The SFU Choir from Burnaby, B.C. Canada sings an Ensemble of music form "Dr. Horrible's Sing Along Blog" in their "Horrible Spring Concert", performed Friday, April 16th, 2010 Part 1 of 2. Learn more about the SFU Choir at http://www.sfuchoir.ca/

Formed by four ladies from a choir that was closed. We are meeting the challenges of starting afresh. We have a superb choral director who is getting the best out of us. The is no audition: just a love of singing. We are a mixture of very experienced to ...  moreFormed by four ladies from a choir that was closed. We are meeting the challenges of starting afresh. We have a superb choral director who is getting the best out of us. The is no audition: just a love of singing. We are a mixture of very experienced to none. The choir is bilingual English and Spanish with a truly international membership. Formado por cuatro mujeres de un coro que cerró. Estamos afrontando los retos de empezar de nuevo. Tenemos un director coral magnífico que está sacando lo mejor de nosotras. No hay audición: solo amor por cantar. Somos una mezcla de personas con mucha experiencia y otras sin experiencia. El coro es bilingüe inglés y español con una membresía verdaderamente internacional.  less

I Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name. Composer Gwyneth Walker writes: "Thi...  moreI Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name. Composer Gwyneth Walker writes: "This is a poem of grandeur and of praise. Therefore it might be expected that this musical setting would aim at vastness, grandeur and awakening." Walker accomplishes this through a variety of means. First, the piano introduction includes slowly unfolding piano arpeggios which focus on open intervals of octaves, fifths and fourths, exploiting the full range of the piano keyboard. The composer also takes the Singers on a harmonic journey which begins in a low register in C minor, and then travels through a number of other key areas until it reaches the distant key of G-flat. At this point, the voices are drawn closely together into a tone cluster containing the pitches G-flat, A-flat and B-flat, only to open apart into the glorious C major chords which conclude the ...    less

VokalArs, an all-female music group, started rehearsing at the end of 2004 with the intention of consolidating a professional chamber size choir who would offer unconventional, high artistical quality concerts. Its components are professionals, whether si...  moreVokalArs, an all-female music group, started rehearsing at the end of 2004 with the intention of consolidating a professional chamber size choir who would offer unconventional, high artistical quality concerts. Its components are professionals, whether Singers or related to other areas of music or those who, despite having another occupation, have a solid musical background and an extense vocal and choral experience. The unique sonority of a female group of Singers, usually a capella, has been widely explored throughout the history of music by many composers from all times, both male and female. Examples of such music can be found from the Middle Ages up to contemporary music; however it is not until Romanticism that works are composed specifically for female choirs. Thus, a particular genre is born that will keep its own entity up to the present times. This genre has been especially cultivated as of late by female artists and composers. Both aspects, that is presenting works written for female choir as well ...    less

[this is a version of a post which first appeared on my blog From the Front of the Choir]   There is a lack of men in many community choirs (Why men won’t sing).     The Tenor by Paul Helm   One of the results of th...

The Hazelnuts (or in Hebrew – the Hazel Sisters – האחיות לוז) are a Jerusalemite Doo-wop group, who’s just released their debut EP on April 2014. The Hazelnuts are a vocal trio, accompanied by guitar, contrabass & washboard, inspired by the America...  moreThe Hazelnuts (or in Hebrew – the Hazel Sisters – האחיות לוז) are a Jerusalemite Doo-wop group, who’s just released their debut EP on April 2014. The Hazelnuts are a vocal trio, accompanied by guitar, contrabass & washboard, inspired by the American vocal groups of the 1930's. The group aims to expose the audience to the magic of this genre, which is almost completely forgotten. The Hazelnuts' concert combines original songs - preserving the musical spirit of the genre and poured into a contemporary feminine point of view, and in addition - stylistic adaptations of cotemporary songs and authentic pieces from the thirties. Band Members: Yifeat Ziv, Talya Amzaleg, & Shira Z. Carmel – Vocals, Songs and Arrangements Ariel Givant – Double Bass / Dotan cohen – Guitar / Yoav Elkayam – Washboard ********************************************* BANDCAMP - http://thehazelnuts.bandcamp.com/ FACEBOOK -less

Grant Us Peace Music by Stanley M. Hoffman (2001) Performed by The Philovox Ensemble Jennifer Lester, conductor Music:© Copyright 2002 by Ione Press, Inc., a division of ECS Publishing. www.ecspublishing.com All rights reserved. Used by per...  moreGrant Us Peace Music by Stanley M. Hoffman (2001) Performed by The Philovox Ensemble Jennifer Lester, conductor Music:© Copyright 2002 by Ione Press, Inc., a division of ECS Publishing. www.ecspublishing.com All rights reserved. Used by permission. ECS Publishing Catalog No. 6031. Excerpts from "Gates of Prayer" are copyright 1975 by Central Conference of American Rabbis and are used by permission. Recording: © Copyright 2002 by ECS Publishing. www.ecspublishing.com All rights reserved. Used by permission.  less

Metro Nashville Chorus - overview from 2013 Open House

July 31st 2015 Deadlline   Tomorrow ends the deadline to sign up for our Video Competition for Treble and Women's Choirs.   http://www.wac-contest.eu/    

Vocal Ensemble "Quadrivia" Members: Alto: Tamara Ivanić Tenor: Jovo Ivanić Baritone: Karlo Hameder Bass: Aleksandar Mijailović Magnum nomen Domini is a Christmas Motet composed by Bartłomiej Pękiel (1633-1670). Pękiel served the court in Warsaw f...  moreVocal Ensemble "Quadrivia" Members: Alto: Tamara Ivanić Tenor: Jovo Ivanić Baritone: Karlo Hameder Bass: Aleksandar Mijailović Magnum nomen Domini is a Christmas Motet composed by Bartłomiej Pękiel (1633-1670). Pękiel served the court in Warsaw from about 1633. After the Swedish invasion of Poland in 1655 he then moved to Wawel Cathedral Chapel in Kraków, where he was Kapellmeister. 29 of Pękiel's works survive, mostly in manuscript. The musicologist Bartłomiej Gembicki divides these into two stages; early baroque (Warsaw) and church music in the style of prima pratica (Kraków). He wrote the only Polish church oratorio Audite mortales, on the topic of The Last Judgement. Magnum nomen Domini Magnum nomen domini Emanuel, quod annuntiatum est per Gabriel, hodie apparuit, apparuit in Israel per Mariam virginem in Bethlehem. Eia, eia. Virgo Deum genuit, quod divina voluit clementia. Gaudete, gaudete, Christus natus hodie, gaudete, gaudete, Christus natus hodie. Alleluia.  less