Francis Poulenc (1899 - 1963): Sept répons Des ténèbres (1962) Jeudi saint / Holy Thursday / Gründonnerstag I. Una hora 0:09 II. Judas mercator 3:18 Vendredi saint / Good Friday / Karfreitag III. Jesum tradidit 5:56 IV. Caligaverunt oculi mei 9:...  moreFrancis Poulenc (1899 - 1963): Sept répons Des ténèbres (1962) Jeudi saint / Holy Thursday / Gründonnerstag I. Una hora 0:09 II. Judas mercator 3:18 Vendredi saint / Good Friday / Karfreitag III. Jesum tradidit 5:56 IV. Caligaverunt oculi mei 9:54 V. Tenebrae factae sunt 12:20 Samedi saint / Holy saturday / Karsamstag VI. Sepulto Domino 16:09 VII. Ecce quomodo moritur 18:50 Monteverdichor Würzburg Matthias Beckert (cond.) 26. 02. 2012 Neubaukirche, Würzburg, Germany 1. Una hora non potuistis vigilare mecum, qui exhortabamini mori pro me? Vel ludam non videtis, quomodo non dormit, sed festinat tradere me ludaeis? Quid dormitis? Surgite, et orate, ne intretis in tentationem. Mk 14,37-38, Lk 22,46 ; Joh 18,2-5 2. Judas mercator pessimus osculo petiit Dominum: ille ut agnus innocens non negavit Judae osculum: Denariorum numero Christum Judaeis tradidit. Melius illi erat si natus non fuisset. Mt 26,14-16.48-50 und Mk 14,21 3. Jesum tradidit impius summis principibus sa...    less

Aube Printanière chanson de JC Rosaz chanté à Nankin par le Choeur Des Polysons Piano Mathieu PICARD Direction Elisabeth TRIGO poème de Meng Heraoran, poète chinois de la Dynastie Tang. Le sujet principal de sa poésie est la nature. Ce texte est un Des...  moreAube Printanière chanson de JC Rosaz chanté à Nankin par le Choeur Des Polysons Piano Mathieu PICARD Direction Elisabeth TRIGO poème de Meng Heraoran, poète chinois de la Dynastie Tang. Le sujet principal de sa poésie est la nature. Ce texte est un Des plus connus. 春 眠 不 觉 晓 处 处 闻 啼 鸟 夜 来 风 雨 声 花 落 知 多 少 Chūn mián bù jué xiǎo, chùchù wén tíniǎo. Yè lái fēngyǔ shēng, Huā luò zhī duōshǎo. In The spring we sleep ignorant dawn Everywhere we hear The birds singing During The night comes The sound of wind and rain The flowers fall, who knows The number? Au printemps on dort ignorant l’aube Partout on entend les oiseaux chanter Durant la nuit vient Le bruit du vent et de la pluie Les fleurs tombent, qui en connait le nombre?  less

FHCS was formed in 1951 and has grown into an ambitious 100-strong choir. Membership is open to anyone with or without Choral experience. We aim for high standards, and of course strong singers are always valued – but you don’t have to be able to read m...  moreFHCS was formed in 1951 and has grown into an ambitious 100-strong choir. Membership is open to anyone with or without Choral experience. We aim for high standards, and of course strong singers are always valued – but you don’t have to be able to read music, and There are no auditions. The age range of members stem from 20 to over 70 so There is room for everyone. If you’re not sure which voice part you are Then Christopher Wray, our Musical Director, can help you with this. The Choir performs three public concerts each year, at Easter, in The Summer and at Christmas. We also support The local communities by singing at various events and this incluDes raising funds for charities. Each year we also sing away from London which combines singing to anoTher community, or combining a performance with Their choir, with a fun day out. At times we take more extensive trips and you can see details on These events in our ‘News Items’ section of The website. FHCS is also a very social Choir and apart from a...    less

Direction artistique: Aude Fabre Direction musicale: Stéphan Nicolay Le Sacre Des Saisons Spectacle autour de la symbolique Des saisons, pour récitant, solistes, choeur et orchestre. Textes: Gil Florini Mise en scène: Aude Fabre Orchestration: Jea...  moreDirection artistique: Aude Fabre Direction musicale: Stéphan Nicolay Le Sacre Des Saisons Spectacle autour de la symbolique Des saisons, pour récitant, solistes, choeur et orchestre. Textes: Gil Florini Mise en scène: Aude Fabre Orchestration: Jean-Louis Luzignant Direction musicale: Stéphan Nicolay  

Composed by Johann Christoph Pezel (or Petzold) (based on a version of Psalm 55) for alto, tenor and bass voices and string ensemble Des Abends, Morgens und Mittags will ich klagen und heulen, so wird er meine Stimme hören. Er erlöset meine Seele v...  moreComposed by Johann Christoph Pezel (or Petzold) (based on a version of Psalm 55) for alto, tenor and bass voices and string ensemble Des Abends, Morgens und Mittags will ich klagen und heulen, so wird er meine Stimme hören. Er erlöset meine Seele von denen, die an mich wollen, und schaffet mir Ruhe; denn ihrer ist viel wider mich. Gott wird hören und sie demütigen, der allweg bleibet. Sela Sela Sela. In The evening, morning and midday I shall lament and cry So he will hear my voice He releases my soul from those who are against me and gives me peace for There are many of Them against me God will hear and will humble Them He who reigns forever. Pause and think of this  less

We are a friendly, non-auditioning, mixed voice choir of around 60 singers from Didcot and surrounding villages. We encourage Choral singing for all ages and abilities, including those who have never sung in choirs before as well as very experienced singe...  moreWe are a friendly, non-auditioning, mixed voice choir of around 60 singers from Didcot and surrounding villages. We encourage Choral singing for all ages and abilities, including those who have never sung in choirs before as well as very experienced singers. We perform a wide range of music throughout The year and we're committed to contributing to The cultural life of our area. There is no need to audition, just to love singing! Our musical director is Rupert Gill.  

  A virtually full Bridgnorth Baptist Church enjoyed a very varied summer concert programme from Bridgnorth Choral Society and Their guests on Saturday evening with songs from musical Theatre to grand opera.   Oldbury Wells School Vocal Group...