The Marlowe Singer's perform Mozart's Ave Verum at their annual Christmas Concert 2011

London acapella group Kitsch in Sync sing the classic 80s song It's a Sin - arranged by our fellow group member Mark Moys. Performance in The Gladstone pub, Borough, London www.kitschinsync.co.uk

Acappellago presented the world premiere of "Christmastide" by Australian composer Matthew Orlovich. Sunday, December 6, 2015. Congregational Church of Batavia, IL.

天主在天受光榮 韋瓦第應用整首音樂的中心調性──D大調，巧妙地開始了首段，先是弦樂的八度大跳及連 續不斷的快速音群配合燦爛的小喇叭二重奏，為經典式的教會慶典音樂的代表；而合唱團以 和聲式的方式呈現，一開始即以強而有力的"Gloria"一詞，讚揚上帝的榮耀與偉大 ，不但充滿催眠似的力量，更使聽者有觸電般的感受。 指揮: 翁佳芬 伴奏: 巴洛克獨奏家樂團 時間: 2007/12/11 地點: 高雄市文化中心至德堂

Performed by Universitair Koor Antwerpen at their Christmas Concert "Once Upon A December" on December 19, 2017. Piano: Stijn Dierckx

Voices: ChoralTracks https://www.cpdl.org/wiki/index.php/Sleep_little_Jesus_(Scott_Villard)

This beautiful song by @Godwill Babette inspired us to share the message of how great and powerful God's word is. We share in the spiritual inspiration drawn from Psalm 138.2 :"I will worship toward thy Holy Temple, and praise thy name for thy lovingkin...  moreThis beautiful song by @Godwill Babette inspired us to share the message of how great and powerful God's word is. We share in the spiritual inspiration drawn from Psalm 138.2 :"I will worship toward thy Holy Temple, and praise thy name for thy lovingkindness and for thy truth: for thou hast magnified thy word above all thy name"-KJV This is our rendition of this wonderful song. Performed By: @Kenyan Boys Choir Arranged for the choir by: Alvin Kadaji Solo: Alvin Kadaji Shot and Directed by: Smith Hems Shot at: P.C.E.A Kariobangi South  less

"Can't Help Falling in Love" is a song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. The melody is based on "Plaisir d...  more"Can't Help Falling in Love" is a song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc. The melody is based on "Plaisir d'amour", a popular French love song composed in 1784 by Jean-Paul-Égide Martini. This is an arrangement by William C Sveglini, performed by the dwsChorale.  

Acappella Group 34 Choir is pleased to be a part of !SING - Day of Song, Ruhr 2010 European Capital of Culture organization @Veltins Arena, Gelsenkirchen Germany with Bobby McFerrin and Wise Guys with a capacity of 60.000 audience and 8000 chorister parti...  moreAcappella Group 34 Choir is pleased to be a part of !SING - Day of Song, Ruhr 2010 European Capital of Culture organization @Veltins Arena, Gelsenkirchen Germany with Bobby McFerrin and Wise Guys with a capacity of 60.000 audience and 8000 chorister participants of 170 choirs from all over Europe.. Conductor : Kevork Tavityan, June 05, 2010 * Acappella Grup 34 Korosu, Almanya' nın Gelsenkirchen kentinde, Schalke 04 takımının maçlarını oynadığı Veltins Arena Stadında Ruhr2010 Avrupa Kültür Başkenti Etkinliği olan !SING DAY of SONG etkinliğinde İstanbul' u temsilen tüm stadyuma bir parça söyledi. Saha zemininde toplanan 170 korodan 8000 koriste tribünlerde 60.000 dinleyici eşlik etti. Geceyi diğer koroların yanı sıra Bobby Mc Ferrin ve Wise Guys renklerdirdi... Şef : Kevork Tavityan, 05 Haziran 2010  less

Soon to be published by Carus-Verlag Germany. Find a score sample and order information at http://cschurch.net/en/compositions/choir/o-magnum-mysterium/ A recent wonderful live-performance of my setting of this famous text that has inspired so many comp...  moreSoon to be published by Carus-Verlag Germany. Find a score sample and order information at http://cschurch.net/en/compositions/choir/o-magnum-mysterium/ A recent wonderful live-performance of my setting of this famous text that has inspired so many composers over the centuries. In my attempt, “O magnum mysterium” returns three times after the first statement, in a similar gesture but each time shifted to a NEW tonality with even more flats. Thus, the listener gets ever more pulled into this magnificent text until the piece culminates in a jubilant “Alleluia” in C-major, having come full-circle back to very first harmony we heard.  less