Words by Thomas Carlyle (1795 – 1881). Uneasy dissonances set a sombre mood. No divisi. Free sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com

A new setting. Straightforward, text-driven, concise. No divisi – would suit a quartet. Free sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com

Psalm 133 (134), with doxology Brief, high impact, up-tempo. Free sheet music. Please get in touch! • Facebook: david.basden.9 • Email: deebee123 [at] bigpond.com

Be Near Me by Greg Bartholomew A setting for unaccompanied Mixed Choir (SATB) of Canto 50 from the poem In Memoriam A.H.H. by Alfred Tennyson Sung by Sarah Brailey & Matthew Curtis of Choral Tracks. The text for Be Near Me is Canto 50 from the poem...  moreBe Near Me by Greg Bartholomew A setting for unaccompanied Mixed Choir (SATB) of Canto 50 from the poem In Memoriam A.H.H. by Alfred Tennyson Sung by Sarah Brailey & Matthew Curtis of Choral Tracks. The text for Be Near Me is Canto 50 from the poem In Memoriam A.H.H. by the British Poet Laureate Alfred Tennyson (1809 -1892). Published in 1850, the poem is an extended requiem for the poet's beloved friend Arthur Henry Hallam, who died of a cerebral hemorrhage in 1833, age 22. It is considered one of the greatest poems of the 19th Century and was reported to be a great favorite of Queen Victoria. Sheet music available from J.W.Pepper: https://www.jwpepper.com/Be-Near-Me/11339264.item For more information visit http://www.gregbartholomew.com/benearmeindex.html #choralmusic #choir #tennyson  less

arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is per...  morearranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D)) These arrangements of the song skip from 5 to 12 in order to avoid tiring the audience ("Let's not make them listen to the lot!") This version in G is performed here by Matthew Curtis  

A moving version of SWEET by Manolo Da Rold. Sung by Matthew J. Curtis - ChoralTracks The piece is dedicated to the choir "La Stele"; Matteo Valbusa conductor. It is the first part of the triptych Sweet.

Free sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com A new setting – straightforward, text-driven, no extremes of range – no divisi, but has drone sections where staggered breathing would nor...  moreFree sheet music. Please get in touch! • facebook: david [dot] basden.9 • New email: deebee123 [at] bigpond.com A new setting – straightforward, text-driven, no extremes of range – no divisi, but has drone sections where staggered breathing would normally be used. Erratum: Bar 9 should read "et spes" – it's been corrected in the score.  

Arrangement of an old English folk song for three voices (versions available for women's voices, mixed voices and men's voices). This one is for women's voices. Images from Dunham Massey in Cheshire

A setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem. The music is almost, but not quite, a canon... Versions are available in B flat mixolydian and in C mixolydian. (ie major with flattened 7th) When ...  moreA setting for four equal voices of the parody by Rev George Strong on Longfellow's Hiawatha poem. The music is almost, but not quite, a canon... Versions are available in B flat mixolydian and in C mixolydian. (ie major with flattened 7th) When he killed the Mudjokivis, Of the skin he made him mittens, Made them with the fur side inside, Made them with the skin side outside. He, to get the warm side inside, Put the inside skin side outside; He, to get the cold side outside, Put the warm side fur side inside. That's why he put the fur side inside, Why he put the skin side outside, Why he turned them inside outside  less

I recently completed this short setting of the Pater Noster. It should be fairly straightforward for most choirs – no divisi, no extremes of range. One feature is that the tenor part only goes up to D – this will enable "spare" basses to help out if neces...  moreI recently completed this short setting of the Pater Noster. It should be fairly straightforward for most choirs – no divisi, no extremes of range. One feature is that the tenor part only goes up to D – this will enable "spare" basses to help out if necessary. I'm happy to share the sheet music free of charge – please contact me for the PDF. • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com