Народный коллектив России Академический Хор Нижегородского государственного университета (ННГУ). Конкурсное выступление на Всемирной Хоровой Олимпиаде 2008 в г. Грац, Австрия. Филиппинская народная песня "Rosas Pandan" (обр. Дж. Хернандес). Nizhny Novgor...  moreНародный коллектив России Академический Хор Нижегородского государственного университета (ННГУ). Конкурсное выступление на Всемирной Хоровой Олимпиаде 2008 в г. Грац, Австрия. Филиппинская народная песня "Rosas Pandan" (обр. Дж. Хернандес). Nizhny Novgorod State University Academic Choir (NNSU Choir). Contest performance at the World Choir Games 2008 in Graz, Austria. Philippine folk song "Rosas Pandan" (arr. J. Hernandes)  

This fun-loving group of women enjoys singing together, not just for the performance factor, but also for the pure joy of singing together. We have about 25 members currently, but we are gaining new members each year. We put on two "shows" each ...  moreThis fun-loving group of women enjoys singing together, not just for the performance factor, but also for the pure joy of singing together. We have about 25 members currently, but we are gaining new members each year. We put on two "shows" each year to raise funds that benefit the Chorus as a whole. We also perform throughout the year at various venues - retirement communities, nursing homes, churches, banquets, and other events.  

10 More techniques to improve intonation Frank F. Eychaner- University of Texas of the Permian Basin   1)     CONSONANTS- Executing consonants clearly and allowing the vowel to sound on the beat improves intonation by avoiding ...

Laeti Cantores Salerno MU University Singers Giusy Perna - Augusta Mistico dir. R. Paul Crabb

The Inspira Chamber Choir (formerly Calgary Youth Chorus) performs the traditional Xhosan folksong "Dubula" arranged by Stpehen Hatfield in competition at the 10th Golden Gate International Choral Festival. Berkeley, CA, USA.

The second of three movements by composer Joseph Dillon Ford for male Chorus, based on Dante's The Divine Comedy (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer Vidi una porta, e tre gradi di sotto per gire ad essa, di ...  moreThe second of three movements by composer Joseph Dillon Ford for male Chorus, based on Dante's The Divine Comedy (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer Vidi una porta, e tre gradi di sotto per gire ad essa, di color diversi, e un portier ch' ancor non facea motto. [I saw a portal, and three stairs beneath, Diverse in colour, to go up to it, And a gate-keeper, who yet spake no word] Poi pinse l' uscio a la porta sacrata, dicendo: "Intrate; ma facciovi accorti che di fuor torna chi ' n dietro si guata" [Then pushed the portals Of the sacred door, Exclaiming: “Enter; but I give you warning That forth returns whoever looks behind.”] Io mi rivolsi attento al primo tuono, e ' Te Deum laudamus' mi parea udire in voce mista al dolce suono. [At the first thunder-peal I turned attentive, And _”Te Deum laudamus”_ seemed to hear In voices mingled with sweet melody.]  less

Vox Virorum winter concert. January 19, 2014 First Presbyterian Church Durham, NC USA

"Tannhäuser". Coro de Peregrinos. R.Wagner ORQUESTA Y CORO FILARMONÍA Dir: PASCUAL OSA Concierto XXV Aniversario del Grupo REDISLOGAR Auditorio Nacional de Música. Madrid. Sala Sinfónica 10 de junio de 2004 Video realizado por TV-CLM

recorded in 2004, ORF Radiokulturhaus Vienna details: http://www.Chorussinenomine.at/cd4.shtml (german only)

MISSION STATEMENT The primary objective of the Choral Music Program at KCKCC is to educate students through the stylistic variety and tonal diversity of the choral genre, based on historical precedent. This objective is achieved by exposing students to m...  moreMISSION STATEMENT The primary objective of the Choral Music Program at KCKCC is to educate students through the stylistic variety and tonal diversity of the choral genre, based on historical precedent. This objective is achieved by exposing students to music of different nationalities and/or cultures and their commitment to recreate a unique tone quality that identifies with the cultural environment of each composition.