Ljubezen svet vrti, 46. pomladni koncert Mepz Štefana kovača iz Murske Sobote.

This is a very popular church song, but is a bit unusual in that it originated as a folk song about driving a car. Usually it is the church song which is incorporated into the folk culture. In the Sotho language: "I also like to see the angels on Moun...  moreThis is a very popular church song, but is a bit unusual in that it originated as a folk song about driving a car. Usually it is the church song which is incorporated into the folk culture. In the Sotho language: "I also like to see the angels on Mount Zion, with all the blessed people." This is from The OK Chorale's second public concert in March 2013 at St. Mary's Church, Woodbridge, Suffolk, UK.  

The Rhythm of Life from the musical Sweet Charity . (Lyrics changed back to original show lyrics) https://youtube.com/devicesupport http://m.youtube.com

Bit Fest - Bitola 09\07\2007 Butelion Classics Chorus- Choir- Hor the very best performance in Bitola - Macedonia

"Spirited Light" by Jake Runestad. Text by Hildegard von Bingen translated into English.

Нижний Новгород. 25 декабря 2010 года. ЮБИЛЕЙНЫЙ КОНЦЕРТ, посвященный 60-летию хора. Пиф-паф.

Академический хор Нижегородского Государственного Университета им. Н. И. Лобачевского. Выступление на фестивале "Молодые голоса-2012" в Нижнем Новгороде. Antonio Lotti - Crucifixus

"INVICTUS" by Swiss composer Ivo Antognini (...a tribute to Nelson Mandela) The piece was written for Defrost Youth Choir (Norway) Thomas Caplin, conductor (soon published by Alliance Music Publications, Inc.) a poem by William Ernest Henl...  more"INVICTUS" by Swiss composer Ivo Antognini (...a tribute to Nelson Mandela) The piece was written for Defrost Youth Choir (Norway) Thomas Caplin, conductor (soon published by Alliance Music Publications, Inc.) a poem by William Ernest Henley Out of the night that covers me, Black as the pit from pole to pole, I thank whatever gods may be For my unconquerable soul. In the fell clutch of circumstance I have not winced nor cried aloud. Under the bludgeonings of chance My head is bloody, but unbowed. Beyond this place of wrath and tears Looms but the Horror of the shade, And yet the menace of the years Finds and shall find me unafraid. It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate, I am the captain of my soul.  less

【wow! 合唱】音樂會 時間/ 2014年9月20日 地點/ 大東文化藝術中心 指揮/ 張成璞 耶洛(Ola Gjeilo， 1978-)，挪威人，於2006年在茱莉亞音樂學院取得作曲，現居美國紐約。身為鋼琴家和作曲家，他的音樂在世界上超過三十個國家傳唱、錄音。此外，耶洛的音樂也在美國公視，還有主流的斯堪地那維亞電視頻道播放，許多傑出的音樂家、合唱團也曾演出耶洛的作品。 耶洛於2001年寫出這首《被捕獲的獨角獸》，同年三月由挪威音樂學苑室內合唱團首演。這首曲子歌詞與材自中世...  more【wow! 合唱】音樂會 時間/ 2014年9月20日 地點/ 大東文化藝術中心 指揮/ 張成璞 耶洛(Ola Gjeilo， 1978-)，挪威人，於2006年在茱莉亞音樂學院取得作曲，現居美國紐約。身為鋼琴家和作曲家，他的音樂在世界上超過三十個國家傳唱、錄音。此外，耶洛的音樂也在美國公視，還有主流的斯堪地那維亞電視頻道播放，許多傑出的音樂家、合唱團也曾演出耶洛的作品。 耶洛於2001年寫出這首《被捕獲的獨角獸》，同年三月由挪威音樂學苑室內合唱團首演。這首曲子歌詞與材自中世紀晚期瑞士英格堡修道院中的經文，耶洛並非為了特定場合或是委託創作而作，而是純粹被這篇經文吸引，讓他靈光乍現。作者提到，經文裡面充滿了強烈的象徵主義，戲劇化的故事發展，還有勝利的喜悅歡樂。這首樂曲同時隱含耶穌基督死而復生的意義。 本曲開頭以中世紀調式音樂的風格呈現，四四拍與六八拍輪替之節奏也引入中世紀舞曲風味。哈利路亞段落以歡快的節奏、豐滿的和聲帶出，四四拍與七八拍轉換則顯出高昂的精神。隨著歌詞劇情推展，音樂漸趨神秘，所提到的各類動物皆具有宗教上的象徵意涵。當歌詞走到「然而牠卻復活了」段落，出現了天堂般的樂音，由女聲合唱與男聲合唱接替構築了綿長的線條與虔敬的和聲。突然轉入的新段落，則是全曲最神祕隱晦之處，象徵沉睡的國王。而後樂風一轉，最終以哈利路亞段落發展，並將樂曲帶入高潮的尾聲。  less