Rehearsing and performing using a variety of movement exercises will powerfully impact the artistry of a choral performance. The applications of movement in our choirs are nearly endless. Vocal technique is aided through the liberal use of movement in the...

Enregistrement studio QRMV MONTMAGNY

Eseguito a Toscolano Maderno (BS), in occasione della rassegna di Natale del 10 dicembre 2016 Corale Santa Cecilia, Dir. Gianpietro Bertella Coro Anzano, Dir. Paolo Stefan

[A version of this article first appeared as a post on my blog From the Front of the Choir]   This weekend I’m running a ‘voice clinic’ for members of my choir. I’ll be spending time working on basic Vocal technique and conf...

The second of "Two poems by Thomas Moore" with me directing the Concentus Nymphae feminine choir The score is available for free at IMSLP: http://imslp.org/wiki/Two_Poems_by_Thomas_Moore_(Camacho,_João_Carlos)

A choir based in Kumasi, Ghana. We render tremendous music of various choral genres. Very committed to what we do.

Warm up your Vocal cords and shine up your dancing shoes School of Hard Knocks co-artistic directors Dr Jonathon Welch AM and Dr Kathleen McGuire invite you to Swing! Into Christmas, Saturday 12 december at 4pm at the Melbourne Town Hall with a cast of h...

lass="view_more">CoMA Voices is based in London. We meet for specific performance projects and workshops. We are open to all singers with no auditions and previous experience of contemporary music is not needed. We work mainly, though not exclusively, from music, some of ...  lass="view_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morelass="view_more" style="display:none;">CoMA Voices is based in London. We meet for specific performance projects and workshops. We are open to all singers with no auditions and previous experience of contemporary music is not needed. We work mainly, though not exclusively, from music, some of which is unconventionally notated. Most of our work is a capella and the focus is on ensemble singing. One objective is to expand the contemporary amateur Vocal repertoire, which is less developed than the instrumental repertoire. We work with composers and students, commissioning works and showcasing material for use by others.  lass="view_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

lass="view_more">"STABAT MATER", Giovanni Baptista PERGOLESI I. Stabat Mater II. Cujus animam III. O quam tristis IV. Quae moerebat V. Quis est homo VI. Vidit suum VII. Eia Mater VIII. Fac ut ardeat IX. Sancta Mater X. Fac ut portem XI. Inflamatus XII. Quando ...  lass="view_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morelass="view_more" style="display:none;">"STABAT MATER", Giovanni Baptista PERGOLESI I. Stabat Mater II. Cujus animam III. O quam tristis IV. Quae moerebat V. Quis est homo VI. Vidit suum VII. Eia Mater VIII. Fac ut ardeat IX. Sancta Mater X. Fac ut portem XI. Inflamatus XII. Quando corpus -- Amen ORQUESTA FIlaRMONÍA Coro FIlaRMONÍA Cecilia lavilla (Soprano) Maite Maruri (Contralto) Dir: PASCUAL OSA Ciclo de conciertos "la MÚSICA EN la HISTORIA" 2º concierto: EL BARROCO (1730-1750) Auditorio Centro de Arte de Alcobendas (Madrid) Grabado por Julio Menor Sonido directo de videocámara  lass="view_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less