Vocal Vibes is an ensemble of around 40 singers based in Ringwood, Victoria. We are committed to building community through excellence in a cappella harmony, and we love to learn. We rehearse weekly to improve our vocal skills and build lasting friends...  moreVocal Vibes is an ensemble of around 40 singers based in Ringwood, Victoria. We are committed to building community through excellence in a cappella harmony, and we love to learn. We rehearse weekly to improve our vocal skills and build lasting friendships in the process. Although we have diverse backgrounds, our members thrive by working together to achieve shared goals. We sing a range of repertoire from jazz standards to 21st-century pop, barbershop to show tunes, but most importantly we sing a cappella. As well as entertaining audiences across the eastern suburbs of Melbourne we compete regularly in barbershop harmony competitions at a national level. Vocal Vibes is available to sing at private and community events - find out more by visiting our below pages, or get in touch with us at info@vocalvibes.org.au Web: www.vocalvibes.org.au Facebook: www.facebook.com/VocalVibesChorus Instagram: www.instagram.com/vocalvibesacappella/ Youtube: www.youtube.com/@VocalVibesChorus  less

Motete para voces iguales con divisi a capella. Religioso. Compositor: Julio Domínguez Ensemble Voblana- Julio 2015 - Iglesia de Sta Trinita, Florencia Director: Oscar Allen 4th Florence International Choir Festival

Scores available at https://www.santiagoveros.site/producto/almas-de-barro/ Almas de Barro (TTB), now brought to life with stunning Virtual voices. NEW: Free rehearsal tracks available for a limited time! (Season 2025/26) Whether you are preparing...  moreScores available at https://www.santiagoveros.site/producto/almas-de-barro/ Almas de Barro (TTB), now brought to life with stunning Virtual voices. NEW: Free rehearsal tracks available for a limited time! (Season 2025/26) Whether you are preparing this piece with your Choir or just want to discover its beauty, high-quality practice tracks are now available at no cost this season. After purchasing your score, simply request the rehearsal audio and receive it directly from the composer. Bring Almas de Barro to your Choir and let your singers experience a story of longing, connection, and musical intimacy. #AlmasDeBarro #TTBChoir #SantiagoVeros #VirtualChoir #ChoralMusic #FreeRehearsalTracks  less

The Reading Phoenix Choir sing Johann Kuhnau, Tristis est anima mea. Recorded live at our concert in St Clement Danes, London in January 2014, as part of the Brandenburg Festival. Sung by: Reading Phoenix Choir Conducted: David Crown, Recorded by: ...  moreThe Reading Phoenix Choir sing Johann Kuhnau, Tristis est anima mea. Recorded live at our concert in St Clement Danes, London in January 2014, as part of the Brandenburg Festival. Sung by: Reading Phoenix Choir Conducted: David Crown, Recorded by: Cannonball Media For more information about the Choir, visit our website on http://www.readingphoenixChoir.com  

43. International Choir Contest Tolosa, Spain. Certamen Coral de Tolosa. This is a service of Choral Festival Network (CFN) www.choralFestivalnetwork.org Vocal Groups Sacred Music grupos vocales musica religiosa, October 31 2011

for SATB Chorus unaccompanied Words by Mary Elizabeth Frye: Public Domain Music by Stanley M. Hoffman © Copyright 2018 by Stanley M. Hoffman. www.stanleymhoffman.com All rights reserved. The poem above is sometimes called “I Am” due to its repet...  morefor SATB Chorus unaccompanied Words by Mary Elizabeth Frye: Public Domain Music by Stanley M. Hoffman © Copyright 2018 by Stanley M. Hoffman. www.stanleymhoffman.com All rights reserved. The poem above is sometimes called “I Am” due to its repetition of the phrase. Was the poem inspired? The Hebrew name for God, YHWH, means “I am” or “I am that I am.” And there does seem to be something magical about the poem, as it was written by a woman who, to our knowledge, had never written a poem before. Mary Elizabeth Frye was an orphan with no formal education. In 1932 she and her husband hosted a young Jewish woman, Margaret Schwarzkopf, who was fleeing the Holocaust. When she received news that her mother had died in Germany, the heartbroken houseguest told Frye in despair that she had never had the chance to “stand by my mother’s grave and shed a tear.” Frye found herself composing the poem above on a ripped-off section of a brown paper shopping bag. She said the words “just came to her.”  less

Sing your way into the weekend with a smile by joining Ben every Friday at 2pm GMT on HomeChoir's YouTube channel. We learn a new song every Friday and sing some fantastic favourites, from jazz to music hall, and even original songs written especially for...  moreSing your way into the weekend with a smile by joining Ben every Friday at 2pm GMT on HomeChoir's YouTube channel. We learn a new song every Friday and sing some fantastic favourites, from jazz to music hall, and even original songs written especially for HomeChoir.  

Based in the heart of the city, London City Singers is a lively and ambitious small Sweet Adelines Chorus. We’re after a musical director who has the skills and knowledge to help us develop our great sound and fresh style. Barbershop experience woul...

This is a jazzed-up version by David W Solomons (www.dwsolo.com) of the old 16th Century French tune which was used in G R Woodward's carol "Ding Dong Merrily on High"; it is great fun to sing. It is quite different from the more well-known arrangeme...  moreThis is a jazzed-up version by David W Solomons (www.dwsolo.com) of the old 16th Century French tune which was used in G R Woodward's carol "Ding Dong Merrily on High"; it is great fun to sing. It is quite different from the more well-known arrangement and would make a nice change in a carol concert. The vocal parts here are all performed by Matthew Curtis  

Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I ...  moreGospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I was studying.