[The views expressed in this blog are from my personal experiences from almost 30 years of leading non-auditioned community choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across the globe. Your experiences may differ from mine, so do feel free to leave a comment and let's begin a conversation! A version of this article first appeared as a post on my blog From the Front of the Choir]
I wrote last week about what to do when important singers are missing and a concert is due.

I mentioned the drawbacks of singers relying on others in their section to know their part. I’d like to go into that in a bit more detail.
In each harmony part there is often at least one singer who picks things up quickly. They might also appear to be confident and relaxed. In which case it’s very tempting for other, less-confident singers to be drawn to them, believing that they really know what’s going on.
Firstly, that’s not necessarily the case – see Why being a confident singer is not always a good thing in a choir.
Secondly, and perhaps more importantly, it’s a very bad thing to rely on another singer like that. Here’s why.
Many choirs went online during the pandemic. This meant that singers were often alone in a room at home, singing by themselves. Many singers told me that it was a bit of a shock at first. They thought they knew their part well, but being forced to sing alone they found they were a bit wobbly. However, over time, they began to take full responsibility for learning their own part (there was no other choice!). This skill and self-awareness was then taken into rehearsals when choirs were back working in the room.
When you stop relying on somebody else as a crutch, you will find that you become more aware of all the different voices and harmonies in the choir. You will also feel much freer as you can move around and stand next to different singers (and different harmonies) and feel comfortable and in control.
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Chris Rowbury
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