The “Liturgi-Kal” concert choir was founded in 2009 and includes singers from all over Israel. The choir presents liturgical music either written in, or translated to, the Hebrew language. In the few years of the choir's existence Liturgi-Kal is rapidly b...  moreThe “Liturgi-Kal” concert choir was founded in 2009 and includes singers from all over Israel. The choir presents liturgical music either written in, or translated to, the Hebrew language. In the few years of the choir's existence Liturgi-Kal is rapidly becoming much more visible on the Israeli music scene due to its emphasis on excellence coupled with the superb choice of musical partners. The choir has worked with the Israeli Chamber orchestra, the Ensemble Barrocade and has had the honor of hosting some of Israel’s finest young singers as well as special guests from abroad.  less

Canterbury Ladies Choir sing Ombra Mai Fu from Xerxes by Handel, followed by Benedictus written by Brian Lewis.

Throughout its existence the chamber choir Schola Cantorum has had high ambitions. The choir has built an international reputation and has made it a trademark to include newly written music in its programmes. This is thanks to the work of Knut Nystedt (b....  moreThroughout its existence the chamber choir Schola Cantorum has had high ambitions. The choir has built an international reputation and has made it a trademark to include newly written music in its programmes. This is thanks to the work of Knut Nystedt (b. 1915), organist, composer and conductor, who returned to Norway in 1964 after studying in the USA and started a choir at the music department of the University of Oslo. The choir continues to recruit members from the department of music, as well as from the Norwegian Academy of Music in more recent years. The American choral tradition in which Nystedt was trained emphasises the importance of new music – a practice Nystedt brought back with him to Oslo. Knut Nystedt’s music became a vital element of Schola Cantorum’s repertoire. Tone Bianca Sparre Dahl became conductor in 2002, and has further established the choir’s firm position in Norway’s musical life. She has continued Nystedt’s tradition of performing modern music. Schola Cantorum has a varied repert...    less

We hope you like our video! Please LIKE and share it!! Subscribe! http://www.youtube.com/subscription_center?add_user=gingerandtonicmusic And follow us on twitter: twitter.com/Ginger_Tonic This song was written by our friend, John Flanagan. Subs...  moreWe hope you like our video! Please LIKE and share it!! Subscribe! http://www.youtube.com/subscription_center?add_user=gingerandtonicmusic And follow us on twitter: twitter.com/Ginger_Tonic This song was written by our friend, John Flanagan. Subscribe to his channel! http://www.youtube.com/subscription_center?add_user=johnflanaganofficial  

The second of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be consi...  moreThe second of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be considered Jewish, Christian or Gnostic, and whether they were first written in Greek, Hebrew or Syriac. Early Christian writings refer to and quote from them. A Syriac manuscript containing the text of most of the Odes was discovered in 1909 by the English scholar J. Rendel Harris, and other partial texts in various languages have also been found. There are 42 Odes. Some fragments are still missing from Odes I and III, and no part of Ode II has yet been found. For these choral settings, I selected text from four of the Odes of Solomon which I found particularly compelling. The anonymous translation I have used comes from The Gnostic Society Library.  less

The third of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be consid...  moreThe third of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be considered Jewish, Christian or Gnostic, and whether they were first written in Greek, Hebrew or Syriac. Early Christian writings refer to and quote from them. A Syriac manuscript containing the text of most of the Odes was discovered in 1909 by the English scholar J. Rendel Harris, and other partial texts in various languages have also been found. There are 42 Odes. Some fragments are still missing from Odes I and III, and no part of Ode II has yet been found. For these choral settings, I selected text from four of the Odes of Solomon which I found particularly compelling. The anonymous translation I have used comes from The Gnostic Society Library.  less

written by Michael McGlynn, with solos by Lynn Hilary and Sarah O'Kennedy. Originally commissioned by the Finnish sextet RAJATON, this video was made in 2005 and was filmed and edited by Michael McGlynn.

"A Song of Peace" written by Jonathan Adams, published by Pavane Publishing, P1337 and beautifully sung by Matthew Curtis, Choral Tracks LLC.

"INVICTUS" by Swiss composer Ivo Antognini (...a tribute to Nelson Mandela) The piece was written for Defrost Youth Choir (Norway) Thomas Caplin, conductor (soon published by Alliance Music Publications, Inc.) a poem by William Ernest Henl...  more"INVICTUS" by Swiss composer Ivo Antognini (...a tribute to Nelson Mandela) The piece was written for Defrost Youth Choir (Norway) Thomas Caplin, conductor (soon published by Alliance Music Publications, Inc.) a poem by William Ernest Henley Out of the night that covers me, Black as the pit from pole to pole, I thank whatever gods may be For my unconquerable soul. In the fell clutch of circumstance I have not winced nor cried aloud. Under the bludgeonings of chance My head is bloody, but unbowed. Beyond this place of wrath and tears Looms but the Horror of the shade, And yet the menace of the years Finds and shall find me unafraid. It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate, I am the captain of my soul.  less

Premiere at Orosei - Italy, on 14th March 2015. This piece, in sardo language written by Salvatore Nanni, is dedicated to Intrempas Choir and published by ChorusInside International