zemiros for SATB Chorus unaccompanied by Stanley M. Hoffman (1985) World Premiere Performance The New York Virtuoso Singers Harold Rosenbaum, Conductor January 2, 2009 Music: © Copyright 1985 by Stanley M. Hoffman. www.stanleymhoffmA...  moreAnim Zemiros for SATB Chorus unaccompanied by Stanley M. Hoffman (1985) World Premiere Performance The New York Virtuoso Singers Harold Rosenbaum, Conductor January 2, 2009 Music: © Copyright 1985 by Stanley M. Hoffman. www.stanleymhoffman.com All rights reserved. Performance by The New York Virtuoso Singers © Copyright 2009 by Harold Rosenbaum. Used by permission of Harold Rosenbaum. The sheet music is available for sale from the composer.  

Wolfgang Amadeus Mozart: Requiem (Lacrimosa and Hostias). Mendelssohn Singers conducted by Jennifer Min-Young Lee. Michael Bloss, organ. Performed at the Toronto Mendelssohn Choir's Symposium concert on January 26, 2013 at Yorkminster Park Baptist Chur...  moreWolfgang Amadeus Mozart: Requiem (Lacrimosa and Hostias). Mendelssohn Singers conducted by Jennifer Min-Young Lee. Michael Bloss, organ. Performed at the Toronto Mendelssohn Choir's Symposium concert on January 26, 2013 at Yorkminster Park Baptist Church. This concert concluded the TMC's 2013 Choral Conductors' Symposium led by Noel Edison. Webcast produced by Inline Digital.  

Weeping, by Dan Heymann, as performed by The Drakensberg Boys' Choir on Wednesday 22 September 2010

The Ocean Grove Great Auditorium Choir Tim Sharp, Composer/Conductor/Banjo Susan Heerema, Fiddle Justin Gonzalez, Tenor Carol Hamersma, Guitar Stephen Burke, Bass Mason Tramm, Drums Recorded on the Sacred Masterworks Concert Aug. 28, 2022 The G...  moreThe Ocean Grove Great Auditorium Choir Tim Sharp, Composer/Conductor/Banjo Susan Heerema, Fiddle Justin Gonzalez, Tenor Carol Hamersma, Guitar Stephen Burke, Bass Mason Tramm, Drums Recorded on the Sacred Masterworks Concert Aug. 28, 2022 The Great Auditorium (Ocean Grove, NJ)  

We are a cultural nonprofit-organization devoted to amateur choral music. In the Asociación Cultural Reyes Bartlet we have the Reyes Bartlet Choir and the David Goldsmith Youth Choir. We manage the Choral School in Puerto de la Cruz and the project for ...  moreWe are a cultural nonprofit-organization devoted to amateur choral music. In the Asociación Cultural Reyes Bartlet we have the Reyes Bartlet Choir and the David Goldsmith Youth Choir. We manage the Choral School in Puerto de la Cruz and the project for School choirs. We also organize the Festival of Antique and Baroque Music in Puerto de la Cruz.  

THALITAS vocal ensemble was first created in 1996 as an activity of the “APOLLON” Music Club by Giorgos Kaloutsis. Its first members were students of the Club's Music School and many of them participated in the Youth Choir of the city of Heraklion, under ...  moreTHALITAS vocal ensemble was first created in 1996 as an activity of the “APOLLON” Music Club by Giorgos Kaloutsis. Its first members were students of the Club's Music School and many of them participated in the Youth Choir of the city of Heraklion, under the direction of Mrs. Katerina Tzagkaraki. The name of the ensemble originates from Thalitas, an ancient cretan composer and legislator, after whom a street in Heraklion is named; in this street the first rehearsals of the ensemble took place. The ensemble's primary goal was to acquaint its members with the a cappella (“in the chapel”, without church organ accompaniment) vocal music of the renaissance period. THALITAS began by studying and performing works of renowned composers of that era (e.g. Josquin des Prez, G. P. da Palestrina, Orlando di Lasso) to assist the learning process of its members' musical studies. After a while, the ensemble's repertoire was enriched with choral works from other eras, from the antiquity to the present, as well as with adaptat...    less