La Folia (literally "madness") was a Portuguese dance from the renaissance, and it has been used by many composers in the ensuing centuries. This a-Cappella 4-voice version uses three altos and one bass, a Cappella. It explores a couple of alternative m... display='';$(this).getParent().style.display='none';">moredisplay:none;">La Folia (literally "madness") was a Portuguese dance from the renaissance, and it has been used by many composers in the ensuing centuries. This a-Cappella 4-voice version uses three altos and one bass, a Cappella. It explores a couple of alternative modes for the theme: Octatonic and Dorian. Singing of folia this old tune repeats all day and even in the new Octatonic mode we can sing folia all the day long in this five time and we sing it in Octatonic mode madness all is madness while we're singing of la folia and in five time and Octatonic mode can't leave off la folia it will drive me round the bend soon and I'll shortly change to some other mode Sing it in the Dorian sing it in the Dorian oh I love the Dorian it makes me dream on display='';$(this).getParent().style.display='none';">less
Performance of "Salve Regina" by Josep Vila I Casanas at the 2014 Florilege Vocal de Tours Grand Prix.
Chris Artley, Birthday SSAATTBB a Cappella http://chor.helbling-verlag.de/?pagename=product&product=C7677 Das Chorstück Birthday wurde 2014 für die aus Auckland stammende A-Cappella-Gruppe „Laudamus“ komponiert. die fließenden Rhythmen in Christi... display='';$(this).getParent().style.display='none';">moredisplay:none;">Chris Artley, Birthday SSAATTBB a Cappella http://chor.helbling-verlag.de/?pagename=product&product=C7677 Das Chorstück Birthday wurde 2014 für die aus Auckland stammende A-Cappella-Gruppe „Laudamus“ komponiert. die fließenden Rhythmen in Christina Georgina Rossettis Gedicht führen wie von selbst zu einer melodischen Vertonung. die Sopran- und Tenorstimmen wechseln sich ab, indem sie jeweils die Melodie der Strophen 1 bzw. 2 singen, während die anderen Stimmen beschwingt und jazzig begleiten. Ein Tonartwechsel am Beginn der dritten Strophe, zusammen mit kanonischen Einsätzen in den Oberstimmen, steigert die Energie des Stückes zu neuen Höhen, das seine Krönung in einer sehr jazzigen Schlusskadenz findet. ______________________ http://www.helblingchoral.com/?pagename=product&product=C7677 The choral piece Birthday was composed in 2014 for Auckland-based a Cappella group “Laudamus”. The flowing rhythms in Christina Georgina Rossetti’s poem naturally lend themselves to a melodic setting. The sopr... display='';$(this).getParent().style.display='none';">less
Trudbol A Cappella : One Man Choir / One Man Barbershop Quartet
Stephen F. Austin State University A Cappella Choir Dr. Michael Murphy, conductor Dr. Jennifer Dalmas, Ernesto Mendoza, violin Melissa Nabb, viola Dr. Evgeni Raychev, cello Ron Petti, piano Zachary J. Moore, composer Sheet Music: Santa Barbar... display='';$(this).getParent().style.display='none';">moredisplay:none;">Stephen F. Austin State University A Cappella Choir Dr. Michael Murphy, conductor Dr. Jennifer Dalmas, Ernesto Mendoza, violin Melissa Nabb, viola Dr. Evgeni Raychev, cello Ron Petti, piano Zachary J. Moore, composer Sheet Music: Santa Barbara Music Publishing
live recording from Domkirche St.Pölten, Austria, 17.4.2011.
CorISTAnbul is a mixed a Cappella choir formed by the music director and conductor Arda Ardases Agosyan to perform a Cappella pieces in the music literature. However, it also sings with instrumental accompaniment. The choir has pieces from different ages,... display='';$(this).getParent().style.display='none';">moredisplay:none;">CorISTAnbul is a mixed a Cappella choir formed by the music director and conductor Arda Ardases Agosyan to perform a Cappella pieces in the music literature. However, it also sings with instrumental accompaniment. The choir has pieces from different ages, languages and styles in its repertoire. It gives both Turkey and world premieres of songs. It premiered the concerto Romeo and Juliet, composed by the conductor Agosyan last year. It is the first of its kind in that it is for double bass solo and mixed choir. **** Müzik edebiyatındaki çoksesli acapella (eşliksiz) koro eserlerini seslendirmek üzere Arda Ardaşes Agoşyan tarafından kurulan koro, şimdiden, farklı dönem, dil ve tarzda elliden fazla eseri repertuarında bulundurmaktadır. Eşliksiz koro müziği seslendirme nosyonunu benimsemiş olan oda korosu, Rönesans’tan günümüze uzanan geniş bir döneme yayılmış repertuarını, yılda birkaç kez verdiği konserlerle, oldukça iyi düzeydeki müzikalite ve performansıyla dinleyicisiyle paylaşmaktadır. Repertuarında Tür... display='';$(this).getParent().style.display='none';">less
(For English please scroll down) ****** Premierni videospot vokalne zasedbe Bassless, a Cappella priredba skladbe Vedno zame (Gušti & Polona). Snemanje je potekalo na hodnikih petih ameriških hotelov. Bassless je skupina petih članov z različnih konc... display='';$(this).getParent().style.display='none';">moredisplay:none;">(For English please scroll down) ****** Premierni videospot vokalne zasedbe Bassless, a Cappella priredba skladbe Vedno zame (Gušti & Polona). Snemanje je potekalo na hodnikih petih ameriških hotelov. Bassless je skupina petih članov z različnih koncev Slovenije, ki jih od novembra 2011 združuje ljubezen do glasbe in skupnega ustvarjanja. Izvajajo a Cappella priredbe pesmi široke palete žanrov: pop, rock, disco, dance, funk, jazz, blues, ter lastno avtorsko glasbo. Avtor orginalne skladbe: Miha Guštin Aranžma: Andraž Slakan Produkcija, mix, studio: Rok Kelvišar - www.rokreativa.si Mastering: Igor Potočnik Člani: Jana Gamser Karin Možina Dominik Štrucelj Kristjan Virtič Sašo Vrabič Info: www.twitter.com/vocalbassless www.facebook.com/vocalbassless Kontakt: vocalbassless@gmail.com ***** Video premiere of a vocal group named Bassless; an a Cappella arrangement of the song Vedno zame (Gušti & Polona). Shooting of the video took place in the hotel hallways of five American cities.... display='';$(this).getParent().style.display='none';">less
FREE DOWNLOAD OF THIS SONG http://soundcloud.com/keystonevocals/whitney-houston-tribute In memory. We are thankful for the gift of being able to sing with (and share it with) our friends. Written by Michael Masser, Gerry Goffin Arrangement by Tom... display='';$(this).getParent().style.display='none';">moredisplay:none;">FREE DOWNLOAD OF THIS SONG http://soundcloud.com/keystonevocals/whitney-houston-tribute In memory. We are thankful for the gift of being able to sing with (and share it with) our friends. Written by Michael Masser, Gerry Goffin Arrangement by Tom West Lead Vocal: Jen Steinberg Audio recorded live in rehearsal with close micing. Minimal editing, fully mixed. KeyStone purchases the mechanical rights for all covers they distribute in any format, even when we give it away for free! http://keystoneaCappella.com http://twitter.com/keystonevocals http://www.facebook.com/KeyStoneVocals Demand us! http://eventful.com/performers/keystone-a-Cappella-/P0-001-000249430-9/demand display='';$(this).getParent().style.display='none';">less
Cappella Musicale Corradiana, choir & orchestra, was born in 2007, conducted by Antonio Magarelli. They are specialized in sacred Renaissance, baroque and classical repertoire. The orchestra is composed by professional Early music mus... display='';$(this).getParent().style.display='none';">moredisplay:none;">Cappella Musicale Corradiana, choir & orchestra, was born in 2007, conducted by Antonio Magarelli. They are specialized in sacred Renaissance, baroque and classical repertoire. The orchestra is composed by professional Early music musicians, who play original instruments. Cappella Musicale Corradiana wants to discover Puglia’s musical heritage to increase Naples musical tradition. They have concerts in all of Europe. They are guests of musical Festivals and shows, such as Maldon Festival of Arts in England and Anima Mea – Musiche Mondi Memorie. They were also guests of Pontificio Comitato di Scienze storiche in Santa Croce in Gerusalemme in Rome to celebrate 500 years from V Lateran Council. Among its recordings there are: Passio Domini Nostri Iesu Christi secundum Ioannem (1816), Vito A.R. Cozzoli’s Oratorio (1777-1817); Officia in feria V et VI Maioris Hebdomadae, composed by Antonio Pansini (1703-1791) for three voices and continuo in the first half of XVIII century. They are both two... display='';$(this).getParent().style.display='none';">less
