“The Red Wheelbarrow,” an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin's Inversion Ensemble for their Planet Home project. The score blossomed during a fel...  more“The Red Wheelbarrow,” an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin's Inversion Ensemble for their Planet Home project. The score blossomed during a fellowship at the Virginia Center for the Creative Arts, a pastoral setting that nurtured embracing the poem’s vivid landscape. The piano provides a repeating foundation over which the choir playfully evokes the spare text, using variations of the initial theme throughout. There is a contemplative moment midway, then the pulse resumes, concluding with a gleeful repetition of the last line. "The Red Wheelbarrow is a wonderfully approachable and fun piece of music. The singers of Inversion had a blast working through the rhythmic lilt and subtly beautiful harmonies, so often found in Rich Campbell's music. The clever musical interpretation brought out the wry humor of the text." Trevor Shaw, Inversion Ensemble AD  less

Train Harm. vocal para SATB e Adapt.: Dionísio Vila Maior

Actuación dentro de nuestro concierto "En cuerpo y alma" en el II Ciclo de Conciertos Clásicos de Arrecife de Lanzarote, organizado por la Orquesta Clásica de Lanzarote. Abril 2017. Con un gran contenido sentimental por muchas razones. Yesterday, John Le...  moreActuación dentro de nuestro concierto "En cuerpo y alma" en el II Ciclo de Conciertos Clásicos de Arrecife de Lanzarote, organizado por la Orquesta Clásica de Lanzarote. Abril 2017. Con un gran contenido sentimental por muchas razones. Yesterday, John Lennon/Paul McCartney. Director : Julio Chinea  

In Taberna Live Concert performance of Encina's Oy comamos y bebamos by Quadrivia Vocal Ensemble and friends: Aleksandar Alić - Percussion Andrej Kukuruzar - Violin Nebojša Brdarić - Woodwind Dragan Tomić - Mandolin

‘Crucifixus’ Music by Sergio Rodríguez SWARA Vocal Ensemble Conducted by Ivan Yohan “Contemporary Claudio” - Monteverdi and modern composers Concert recorded in Église Saint-Boniface, Brussels (Belgium) 13th of May of 2017 More information: ...  more‘Crucifixus’ Music by Sergio Rodríguez SWARA Vocal Ensemble Conducted by Ivan Yohan “Contemporary Claudio” - Monteverdi and modern composers Concert recorded in Église Saint-Boniface, Brussels (Belgium) 13th of May of 2017 More information: http://sergiorodriguezmusic.wordpress.com/ http://swaravocalEnsemble.com/  

A cross-over version of Grieg's widely known and much loved song "Våren" - The Last Spring. Thomas Beck's arrangement for choir is complemented by a Jazz/folk trio and an added verse with fragments from Vinje's text, arranged by Dag Jansson, including voc...  moreA cross-over version of Grieg's widely known and much loved song "Våren" - The Last Spring. Thomas Beck's arrangement for choir is complemented by a Jazz/folk trio and an added verse with fragments from Vinje's text, arranged by Dag Jansson, including vocal improvisation by three soloists. This piece was featured on the concert program at Musikhögskolan Ingesund on 4 May 2014.  

El Coro "Santa María" de Coria del Río (Sevilla) interpreta la obra IESUS BLEIBET, MEINE FREUDE de J.S. Bach perteneciente a su obra "Herz und Mund und Tat und Leben" (Corazón y boca y obras y vida), BWV 147, bajo la dirección de Sergio Asián, en versión...  moreEl Coro "Santa María" de Coria del Río (Sevilla) interpreta la obra IESUS BLEIBET, MEINE FREUDE de J.S. Bach perteneciente a su obra "Herz und Mund und Tat und Leben" (Corazón y boca y obras y vida), BWV 147, bajo la dirección de Sergio Asián, en versión con orquesta de cuerdas, vientos, órgano y percusión, el 19 de noviembre de 2023, en la Parroquia de San José (Coria del Río) durante el Gran Concierto Conmemorativo del XXX Aniversario Fundacional del Coro "Santa María". Jesus bleibet meine Freude, meines Herzens Trost und Saft, Jesus wehret allem Leide, er ist meines Lebens Kraft, meiner Augen Lust und Sonne, meiner Seele Schatz und Wonne; darum lass' ich Jesum nicht aus dem Herzen und Gesicht. Mas información: . Web Oficial: https://Corosantamaria.org/ . Facebook: / asociacionCorosantamaria . Instagram: / Coro_santa_maria . X (Twitter): / amcsantamaria . Tik-Tok: / ucgwhxtjzoaokl-fnfct1gbw  less

Quien te amaba ya se va (Tonada) Recopilación: Alberto Rodríguez Escudero Versión coral Carlos Guastavino Coro Mixto de la Secretaría de Estado de Educación y Cultura de Tucumán Director: Carlos Andrés Aciar Iglesia Evangélica Metodista Sa...  moreQuien te amaba ya se va (Tonada) Recopilación: Alberto Rodríguez Escudero Versión coral Carlos Guastavino Coro Mixto de la Secretaría de Estado de Educación y Cultura de Tucumán Director: Carlos Andrés Aciar Iglesia Evangélica Metodista San Miguel de Tucumán 1995  

You should watch tis video in HD! (720p or 1080p) - Es mejor ver este video en HD Coro de Cámara Patagonia, / Soprano Soloists: Gabriela Roth & Andrea Sereni dir. Eduardo Andrés Malachevsky Iglesia Metodista de Bariloche, Patagonia ARGENTINA – Decembe...  moreYou should watch tis video in HD! (720p or 1080p) - Es mejor ver este video en HD Coro de Cámara Patagonia, / Soprano Soloists: Gabriela Roth & Andrea Sereni dir. Eduardo Andrés Malachevsky Iglesia Metodista de Bariloche, Patagonia ARGENTINA – December 11th 2014 Important Note: This piece has been compose for an 8 voices a capella choir with 2 Soprano Soloists. Being so beautiful by itself the harmonic choral support we have allowed us to introduce the piece by singing the first sixteen measures without the soloists. From then -minute 1:02 of our video- we go back to the initial measure singing the score as it is written, with the soloists. Nota Importante: Esta obra está compuesta para Coro mixto a capella a 8 voces y 2 Sopranos Solistas. Siendo tan bello en sí mismo el soporte coral armónico nos hemos permitido introducir la obra cantando primeramente los 16 compases iniciales sin las solistas; a partir de allí -minuto 1:02 de esta interpretación- volvemos al compás inicial cantando la obra tal cual ...    less

The women of The Vocal Art Ensemble perform Ro Agura's "Hotaru Koi" (Ho, Firefly) as part of their May 2011 concert "Cloudburst--Sounds of Nature". To set the mood, the men behind the women are providing 'firefly' effects using laser keychains.