Aghias Triados Choir of Thessaloniki Χορωδία Αγίας Τριάδος Θεσσαλονίκης Μέγαρο Μουσικής Θεσσαλονίκης Μάιος 2012

28.7.2012 kolobrzeg in Poland, Pilgrim Mission Choir Maestro Jae-joon, Lee

Mcondece Village Choir sings a beautiful piece in Chichewa entitled 'Ndiyende Njirayi'. Mcondece village, a spectacular inland village in northern Mozambique, often visited by elephants and other wildlife, won second prize in the 2012 Manda Wilderness Cho...  onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreone;">Mcondece Village Choir sings a beautiful piece in Chichewa entitled 'Ndiyende Njirayi'. Mcondece village, a spectacular inland village in northern Mozambique, often visited by elephants and other wildlife, won second prize in the 2012 Manda Wilderness Choir Festival. for additional information about the annual Manda Wilderness Choir Festival visit: https://mydonate.bt.com/events/2013choirfestival/93958.  

Ensamble Cantus Infinitum y su participación en la sexta temporada de conciertos corales del Centre Catalá (2012).

Concierto de Zenobia Consort, director Rupert Damerell, en la Catedral de Alcalá de Henares el 14 de enero 2012. El primer concierto del grupo recien formado.

"Cancion de los Tsáchilas." Four traditional Tsáchila Songs, arr. Michael Sample. Recorded live on December 14, 2014, at The Broward Center for the Performing Arts in fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl Choir...  onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreone;">"Cancion de los Tsáchilas." Four traditional Tsáchila Songs, arr. Michael Sample. Recorded live on December 14, 2014, at The Broward Center for the Performing Arts in fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Percussion: Bradley Peterson. This indigenous community, often referred to as The Colorados, is located in the northern coastal region of Ecuador. In the face of modernization, music serves as a tool for this group to preserve their history, traditions, and culture. Tsáchilas music-making includes dance, philosophy, spirituality, cultural traditions, and community involvement with a strong connection to nature and respect for the land. By singing this piece, our ensemble is actively helping to protect and promote the Tsáchila community. A portion of the proceeds from our purchase of the score has been sent to the community to assist in the preservation of their culture. TRANSLATIon Beautiful woma...    onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Robinson Select Women's Ensemble Mike Horanski, Conductor 2012 World Choir Games ---- English Poetic Translation: Children of all countries, Youth from everywhere, Sing, jump, dance! on foot or by bike, Our bags on our backs, Plakatap --...  onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreone;">Robinson Select Women's Ensemble Mike Horanski, Conductor 2012 World Choir Games ---- English Poetic Translation: Children of all countries, Youth from everywhere, Sing, jump, dance! on foot or by bike, Our bags on our backs, Plakatap -- Plakatap, Plakatap -- Plakatap! Let's party, let's sing! Let's celebrate Humanity with one heart, And let us all sing our Fraternity in chorus! Regardless of what's happening, In spite of the distance, We are one family of young men and women. Let us dwell in the Unity of one Humanity. Sing, jump, dance! Plakatap -- Plakatap! United in the same love, Let us go day by day, Singing, jumping up and down, dancing The Fraternal Dance of the children of the World. Plakatap -- Plakatap, Plakatap -- Plakatap!  onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

The Antioch Chamber Ensemble sings the world premiere of "Faces" by Ivo Antognini March 30, 2012 at St. Paul's Chapel, NYC Faces by Sara Teasdale People that I meet and pass In the city's broken roar, Faces that I lose so soon And have neve...  onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreone;">The Antioch Chamber Ensemble sings the world premiere of "Faces" by Ivo Antognini March 30, 2012 at St. Paul's Chapel, NYC Faces by Sara Teasdale People that I meet and pass In the city's broken roar, Faces that I lose so soon And have never found before, Do you know how much you tell In the meeting of our eyes, How ashamed I am, and sad To have pierced your poor disguise? Secrets rushing without sound Crying from your hiding places — Let me go, I cannot bear The sorrow of the passing faces. — People in the restless street, Can it be, oh can it be In the meeting of our eyes That you know as much of me?  onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Carlo Gesualdo Principe di Venosa: PLANGE QUASI VIRGO responsorio del Sabato Santo a 6 voci registrazione live, 30 Giugno 2012 Chiesa S. Maria Assunta in Senaghino - Senago (MI)

Magnificat and Nunc Dimittis (Book of Common Prayer version 1662) set to music for six part mixed voices SAT-SAT) The title of this work (Canticula Ursae Minoris/Songs of the Little Bear) comes from the origin of the melodies: Many years ago I wrote a...  onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreone;">Magnificat and Nunc Dimittis (Book of Common Prayer version 1662) set to music for six part mixed voices SAT-SAT) The title of this work (Canticula Ursae Minoris/Songs of the Little Bear) comes from the origin of the melodies: Many years ago I wrote an "Oratorio" based on Winnie the Pooh (The Expotition to the North Pole) and gave each character little melodic leitmotifs, such as "Sing ho for the life of a bear" (which becomes "to be a light to lighten the Gentiles" in the Nunc Dimittis), "They all went off to discover the pole" (which is the initial theme of the Magnificat) and "What I say, said Eeyore, is that it's unsettling" (which becomes the "Glory be to the Father" section at the end of each canticle) The original and much simpler "oratorio" work, called Poohratorio of course, may be published once AA Milne goes into public domain (2031).  onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less