22 Nov 2011 in Hannover, Germany http://www.vocaldente.com Like us on Facebook: http://www.facebook.com/pages/vocaldente-a-Cappella-art/138550290100 Myspace: http://www.myspace.com/vocaldente

FINAL ROUND Helsinki Music Centre September 22, 2012 The Conversion of Saul by Z. Randall Stroope Conducted by Emmanuel P. de Leon, Jr.

Soloists: Neesh Shah, Tejas Mallela, Arindam Chakravartti Vocal Percussion: Arindam Chakravartti Help us tweet this to @justinbieber! http://clicktotweet.com/2dX18 PLEASE SUPPORT US! Download this track from iTunes! http://itun.es/iPt9yz Check u...  moreSoloists: Neesh Shah, Tejas Mallela, Arindam Chakravartti Vocal Percussion: Arindam Chakravartti Help us tweet this to @justinbieber! http://clicktotweet.com/2dX18 PLEASE SUPPORT US! Download this track from iTunes! http://itun.es/iPt9yz Check us out at http://facebook.com/chaitownUIUC or http://chaitown.org to learn more about us and order our new CD!  

Prière es una obra a Cappella escrita para coro de mujeres sobre un poema religioso del Padre Léonce de Grandmaison. El texto, relacionado con la tradición cristiana de las vigilias con candelas, es una emotiva plegaria a la Virgen María. Compositor: A...  morePrière es una obra a Cappella escrita para coro de mujeres sobre un poema religioso del Padre Léonce de Grandmaison. El texto, relacionado con la tradición cristiana de las vigilias con candelas, es una emotiva plegaria a la Virgen María. Compositor: Albert J. Alcaraz Pastor Sainte Marie Mère de Dieu gardez moi un coeur d´enfant pur et transparent comme une source. Obtenez moi un coeur simple, que ne savoure pas les tristesses. Doux et humble sans de retour, joyeux de s´effacer dans un autre coeur. Un coeur tourmenté de la gloire de JesuChrist, bléssé de son Amour et dont la plaine guérisse qu´au ciel. Ensemble Voblana- Julio 2015- Convento de Sta Apollonia, Florencia. Director: Oscar Allen 4th Florence International Choir Festival  less

Arrangement: Laura Jēkabsone www.laurajekabsone.com Video: Kaspars Teilāns https://www.facebook.com/KasparsTeilansFOTO/ Sound: Gustavs Ērenpreiss Make-up: Ilona Zariņa Style: Ineta Medne- Bernāne Performed by Latvian Voices www.latvianvoices.lv h...  moreArrangement: Laura Jēkabsone www.laurajekabsone.com Video: Kaspars Teilāns https://www.facebook.com/KasparsTeilansFOTO/ Sound: Gustavs Ērenpreiss Make-up: Ilona Zariņa Style: Ineta Medne- Bernāne Performed by Latvian Voices www.latvianvoices.lv https://www.facebook.com/LatvianVoices/ https://open.spotify.com/artist/54mSCDWB34Q2WPfEHWJru5 https://www.instagram.com/latvianvoicesofficial/ https://twitter.com/latvianvoices  

Nello splendido teatro Augusteo di Salerno, il piccolo grande capolavoro degli Wham! I Edizione dell'iPop Festival, Teatro Augusteo, Salerno.

The Brocal Chords perform at the Drake University Relay for Life fundraiser.

Soulfood a Cappella singing "The Little Drummer Boy". This is part a program for Wesley Impact that went to air on Sunday, 15 December, 2013 - Channel Nine, 5.30am (ADST). This footage is kindly provided courtesy of Wesley Mission.

The Capital Hearings are a mixed a Cappella vocal ensemble based in Washington, DC. We perform a wide variety of music including classical favorites, jazz standards and contemporary pop arrangements.

'Deus Ex Machina' is a piece composed by award-winning Polish composer of the young generation, Jakub Neske. The text for the piece was written by Bartholomew Begley, a Dublin-based philosophy lecturer who works on philosophical translations of early mode...  more'Deus Ex Machina' is a piece composed by award-winning Polish composer of the young generation, Jakub Neske. The text for the piece was written by Bartholomew Begley, a Dublin-based philosophy lecturer who works on philosophical translations of early modern Latin texts. The text 'Deus Ex Machina' tells the story of a suddenly and unexpectedly found God 'out of a machine.' The setting of the Choir was very experimental – the aim was to take full advantage of the possibilities offered by the spatial, immersive sound. The Choir sections were spread horizontally and vertically; therefore, the entire space around the listener was arranged. The visuals indicate the positions of the Choir by points of light, whose brightness and movement were devised based on the sound energy of each of the choral sections.  less