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video:
Here in nomansland. a meditation in the Vosges, 2 altos and guitar
Here in Nomansland - a meditation in the Vosges
This personal exploration with a friend was very deep, we were
philosophising mainly on society's reactions to minority groups and the psychology behind it.
We considered ourselves to be in a sort of noma... moreHere in Nomansland - a meditation in the Vosges
This personal exploration with a friend was very deep, we were
philosophising mainly on society's reactions to minority groups and the psychology behind it.
We considered ourselves to be in a sort of nomansland sociologically, each for different reasons,
but the Vosges valleys provided the most beautiful "nomansland" imaginable for our discussions.
This song is the slightly mystical, and somewhat understated, memory of those days:
Here in nomansland
where all had fled the weather
we waited patiently
and enjoyed God's sun together
Here in nomansland
a grandson of Adam
residing in his earthly grandfather's home
the woods and sun presiding
Here in nomansland
Hermes' and Aphrodite's son
sings cuckoo to the ill-shorn mountain top
and then is gone
Here in nomansland we sing
to the other's consolation
whilst peaceful dog and cows look on
at our natural
perchance divine
oration less
video:
Erosion a Glee for old naughty schoolboys
Improvisation by the dwsChorale
http://ww.dwsolo.com
A silly a-cappella number based on an idea from an old epigram "Scylla is toothless".
Scylla becomes a vintage headmaster in this version but the results are similar.
My old headmaster hasn`t got... moreImprovisation by the dwsChorale
http://ww.dwsolo.com
A silly a-cappella number based on an idea from an old epigram "Scylla is toothless".
Scylla becomes a vintage headmaster in this version but the results are similar.
My old headmaster hasn`t got one tooth
But he had teeth enough back in my youth
He told me off then every single day
But now his tongue has worn his teeth away!
Original unattributed epigram:
On an old Scold
Scylla is toothless, yet, when she was young
She had both teeth enough and too much tongue.
What shall we, then, of toothless Scylla say
But that her tongue has worn her teeth away? less
video:
John Williams is the Man Saturday March 12 2016
"John Williams is the Man"
Based on John Williams movie music. Arranged by Mr. Tim, JS Slagowski & Bryant W. Smith.
Saturday, March 12, 2016
Mayslake Peabody Estate, Oak Brook, IL.
video:
Gaudete for 3 voices
Gaudete, gaudete! Christus est natus
Ex Maria virgine, gaudete!
Rejoice, rejoice! Christ is born
Of the Virgin Mary — rejoice!
Tempus adest gratiæ
Hoc quod optabamus,
The Time of grace has come—
what we wished for,
Carmina lætitiæ
Devote... moreGaudete, gaudete! Christus est natus
Ex Maria virgine, gaudete!
Rejoice, rejoice! Christ is born
Of the Virgin Mary — rejoice!
Tempus adest gratiæ
Hoc quod optabamus,
The Time of grace has come—
what we wished for,
Carmina lætitiæ
Devote reddamus.
songs of joy
Let us render in faith.
Deus homo factus est
Natura mirante,
God has become man,
As nature marvels
Mundus renovatus est
A Christo regnante.
The world has been renewed
By Christ who reigns
Ezechielis porta
Clausa pertransitur,
We pass through
the closed gate of Ezekiel
Unde lux est orta
Salus invenitur.
From the place whence light has risen,
Salvation is found.
Ergo nostra concio
Psallat iam in lustro;
Therefore let our gathering
Now sing brightly
Benedicat Domino:
Salus Regi nostro.
Let it give praise to the Lord:
Salvation to our King. less
video:
Aya Ngena for one man choir
Zulu song of liberation with additional verse of peace in English
Aya ngena = They Come In,
Aya phuma = They get out,
Aya didizela = They're in a state of confusion,
Aya sab' amagwala = The cowards are scared.
Peace we bring you
why must evr... moreZulu song of liberation with additional verse of peace in English
Aya ngena = They Come In,
Aya phuma = They get out,
Aya didizela = They're in a state of confusion,
Aya sab' amagwala = The cowards are scared.
Peace we bring you
why must evr'ybody keep on fighting
when hunger needs to be fought
leave your guns now
fight with ploughshares
leave your guns now
video:
Mister Sandman (choral arrangement)
The 50s song Mister Sandman by Pat Ballard, which I arranged, on request, for our local choir. After a few concerts, I thought it would also be fun to sing it all myself (multitracking), so here it is.
I have now published the score; see below
video:
The Poohratorio, an "oratorio" on Winnie the Pooh for voices and instruments
The Poohratorio is based on chapter 8 of A A Milne’s “Now we are Six” (The expotition to the North Pole)
It is set for various voices (spoken and sung) and either guitar or guitar with other optional instruments following the guitar part.
Each character... moreThe Poohratorio is based on chapter 8 of A A Milne’s “Now we are Six” (The expotition to the North Pole)
It is set for various voices (spoken and sung) and either guitar or guitar with other optional instruments following the guitar part.
Each character has his own theme (leitmotif).
This 1989 recording was created by the composer using his voice, classical guitar and various electronic instruments.
video:
Praise to the Vine for SATB choir
Many years before Lloyd Webber's "Cats" I created my own setting for TS Eliot's "Song of the Jellicles"
(from Old Possum's book of practical cats)
The estate of T S Eliot would not let me use the poem itself as a choral piece.
So this is the choral ... moreMany years before Lloyd Webber's "Cats" I created my own setting for TS Eliot's "Song of the Jellicles"
(from Old Possum's book of practical cats)
The estate of T S Eliot would not let me use the poem itself as a choral piece.
So this is the choral version of the Jellicle music as a drinking song for SATB choir,
with new words by Jill Mitchell called "Praise to the Vine"
video:
Let's Sing La Folia for three alto voices and guitar
La Folia (literally "madness") was a Portuguese dance from the renaissance, and it has been used by many composers in the ensuing centuries.
This version is for voices and guitar. It introduces the theme as a repeated verse on voice 1 and then adds a co... moreLa Folia (literally "madness") was a Portuguese dance from the renaissance, and it has been used by many composers in the ensuing centuries.
This version is for voices and guitar. It introduces the theme as a repeated verse on voice 1 and then adds a couple of vocalize additions above and below it.
The pdf file contains the score and a separate guitar part.
The sound sample is performed by the composer.
Let's sing la Folia
Oh let's sing la Folia
Oh let's sing la Folia as in the Baroque Time
Oh let's sing la Folia
Oh let's sing la Folia
It spans all the centuries up to now
(la la la) (cu cu cu!) less