Народный коллектив России Академический Хор Нижегородского государственного университета (ННГУ). Выступление на Международном хоровом фестивале в Санкт-Петербурге 30 мая 2009. Русская народная песня (обр. П. Плаксин) - Ах вы, сени. Nizhny Novgorod State ... One';">moreOne;">Народный коллектив России Академический Хор Нижегородского государственного университета (ННГУ). Выступление на Международном хоровом фестивале в Санкт-Петербурге 30 мая 2009. Русская народная песня (обр. П. Плаксин) - Ах вы, сени. Nizhny Novgorod State University Academic Choir (NNSU Choir). Performance at the International Choral Festival in Saint Petersburg, 05/30/2009. Russian Folk Song (arr. P. Plaxin) - Akh, Vy Seni (Ah, My Inner Porch).
From our 2013 Lessons and Carols Candlelight Service. We are joined by guest vocalists Holly Ruth Gale (Assistant Professor of Music, ATU) and Jeremy Hopper (student, UCA).
Performed by Universitair Koor Antwerpen at their Spring Concert "Evolution Of Music" on May 10, 2016. Piano: Peter Jeurissen Camera: Jelmer Lokman, Robin Van Limbergen, Ben Verhaegen, Jordan De Deken Sound: Johan De Cock
Performed by over a thousand voices from around the world over six weeks, this was recorded, mixed and produced entirely from home. No One met during its production. START - 10:03 L'Homme Armé - 10:59 Call to Prayer - 17:06 Kyrie - 19:13 Save Me fr... One';">moreOne;">Performed by over a thousand voices from around the world over six weeks, this was recorded, mixed and produced entirely from home. No One met during its production. START - 10:03 L'Homme Armé - 10:59 Call to Prayer - 17:06 Kyrie - 19:13 Save Me from Bloody Men - 30:00 Sanctus - 31:45 Hymn Before Action - 39:07 Charge! - 42:16 Last Post - 48:51 Angry Flames - 50:28 Torches - 54:17 Agnus Dei - 57:24 Now the Guns have Stopped - 1:01:28 Benedictus - 1:05:26 Better is Peace - 1:13:58 Final Chorale - 1:21:31 One';">less
The “Universitas Cantat” festival is a choral international celebration. Since 1998, it has been gathering in Poznań young people from various universities - people who are musically talented, active and open to new friendships and exchange of cultural ex... One';">moreOne;">The “Universitas Cantat” festival is a choral international celebration. Since 1998, it has been gathering in Poznań young people from various universities - people who are musically talented, active and open to new friendships and exchange of cultural experiences. The Academic Choir of Gdańsk University of Technology performed at the Second Gala Concert of the 16th edition of the festival. The concert was held in the Adam Mickiewicz University Aula, known for its excellent acoustics. The choir performed among distinguished performers such as the Academic Choir of Warsaw University, the Academic Choir of Adam Mickiewicz University in Poznań, the Choir of Mahidol University from Thailand, and the percussion duo of Piotr and Bartłomiej Sutt. One';">less
Народный коллектив России Академический Хор Нижегородского государственного университета (ННГУ). Конкурсное выступление на Всемирной Хоровой Олимпиаде 2008 в г. Грац, Австрия. Русская народная песня "Уж ты, зимушка-зима" (обр. П. Лондонов). Nizhny Novgor... One';">moreOne;">Народный коллектив России Академический Хор Нижегородского государственного университета (ННГУ). Конкурсное выступление на Всемирной Хоровой Олимпиаде 2008 в г. Грац, Австрия. Русская народная песня "Уж ты, зимушка-зима" (обр. П. Лондонов). Nizhny Novgorod State University Academic Choir (NNSU Choir). Contest performance at the World Choir Games 2008 in Graz, Austria. Russian folk song "Uzh ty zimushka-zima"("Oh My Winter-Winter") (arr. P. Londonov).
A powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, curr... One';">moreOne;">A powerful declaration for freedom and equality, Rich Campbell’s “Border” is angular, emotional, and desperate. The text draws from (and paraphrases) several sources: contemporary media, Emma Lazarus’ “The New Colossus,” the Bible’s Matthew 25:31-40, currency, and others. The changing meters of “Border” fill the work with an up-tempo, rhythmic energy that propels it forward. Campbell’s piece hardly relents, even as the pace slows this work presses forward with a colorful and often modal harmonic language. “Border” is a call for justice, empathy and compassion, a summons to our collective conscience. One';">less
The second of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be consi... One';">moreOne;">The second of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be considered Jewish, Christian or Gnostic, and whether they were first written in Greek, Hebrew or Syriac. Early Christian writings refer to and quote from them. A Syriac manuscript containing the text of most of the Odes was discovered in 1909 by the English scholar J. Rendel Harris, and other partial texts in various languages have also been found. There are 42 Odes. Some fragments are still missing from Odes I and III, and no part of Ode II has yet been found. For these choral settings, I selected text from four of the Odes of Solomon which I found particularly compelling. The anonymous translation I have used comes from The Gnostic Society Library. One';">less
The third of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be consid... One';">moreOne;">The third of three settings of text from the Odes of Solomon. The Odes of Solomon are believed to have been written around the year 100 A.D., and include strong parallels to the Dead Sea Scrolls. Scholars have debated whether the Odes should be considered Jewish, Christian or Gnostic, and whether they were first written in Greek, Hebrew or Syriac. Early Christian writings refer to and quote from them. A Syriac manuscript containing the text of most of the Odes was discovered in 1909 by the English scholar J. Rendel Harris, and other partial texts in various languages have also been found. There are 42 Odes. Some fragments are still missing from Odes I and III, and no part of Ode II has yet been found. For these choral settings, I selected text from four of the Odes of Solomon which I found particularly compelling. The anonymous translation I have used comes from The Gnostic Society Library. One';">less
Performance of Ligeti's "Reggel" at the 2014 Florilege Vocal de Tours Grand Prix in Tours, France.
