On Christmas Eve morning 2017, I was approached by a member of our congregation who said he had been inspired by the Holy Ghost to write some words and that he would like me to set them to music. To begin with I wasn't sure, since they seemed somewhat re...  moreOn Christmas Eve morning 2017, I was approached by a member of our congregation who said he had been inspired by the Holy Ghost to write some words and that he would like me to set them to music. To begin with I wasn't sure, since they seemed somewhat repetitive, but as the day progressed to the early afternoon I found that I was also inspired (I even missed lunch!). The piece varies in mode from D Dorian to A Aeolian. The performance is by me (multi-tracking).  

Takerei Komene’s 'He Tamaiti ō te Ao Tukupū' is a celebration of birth, rejoicing in its chaos and the process of creation. This new commission revolves around the creation of a person with endless potential. The text centres on a well-know whakatauki or ...  moreTakerei Komene’s 'He Tamaiti ō te Ao Tukupū' is a celebration of birth, rejoicing in its chaos and the process of creation. This new commission revolves around the creation of a person with endless potential. The text centres on a well-know whakatauki or proverb: Whāia te iti kahurangi, ki te tuohu koe, me he maunga teitei [Seek that which you treasure most – if you must bow your head, let it be to the loftiest of mountains] A mihi pepeha, hailing the fabrics of space and the throes of the heart, is joined by the Organ – a giant celestial factory, chaotic and cacophonous, with great starry arms placing pieces into unique moulds forming the fragments of the final section of the work – a mighty invocation of the whakatauki.  less

This is a setting of a poem by The Reverend Doctor Malcolm Guite, Chaplain of Girton College Cambridge,with his permission. The poem is a response to the 8th "O Antiphon" for Advent

Music and the Spoken Word broadcast with the Tabernacle Choir and Orchestra at Temple Square. 1. All Creatures of Our God and King 2. Awake and Arise, All Ye Children of Light 3. Be Thou My Vision (Organ Solo) 4. Lovely Appear, from "The Redemption"...  moreMusic and the Spoken Word broadcast with the Tabernacle Choir and Orchestra at Temple Square. 1. All Creatures of Our God and King 2. Awake and Arise, All Ye Children of Light 3. Be Thou My Vision (Organ Solo) 4. Lovely Appear, from "The Redemption" 5. Dealing with Disappointment (Spoken Word) 6. Who Will Buy? from "Oliver!" 7. Thou Lovely Source of True Delight Dealing with Disappointment Every life needs aspirations—along with goals to help us achieve them. Our goals can be like the banks of a river, guiding the flow of our ambitions. Making plans and striving to accomplish them helps channel our efforts and energies toward the things that matter most to us. But what about when we fail? How do we respond when, despite our earnest efforts, we don’t quite reach those high aspirations? In short, how do we deal with disappointment? The natural response is to feel discouraged, disheartened. It might seem that all our planning and work were wasted. We may even question our aspirations—were our ...    less

This sanctuary of my soul, Unwitting I keep white and whole, Unlatch'd and lit, if Thou should'st care To enter or to tarry there. With parted lips and outstretch'd hands, And list'ning ears Thy servant stands. Call Thou early, call Thou late, to...  moreThis sanctuary of my soul, Unwitting I keep white and whole, Unlatch'd and lit, if Thou should'st care To enter or to tarry there. With parted lips and outstretch'd hands, And list'ning ears Thy servant stands. Call Thou early, call Thou late, to Thy great service dedicate. My soul, keep white, and whole. (poem by Charles Hamilton Sorley) Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.  less

Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.

O Lord, look down from heaven, and behold from the habitation of thy holiness and of thy glory: Where is Thy zeal and Thy strength, Thy mercies towards me? Are they restrained? (Isaiah 63 v. 15) Sung at Canterbury Cathedral during our Roya...  moreO Lord, look down from heaven, and behold from the habitation of thy holiness and of thy glory: Where is Thy zeal and Thy strength, Thy mercies towards me? Are they restrained? (Isaiah 63 v. 15) Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.  

Music and the Spoken Word broadcast with The Tabernacle Choir and Orchestra at Temple Square. 1. When In Our Music God Is Glorified 2. For the Beauty of the Earth 3. Prelude on Pisgah (Organ Solo) 4. “Happy and Blest Are They,” from St. Paul 5. T...  moreMusic and the Spoken Word broadcast with The Tabernacle Choir and Orchestra at Temple Square. 1. When In Our Music God Is Glorified 2. For the Beauty of the Earth 3. Prelude on Pisgah (Organ Solo) 4. “Happy and Blest Are They,” from St. Paul 5. The Greatest Battle of Life (Spoken Word) 6. Oh, Peter, Go Ring Them Bells 7. May the Good Lord Bless and Keep  

From our INTERSTELLAR concert in Saskatoon, SK Cathedral of St. John the Evangelist, November 16, 2025 North Sky Chorale is directed by Richard Janzen Joel Peters, Organ Emma Gillingham, soprano https://northskychorale.ca

FLUTES FOR DANCING It's lucky to hear the flutes for dancing coming down the road. The ground is glowing. The table set in the yard. We will drink all this wine tonight because it's Spring. It is. It's a growing sea. We're clouds over the sea, o...  moreFLUTES FOR DANCING It's lucky to hear the flutes for dancing coming down the road. The ground is glowing. The table set in the yard. We will drink all this wine tonight because it's Spring. It is. It's a growing sea. We're clouds over the sea, or flecks of matter in the ocean when the ocean seems lit from within. I know I'm drunk when I start this ocean talk. Would you like to see the moon split in half with one throw? Texts by Rumi, translated by Coleman Barks © 1995 Coleman Barks. Used by permission. Performed by the Millennium Consort, Martin Neary, conductor, and the Pomona College Choir, Donna Di Grazia, director. Water Ruminations is a setting of six poems by the thirteenth-century poet Rumi, in English translations from the Persian by Coleman Barks, for double choir and Organ. The poetry sings of literal and spiritual connections between water and sky, a drop of water and human life, flowing water and love, drinking water and its container, the giddiness of spring and rolling s...    less