We stay home but we keep singing, as we hold hope until we meet again. In this occasion, we share Lullaby, a beautiful song for you to enjoy. Music heals. Grupo Vocal Aequalis Conductor: Mariana González Lanuza Piano: Claudio Pascua Sopran...  moreWe stay home but we keep singing, as we hold hope until we meet again. In this occasion, we share Lullaby, a beautiful song for you to enjoy. Music heals. Grupo Vocal Aequalis Conductor: Mariana González Lanuza Piano: Claudio Pascua Sopranos: Milagros Dastugue Cecilia Field Sandra Guspi Mara Papeo Cristina Viñas Isabel Viñas Altos: Georgina Correa Alejandra Goicoechea Tenors: Ricardo Lammertyn Esteban Miyasato Basses: Roberto Ochova Augusto Paso Audio/Video edition: Dante Ferreyra  less

A week ago we had the honour of premiering this work in Córdoba at our anual end of the year gala concert. The Lamb, by John Tavener (1944-2013), with lirycs by William Blake (1757-1827), music that inspire reflection and perhaps will make you move to an ...  moreA week ago we had the honour of premiering this work in Córdoba at our anual end of the year gala concert. The Lamb, by John Tavener (1944-2013), with lirycs by William Blake (1757-1827), music that inspire reflection and perhaps will make you move to an universe of peace...  

"In the bleak Midwinter", G. Holst Gruppo Vocale VoxInFabula, Perugia (Italy), Duomo di Nocera Umbra (Pg), 2 gennaio 2017

Concerto Polifonico - Chiesa Concattedrale del SS. Salvatore, Messina, 26/12/2011

XIV Rassegna polifonica "Chori Chantantes" - Militello in Val di Catania - 15/09/2011

I NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the se...  moreI NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the second section, the voices are set into a simple counterpoint. “I Never Saw” closes on the dominant chord creating a feeling of suspension that enhances the concept of faith expressed by Dickinson.  

Coro COMPACTO -EL GUAYATUNO (Efrain Medina Mora)

Concerto Polifonico - Chiesa Concattedrale del SS. Salvatore, Messina, 26/12/2011

La Asociación Musical Coro "SANTA MARÍA" interpreta CANCIÓN DE CUNA DE LA VIRGEN MARÍA (Juan Alfonso García) bajo la dirección de SERGIO ASIÁN, durante el XVII Concierto de Navidad celebrado el 17 de diciembre de 2016, en la Parroquia de San José (Coria d...  moreLa Asociación Musical Coro "SANTA MARÍA" interpreta CANCIÓN DE CUNA DE LA VIRGEN MARÍA (Juan Alfonso García) bajo la dirección de SERGIO ASIÁN, durante el XVII Concierto de Navidad celebrado el 17 de diciembre de 2016, en la Parroquia de San José (Coria del Río). Soprano solista: CARMEN ROMERO Texto: 1. Una nana de armiño, para tu sueño, aromadas de trinos, brisas y besos. Lucero mío, duérmete en mi regazo si tienes frío. 2. Una Cruz en las sombras, perfila el viento, no despiertes, mi Niño, sigue durmiendo. Tu madre vela frente a todas las cruces, aunque le duela. 3. Mañana irás, Cordero, en Cruz al monte, esmaltada la frente en sangre y flores. Duérmete ahora, hasta que tus mejillas bese la aurora. 4. Dormidito en mis brazos, blanda sonrisa, por sus labios de fresa bebe la brisa. Mi Niño duerme, ¡callad, ramas del sauce!, que no despierte. Poem...    less

Live recording by A5 Vocal ensemble of these masterpiece by Michael Preatorius. Library of Real Maestranza de Caballería, Ronda (Spain)