ore">Robert White's 5 voice setting of 'Christe qui lux es et dies' (Precamur sancte Domine). Score for SAATB. Gallicantus Directed by Gabriel Crouch singing a cappella: David Allsop, Mark Chambers, Richard Butler, Christopher Watson, Nigel Short, Willia...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">Robert White's 5 voice setting of 'Christe qui lux es et dies' (Precamur sancte Domine). Score for SAATB. Gallicantus Directed by Gabriel Crouch singing a cappella: David Allsop, Mark Chambers, Richard Butler, Christopher Watson, Nigel Short, William Gaunt, Jimmy Holliday 'Christe qui lux es et dies' IV - http://www.youtube.com/watch?v=45SfxG6AokE 'Ad te levavi oculos' - http://www.youtube.com/watch?v=-PGF0C0Rfag 'O praise God - http://www.youtube.com/watch?v=3tt0Kyp8L1g  

ore">HUMAN is a piece commissioned by Joseph Ohrt,Director of Choral Activities Central Bucks High School-West on August 13 of 2019. World premiere performance: March 5, 2020 at the ACDA Conference in Rochester, NY. Central Bucks High School-West women's C...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">HUMAN is a piece commissioned by Joseph Ohrt,Director of Choral Activities Central Bucks High School-West on August 13 of 2019. World premiere performance: March 5, 2020 at the ACDA Conference in Rochester, NY. Central Bucks High School-West women's choir. Dr. Joseph Ohrt, conductor Lyrics by Joe Hazell and Gianni Recupero. Music by Santiago Veros If you wish to purchase the scores or to be in contact with the composer for possible commissions, write to contact@santiagoveros.site  

Bring us in good ale is a mediaeval drinking song. The premise of the song is that the singers (or players) want no food and so they find all sorts of reasons not to eat: they just want good ale!

voices: ChoralTracks https://www.cpdl.org/wiki/index.php/Locus_iste_(Scott_Villard) #ChoralTracks #MatthewCurtis #AlexandraBurch

voices: ChoralTracks https://www.cpdl.org/wiki/index.php/Dona_nobis_pacem_(Scott_Villard) #ChoralTracks #MatthewCurtis #AlexandraBurch

Erev Shel Shoshanim-a poetic Hebrew love song. Under the direction of Lucas Tarrant.

ore">The third of three movements by composer Joseph Dillon ford for male chorus, based on Dante's La Divina Commedia (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer "O sanguis meus, o superinfusa Gratia Dei, sicut tibi, cu...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">The third of three movements by composer Joseph Dillon ford for male chorus, based on Dante's La Divina Commedia (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer "O sanguis meus, o superinfusa Gratia Dei, sicut tibi, cui bis unquam Coeli ianua reclusa?" "O thou my blood, O overflowing Grace of God, to whom, as unto thee, was e’er the Gate of Heaven unlocked a second time?” Così quel lume; ond’ io m’ attesi a lui; poscia rivolsi alla mia Donna il viso, e quinci e quindi stupefatto fui; Thus spoke that light; hence I thereto gave heed; then to my Lady turning back my face, I was on this side and on that amazed; chè dentro agli occhi suoi ardeva un riso tal, ch’ io pensai co’ miei toccar lo fondo della mia gloria e del mio Paradiso. for such a smile was glowing in her eyes, that I with my thought I had touched the depths both of my glory and of my Paradise  less

ore">In this electro-acoustic piece, Davidson applies a microscope to sound. Using the words "we apologise" from then-Australian Prime Minister Kevin Rudd's historic 2008 apology to aboriginal Australians for past mistreatment, Davidson creates a beautiful sou...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">In this electro-acoustic piece, Davidson applies a microscope to sound. Using the words "we apologise" from then-Australian Prime Minister Kevin Rudd's historic 2008 apology to aboriginal Australians for past mistreatment, Davidson creates a beautiful soundscape by slowing the audio down by 250 times, the approximate ratio of aboriginal to modern presence in Australia. We use our voices to imitate this slow version. We then speed up the recording 250 times to see if we can hear Kevin Rudd's voice re-emerge. The result surprised us all!  less

ore">The vocal octet Octarium, based in Kansas City, has gained a national reputation for performances suffused with what composer Morton Lauridsen called, “stunning artistry combined with an absolutely beautiful blending of voices.” Composer Stephen Hatfield ...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">The vocal octet Octarium, based in Kansas City, has gained a national reputation for performances suffused with what composer Morton Lauridsen called, “stunning artistry combined with an absolutely beautiful blending of voices.” Composer Stephen Hatfield raves, “Octarium’s ability to change the nuance of their tone and timbre without disrupting the flow of the music enables them to pack their performances with riches without ever over-reaching for their effects.” At each presentation, Octarium offers the polished choral sonority and embodiment of the philosophy, “Eight Singers, One voice” for which the ensemble has become well-known and respected. The Riverfront Times writes that the “eight members of Octarium go beyond raising their voices together in song; their voices warp and weave together, coalescing as a single instrument of tremendous power and depth. Octarium wields this might gracefully, never overpowering, opting instead to revel in the pliancy of the human voice.” In addition to a Kansas City-a...    less

ore">Winner of the 2015 ASCAP/Chorus America award for Adventurous Programming, Choral Chameleon is known for championing New Music for voices within the context of mixed-genre thematic programming and experiments in non-traditional staging. Founded in New ...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">Winner of the 2015 ASCAP/Chorus America award for Adventurous Programming, Choral Chameleon is known for championing New Music for voices within the context of mixed-genre thematic programming and experiments in non-traditional staging. Founded in New York City in 2008 by Artistic Director Vince Peterson, the organization now encompasses: a roster of professional ensemble singers, a volunteer chorus of 40-50 adults and an annual week-long Summer Institute in Brooklyn for composers and conductors. The culture of the organization marries informality, loving support and joyful curiosity, with the expectation of solid and technical musicianship, constant learning and openness toward the unexpected.  less