【悅客客樂】音樂會 時間/ 2014年11月21日 地點/ 高雄市音樂館 指揮/ 朱如鳳 鋼琴/ 林曉君 《花樹下》 詩: 古秀如 曲: 謝宇威 編曲: 蔡昱姍 花樹下　你識聽過無？　(花樹下，你曾聽過嗎？) 花樹下　頭擺種著靚靚介樹　(花樹下，從前種著美麗的樹) 花樹下　你識去過無？　(花樹下，你曾去過嗎？) 花樹下　頭擺開著滿滿介花　(花樹下，從前開著滿滿的花兒) 人係行過去　該紅紅白白介花(人若打那兒過，那紅紅白白的花) 就跌落你面前　跌落你肩背　(就...  more【悅客客樂】音樂會 時間/ 2014年11月21日 地點/ 高雄市音樂館 指揮/ 朱如鳳 鋼琴/ 林曉君 《花樹下》 詩: 古秀如 曲: 謝宇威 編曲: 蔡昱姍 花樹下　你識聽過無？　(花樹下，你曾聽過嗎？) 花樹下　頭擺種著靚靚介樹　(花樹下，從前種著美麗的樹) 花樹下　你識去過無？　(花樹下，你曾去過嗎？) 花樹下　頭擺開著滿滿介花　(花樹下，從前開著滿滿的花兒) 人係行過去　該紅紅白白介花(人若打那兒過，那紅紅白白的花) 就跌落你面前　跌落你肩背　(就掉落在你面前，掉落你背上) 跌落你腳下　(掉落　你腳下) 花樹下　一間藍衫店　一個老師傅 (花樹下，有一間藍衫店，一個老師傅) 做過介藍衫　著過介細妹仔　(他做過的藍衫，穿過的女孩子) 就像該門前花　(就像那門前花) 來來去去　毋知幾多儕　(來來去去不知有多少) 來來去去　毋知幾多儕　(來來去去不知有多少) 花樹下　(花樹下) 本曲源自古秀如小姐的同名詩作。"花樹下"原是台灣高雄美濃的一­處地名，因樹上盛開著美麗的花朵得名。詩中的老師傅謝景來，是現今僅存製作客家藍衫的­師傅。此版本為蔡昱珊所改編之合唱曲，前段以淡淡和聲鋪陳，再由女高音柔美旋律引領聽­眾進入往日時光。其餘三部以和聲輕托旋律，末了以琴聲作結；餘韻悠長，滿溢真摯溫暖的­懷想。  less

for close to two decades, Ensemble Laude women’s Choir has enchanted audiences on Vancouver Island with its creative blend of medieval repertoire and contemporary choral works from around the world. Ensemble Laude is a community of women united by a passi...  morefor close to two decades, Ensemble Laude women’s Choir has enchanted audiences on Vancouver Island with its creative blend of medieval repertoire and contemporary choral works from around the world. Ensemble Laude is a community of women united by a passion for choral Music and the vision of our Artistic Director, Elizabeth MacIsaac. We celebrate the beauty and resilience of women’s vocal traditions through the ages and seek to share this art form through joyful, soulful, and life-enhancing performances that gladden the heart, lift the spirit, and expand the mind. Ensemble Laude began in 1998 with a group of 12 singers focused solely on medieval Music. It has since expanded into a vibrant community Choir of over 50 vocalists. Today, our concerts offer an eclectic repertoire, mostly unaccompanied, encompassing early Music, sacred and secular works, and folk and world Music. We are committed to expanding choral repertoire for women’s voices and regularly commission new Canadian works that preserve and revitaliz...    less

I wrote this Christmas carol back in December last year. It came Highly Commended in Westminster School's Carol Competition in 2012, and was the first Highly Commended entry in The Times Carol Competition in 2013. Apologies for some sound distortion - I'v...  moreI wrote this Christmas carol back in December last year. It came Highly Commended in Westminster School's Carol Competition in 2012, and was the first Highly Commended entry in The Times Carol Competition in 2013. Apologies for some sound distortion - I've tried my best to edit most of it out. The performers are credited at the end of the video. Hope you enjoy, and Merry Christmas!  

"Lullaby" from "Rossetti Songs for Women's Voices" by Nicola LeFanu. Text by Christina Rossetti. Recorded live on Sunday, May 5, 2013, at All Saints Episcopal Church in fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl Cho...  more"Lullaby" from "Rossetti Songs for Women's Voices" by Nicola LeFanu. Text by Christina Rossetti. Recorded live on Sunday, May 5, 2013, at All Saints Episcopal Church in fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson. Lullaby, oh, lullaby! Flowers are closed and lambs are sleeping; Lullaby, oh, lullaby! Stars are up, the moon is peeping; Lullaby, oh, lullaby! While the birds are silence keeping, (Lullaby, oh, lullaby!) Sleep, my baby, fall a-sleeping, Lullaby, oh, lullaby!  less

"O Come, O Come, Emmanuel" arranged and directed by Jessica Loman. Performed by the Chamber Singers ensemble. Recorded live at All Saints Episcopal Church in fort Lauderdale, Florida, on December 9, 2011. Jessica Loman is a senior chorister with the Gi...  more"O Come, O Come, Emmanuel" arranged and directed by Jessica Loman. Performed by the Chamber Singers ensemble. Recorded live at All Saints Episcopal Church in fort Lauderdale, Florida, on December 9, 2011. Jessica Loman is a senior chorister with the Girl Choir of South Florida, where she has sang since the Choir's inception in 2005. In the fall, she plans to major in Music at Florida State University in Tallahasse.  

Salvacosta performing 'True Colours'. Arr. by Darren Marc Bartlett www.darrenbartlett.co.uk Copyright DMB Music 2016 Video production MSL Productions

The Metropolitan Youth Orchestra of New York Nassau Symphonic Choir ~ Louise O'Hanlon, Music Director Adelphi University Performing Arts Center Sunday, March 20, 2016 If I Can Sing, I Still Am Free composer: Rich Campbell ©2014 Pay The Band Music u...  moreThe Metropolitan Youth Orchestra of New York Nassau Symphonic Choir ~ Louise O'Hanlon, Music Director Adelphi University Performing Arts Center Sunday, March 20, 2016 If I Can Sing, I Still Am Free composer: Rich Campbell ©2014 Pay The Band Music used by permission Available in print at Swirly Music: http://www.swirlyMusic.org/Music/choral-Music/rich-campbell-if-i-can-sing-i-still-am-free/  

Membership is open to men and women (including High School and College students) of all ages who enjoy singing. New members are always welcome. No auditions required though our director may ask you to sing to verify your placement in the correct voice r...  more Membership is open to men and women (including High School and College students) of all ages who enjoy singing. New members are always welcome. No auditions required though our director may ask you to sing to verify your placement in the correct voice range. See the Bulletin Board for details. GGCC generally performs at least two concerts per year, a Winter/Christmas Concert in December and a Spring Concert.  

Immerse yourself in three days of accessible and high quality Music-making with one of the UK's finest Music educators and be part of the Festival Finale Chorus Project, Home Is Where You Find Your Freedom - all for just £25!Having completed twenty ...

In the captivating realm of SSAA choral Music, discovering pieces that not only excel in Musical quality but also forge a deep emotional connection with both the audience and the singers is an invaluable treasure. In this journey, we will introduce five p...