an class="view_more">Melissanthi at 29th Thessaloniki International Choral Festival Info | Πληροφορίες: info@choirs.gr Περισσότερα για την εκδήλωση στο Google+ | More info about The event at Google+ https://plus.google.com/u/0/b/108065264916578562768/events/co0o0pefcjf...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">Melissanthi at 29th Thessaloniki International Choral Festival Info | Πληροφορίες: info@choirs.gr Περισσότερα για την εκδήλωση στο Google+ | More info about The event at Google+ https://plus.google.com/u/0/b/108065264916578562768/events/co0o0pefcjfjf2gtbus02t60j2s Η Μελισσάνθη στο 29ο Διεθνές Χορωδιακό Φεστιβάλ Θεσσαλονίκης (γνωστό και ως Χορωδιακό Φεστιβάλ ΟΤΕ Θεσσαλονίκης). Τραγούδι χαράς (Μουσική: Γιώργος Μάρκου, Στίχοι: Μαρία Πηλιώτου) Διεύθυνση Χορωδίας: Ελένη Θεοδωρίδου Καλλιτεχνική Διεύθυνση: Γρηγόρης Σαββόπουλος Πιάνο: Κώστας Παντελίδης Εικονοληψία: Συμεών Λαγόπουλος Επεξεργασία Βίντεο: Ελευθερία Τσιάρτα ------------------------------------------------------------------------------------------------------------- Melissanthi at 29th Thessaloniki International Choral Festival song of Joy (Music: Giorgos Markou, Lyrics: Maria Piliotou) Conductor: Eleni Theodoridou Art Director: Grigoris Savvopoulos Piano: Kostas Pantelidis Video Recording: Symeon Lagopoulos Video...    lessan>

Founded in 2012, The 50-voice intergenerational women’s chorus, Belle Voci, has been using choral performances as a means for social good by supporting causes that primarily benefit women.  The community-based ensemble includes “coll...

an class="view_more">Score (for The original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of The Crucifixus sung by The dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">Score (for The original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of The Crucifixus sung by The dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  an>

an class="view_more">Mar. 14, 2015 Soloist: Tyler Teixeira Dancers: Nikyla Toews, Evan Hawkins, Ainsley Check, Walker Rambo, and Mikaela Hoeppner Percussion: Steven Webb and Adrian Pecold Choreography: Ainsley Check http://www.prairievoices.ca https://www.fa...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">Mar. 14, 2015 Soloist: Tyler Teixeira Dancers: Nikyla Toews, Evan Hawkins, Ainsley Check, Walker Rambo, and Mikaela Hoeppner Percussion: Steven Webb and Adrian Pecold Choreography: Ainsley Check http://www.prairievoices.ca https://www.facebook.com/Prairievoices https://twitter.com/_Prairievoices  an>

May 10, 2014 http://www.prairievoices.org https://www.facebook.com/Prairievoices https://twitter.com/_Prairievoices

One of our practice sessions in college.... At some places tenor would dominate cos The recoding was done by me and i sung tenor.. :-)

Acappellago Concert 12/6/2009 Naperville Congregational Church

an class="view_more">I NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to The beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In The first section, The choral texture is homo-rhythmic and in The se...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">morean>an class="view_more" style="display:none;">I NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to The beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In The first section, The choral texture is homo-rhythmic and in The second section, The voices are set into a simple counterpoint. “I Never Saw” closes on The dominant chord creating a feeling of suspension that enhances The concept of faith expressed by Dickinson.  an>

Mar. 14, 2015 Accompanist: Steven Webb http://www.prairievoices.org https://www.facebook.com/Prairievoices https://twitter.com/_Prairievoices

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community choirs in The UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...