The Semitone Singers is a group of choirs run by Taylor Giacoma, founder of Semitone Studios. Newly formed in 2022, the group is currently comprised of a mixed choir, a men's choir, and a women's choir. The mixed choir meets at the Manchester Rugby Club, ...  moreThe Semitone Singers is a group of choirs run by Taylor Giacoma, founder of Semitone Studios. Newly formed in 2022, the group is currently comprised of a mixed choir, a men's choir, and a women's choir. The mixed choir meets at the Manchester Rugby Club, and the men's and women's choirs meet at the Wilmslow Rugby Club. The repertoire consists of a little bit of everything - madrigals, movies, musicals, spirituals, shanties, serious songs, silly songs - everything. All Singers are welcome, and there is no audition required. We sing as a team, one step at a time.  less

"The Long Day Closes" by Arthur Sullivan at the Schlosskirche in Bonn (June 30, 2009)

We are a community choir under the musical director of long time conductor Philip Hagemann. We currently have about 35-40 members and new members are always welcome. We meet Monday evenings, Sept through May, at Greenmeadow Waldorf School in Chestnut R...  moreWe are a community choir under the musical director of long time conductor Philip Hagemann. We currently have about 35-40 members and new members are always welcome. We meet Monday evenings, Sept through May, at Greenmeadow Waldorf School in Chestnut Ridge, NY.  

Nidarosdomens Guttekor from Norway sing John Rutter's beautiful song The Lord Bless You And Keep You. I am sorry about the ending. The Norwegian lady had to tell people that "Shrek" would be coming up next. Surely she could have waited for a minute !!

Cantabile Chamber Singers Toronto, Trinity College Chapel, University of Toronto Composer: Laura Silberberg Soprano: Lucy Fitz Gibbon Counter Tenor: Simon Honeyman Cello: Mahsa Madahian Photographer: RJ CHUNG World Premiere, Canadian composer

CHIJ Katong Convent Choir, Est. 2000. Under the direction of Mr. Terrence Toh. We live life to the fullest, and sing like there's no tomorrow

[A version of this article first appeared as a post on my blog From the Front of the Choir]   Apparently it’s the summer break here in the UK. The weather is sunny, choir doesn’t start back until September, kids are off School and ice c...

A choral ensemble of talented boys drawn from High Schools and Colleges around KenyA. The choir is dedicated to moulding a world-class choral outfit that offers a platform for Kenyan Boys to nurture their natural talents in Music, dance, and drama while i...  moreA choral ensemble of talented boys drawn from High Schools and Colleges around KenyA. The choir is dedicated to moulding a world-class choral outfit that offers a platform for Kenyan Boys to nurture their natural talents in Music, dance, and drama while imparting life principles of discipline, hard work perseverance, persistence and determination. In order to shape a youth citizenry that is responsible and of impeccable integrity for effective leadership in the society, the choir advocates for the attainment of quality education for its members. Education is elementary in the augmentation of any individual towards being a responsible and an empowered member of the society; a fact that the Kenyan Boys Choir believes in and strives to inculcate.  less

Simon Lindley's setting of 'Ave Maria' - under the title of 'Litany for Mary' - was produced originally as a setting for upper voices. The music was devised to short call order for a Mothers' Union Deanery Service in what was then Leeds Parish Church on...  moreSimon Lindley's setting of 'Ave Maria' - under the title of 'Litany for Mary' - was produced originally as a setting for upper voices. The music was devised to short call order for a Mothers' Union Deanery Service in what was then Leeds Parish Church on Lady Day - the Feast of the Annunciation - in March 1979. Its accompaniment owes much to the setting of Robert Herrick's 'Litany to the Holy Spirit' by Peter Hurford of some twenty years earlier. 'Ave Maria' has been extensively recorded and broadcast by choirs of all traditions, especially children's choirs. Eventually, a version of the piece for four-part choir emerged during the early weeks of 2003 in response to a request from Gordon Stewart on behalf of the BBC Radio 4 Pilgrim Choir and it is this more recent version that is sung here. This performance was recorded in Leeds Minster on Sunday 28th April 2013 during the recital of 'Music with Minster connections' sung by St Peter's Singers of Leeds, directed by the composer. The organist is David Houl...    less